I’m constantly filing and cataloging my record collection. Every time, I think that I will devise the perfect system and reveal a latent talent for organization, like in Party Girl. But, once I get about halfway through the task, I realize that the system doesn’t work as well as it should and start all over again. The only upside to this Sysiphean task— which, I suppose, is also very Party Girl— is that I inevitably reconnect with a handful of old records.
Depeche Mode 12″ singles for “Everything Counts” and “Love in Itself” from my vinyl collection.
There’s one band I’ve played more than any other in my DJ sets. That’s Depeche Mode. The British synthpop pioneers have been a part of my gigs, often regardless of the vibe of the party, since I started DJing. I doubt this will ever change.
I’ve been a Depeche Mode fan since I was a kid, but there are a lot of bands that I’ve loved for most of my life and don’t play nearly as often. It does help that L.A. has a lot of Depeche Mode fans. Outside of the clubs, the band frequently appears on request lists for weddings and birthday parties. But, that’s also not really the reason for so much Depeche Mode play.
Your record collection should reflect how your interests have grown over time. Seen here: The Velvet Underground, Giorgio Moroder, Green Velvet, Cissy Houston, Throbbing Gristle, The White Stripes, Leonard Cohen, Mike Oldfield, Fun Boy Three
In many ways, I don’t think of myself as a record collector. I’m someone who happened to start DJing when CDJs were not as user-friendly as turntables and vinyl, particularly dance and alternative music from the ‘70s and ‘80s, fit my college student budget. Many years later, though, I’ve managed to build a record collection that I still sometimes use to DJ. Mostly, though, it’s a source of personal enjoyment.
Over years of crate digging, I’ve learned how to build a record collection. I’ll share what I learned here, beginning with how to source records in a way that’s sustainable for you.
