Category Archives: Music

Top 5 Beatique Stories of 2025 (So Far)

Mike Meyers So I Married an Axe Murderer coffee House screenshot
Mike Myers in So I Married an Axe Murderer ordering a ’90s coffee house cappuccino

For a good while, Beatique was just a personal blog where I would post my playlists, updates on gigs and the occasional story. In January, I figured I should turn it into a regularly updated music and culture blog that’s still very personal. Now that we’re near the middle of the year, I’m happy to say that the project is going well. There are new posts most weekdays. Interviews are a regular feature, with at least one running every week. There are also album and live reviews, event recaps, record store spotlights and the occasional rant

Not to brag, but even I’m a little shocked that I’ve been able to post that much in between working two jobs, one of which involves a lot of writing, without using AI. It’s actually because journalism is my day job that I started putting some actual effort into the blog. Music, arts and culture journalism— which has been my beat for my entire career— is in a dismal place. It’s not just that I missed getting the music and alt culture assignments that never really came back after lockdown, but I missed reading stories that aren’t about the World’s Most Boring pop star and TikTok hits. Basically, I’m writing what I want to read, so thanks for joining me on the ride. If you want to stay up-to-date, sign up for the new mailing list. Newsletters will go out on Thursdays beginning this week and it’s free. The only thing I’m adamant about with this project is that there will be no subscriptions or paywalls.

Please share what you like, whether it’s on socials or just directly with your friends. I’m not interested in the quantity of readers so much as the quality of them, so if you know someone who is all like, “I’m really tired of paywalls on stories about social media posts,” then send them this way. 

I debated whether or not I should post the Top 5 stories of the past six months because I don’t want to judge a story by how much traffic it gets, but I think these five stories are also reflective of what you’ll find here and what I have in store for the future.

Continue reading Top 5 Beatique Stories of 2025 (So Far)

Cyrnai Embraces “Found Experience” and Future Sound on Calamity of Beauty

Cyrnai (Carolyn Fok) press photo 2025
Cyrnai, aka Carolyn Fok

Carolyn Fok was in Los Angeles, cleaning out her late father’s house, when she discovered the statue of a woman, reclining in a seductive pose amidst the odds and ends stored in a dark room. She shined a flashlight through nearby glass and snapped a photo for what would become the cover of Calamity of Beauty, her latest album as Cyrnai. 

Fok, who is also a visual artist and writer, refers to these kind of moments as “found experience.” As a child,  she found a drum machine that her father made and began playing around with it. “He didn’t give it to me, I just found it and I found a lot of things,” Fok says on a recent video call. “He would leave secondhand instruments in the living room and I started putting things together as a teen, so finding this statue was like, oh, did he want me to find this too?”

Continue reading Cyrnai Embraces “Found Experience” and Future Sound on Calamity of Beauty

Molchat Doma and Everything Else You Heard in Klub Nocturno’s New Wave vs. Darkwave Room on March 8, 2025

New wave vs. darkwave room at Klub Nocturno, Catch One Los Angeles Saturday March 8 (Photo: DJ Liz O.)
The New Wave. vs Darkwave Room at Nocturno during “Blue Monday” (Pic: Liz O.)

Saturday was another amazing night Klub Nocturno at Catch One. I played in the new wave vs. darkwave room, which definitely leaned more darkwave. The one super-new release that made it into the set was “Make Me Feel” by Night Ritualz, whose self-titled album came out on Friday, and there’s a good amount of Molchat Doma in the set because they played on Friday night. Going to keep this update short because there is not enough coffee to wake up my brain on this daylight savings Sunday and I keep writing Molchat Doma as Molchat Dolma, so maybe I need to eat or something. So, thanks to Nocturno for having me play and thanks to everyone who came out and danced. Set list is below. 

Continue reading Molchat Doma and Everything Else You Heard in Klub Nocturno’s New Wave vs. Darkwave Room on March 8, 2025

The Pains of Being Pure at Heart and More New Music for February 2025

The Pains of Being Pure at Heart Perfect Right Now Slumberland Collection

This month, French Police dropped a new EP, Espera, and Optometry’s sophomore album, Lemuria, hit the web. Plus, Marie Davidson’s latest album, City of Clowns, came out today. And, on the rarities front, Drop Nineteens’ demo collection, 1991 was officially released in early February and new compilation Goodbye Horses: The Many Lives of Q Lazzarus, which I reviewed for Bandcamp, digs into the vast and eclectic catalog of the late singer. 

But, there’s a lot more music that came out in February, so much that I’ve probably heard a fraction of one percent of it, which includes the handful of releases that I’ve recommended below. Give them a listen when you have the chance. 

Continue reading The Pains of Being Pure at Heart and More New Music for February 2025

New FKA Twigs and More Music You Heard at The Mermaid on Sunday, January 26

FKA Twigs Eusexua album cover

FKA Twigs dropped a new album, Eusexua, on Friday. I haven’t had a chance to listen to the whole thing yet, but, I really like the song “Drums of Death,” so I tried it out to open last night’s set at The Mermaid and you’re probably going to be hearing it more in my sets. Splash! Sundays is genre-free, so the set ranges from ‘60s rock and soul to new darkwave and indie.

I woke up Sunday morning with “Silver Rings” from Matt Berry’s new album, Heard Noises, stuck in my head, so that made it into last night’s set, sandwiched in between Shocking Blue and Los Bravos. Other new-ish songs in the set include “No Longer Mine,” from South Bay soul group Thee Heart Tones, and Male Tears’ latest synthpop jam, “Little Doll.” Keep scrolling for the rest of the set list. 

Continue reading New FKA Twigs and More Music You Heard at The Mermaid on Sunday, January 26

Here’s What I Played at House of Hearts Book Release Party

Cake celebrating the paperback release of Francesca Lia Block "House of Hearts" at Gold Diggers in Los Angeles on December 8, 2024. (Photo: Liz Ohanesian)
Book release party cake with cover of House of Hearts. (Pic: Liz O.)

When I was a teenager, I read Francesca Lia Block’s L.A. punk fairy tale Weetzie Bat for the first of many times. The book left a monumental impression on me— which is wild considering that it’s just a bit over 100 pages long— that it remains one of my favorites. In fact, every one of her books that I’ve read has left me in awe, including House of Hearts, which was just released on paperback last week. 

In an appropriately magical turn of events, I got to DJ the House of Hearts release party at Gold Digger’s last night. It was great fun, with live music from The Zero Collective and Movie Club, plus a VJ set from Crunch-ø-Matic. I played a 90 minute set at the end of the night with mainly indie and new wave jams. The set list is below. 

Continue reading Here’s What I Played at House of Hearts Book Release Party

Happening in L.A.: November 14 – November 20 (Updated)

Time Masters screen cap Rene Laloux
Time Masters, Rene Laloux’s collab with Moebius, screens at Brain Dead in Los Angeles on Sunday, November 17

My next DJ gig isn’t until November 23, when I’ll be playing with Vanish and Filthy Rich at Club Retro Boom’s first anniversary party, but I have a bunch of recommendations for you for events happening in L.A. between Thursday, November 14 and Wednesday, November 20. These include live music, DJ events and movie screenings and they’re all budget-friendly.

[Update: Turns out that I will be DJing this weekend. Catch me on Sunday, November 17, at The Mermaid in Little Tokyo (428 E. 2nd St., in the mini-mall on the corner of 2nd and Alameda) for Splash! This is a 21+ night and there’s no cover. I’ll be playing first, roughly from 8 p.m. until 10 p.m. or 10:30 p.m. It’s not genre specific. Check out this playlist to see what I dropped at Splash last month.)


On Thursday, seminal goth band The March Violets are playing at The Echo. Their latest album, Crocodile Promises, came out last summer and it’s a good one, so listen when you have the chance. If you’re into shoegaze and psychedelic sounds, I highly recommend Family of Light’s residency at Harvard & Stone on Friday night. I DJed the band’s show at the same venue earlier this year and they’re fantastic. Plus, Izzy Outerspace (who I also played with previously at Harvard & Stone) is on the bill as well. If classic Jamaican tunes are your jam, don’t miss Riddim ’n Brews 3rd Anniversary on Sunday at Creature Comforts.


For friends in the South Bay, Friday night at Gardena Cinema looks like it’s going to be a time. I had never heard of Psycho Ape! before, let alone its sequel, but the trailer looks amazing, especially if you’re into Troma-style films. On Saturday afternoon, Heavy Trip, a really fun Finnish black metal road trip comedy, is playing at Alamo Drafthouse. For those who love Fantastic Planet, head to Brain Dead on Sunday to see René Laloux’s collab with Moebius. Time Masters is visually very different from Fantastic Planet, but it’s beautiful and the story is fantastic. Also, it’s one of those movies that isn’t usually streaming, so catch it while you can. Monday night at Alamo Drafthouse is a screening of the new documentary on the late songwriter Allee Willis, who is best known for writing “September,” but also co-wrote with the Pet Shop Boys, “What Have I Done to Deserve This?” When I put together this post, tickets were nearly all gone, so it might be sold out when you read this. Check out the full list below. 

Continue reading Happening in L.A.: November 14 – November 20 (Updated)

Here’s What I Played for Olya Sonica’s Album Release Party at Hotel Ziggy

Olya Sonica live at Hotel Ziggy in West Hollywood on Thursday, October 24, 2024. (Photo: Liz Ohanesian)
Olya Sonica live at Hotel Ziggy, 10/24/24. (Pic: Liz O.)

Earlier this week, Olya Sonica released her debut full-length, Alchemy. It’s a terrific album— I’m listening to it as I write this— and you can pick it up for yourself on Bandcamp or stream it on Spotify now. Last night was the album release show at Hotel Ziggy, with live sets from Olya Sonica, as well as The Dirty Shirts and Veronica Bianqui. I DJed before and after the bands played. 

The directive for the gig was rock ’n’ roll and Britpop, so I thought about when I was in college, in the late ‘90s, and getting started as a DJ. At that point in time, if you went to the equivalent of today’s indie nights, you would likely hear Britpop (“Rocks” by Primal Scream and Sleeper’s cover of “Atomic” had banger status) with a lot of ‘60s— “Lucifer Sam” and “Steppin’ Stone” were throwback faves then—  and some ‘70s glam, particularly Bowie, T. Rex, Roxy Music and The Runaways. That became the basis of the set, even if some of the songs didn’t exist until the ‘00s. Check out the set list below. 

Continue reading Here’s What I Played for Olya Sonica’s Album Release Party at Hotel Ziggy

Happening in L.A.: Thursday, September 12 – Wednesday, September 18

Klub Nocturno New Wave, Darkwave, Synth Pop at Alex's Bar in Long Beach on Thursday, September 12, 2024

Tonight, I’ll be in Long Beach, playing darkwave, new wave and synth pop with Klub Nocturno. There’s no cover, but it is 21+ and you probably should arrive early. Party starts at 9 p.m. at Alex’s Bar, 2913 E. Anaheim St. in Long Beach. RSVP on Dice.

On Friday night, I’m back at the Grand Star for Club Underground’s Pulp Nite. Both rooms of the venue will be open at 9:30 p.m. Get your advance tickets now. The Grand Star is located at 943 N. Broadway, inside Chinatown’s Central Plaza, right next to the Bruce Lee statue. This is a 21+ party. 

Click here for more info on Pulp x Underground Nite. 

And, on Sunday, I’ll be back at the Grand Star for Disco Matinee: Freestyle, HiNRG, Italo edition. Advance tickets are available now on Restless Nites. Party goes from 3 – 7 p.m. and it’s 21+. 

Click here for more info on Disco Matinee. 

Want to know what else is happening in L.A.? Keep reading. For next week’s plans, you can also check out my column for Discover Los Angeles, “Get Into the L.A. Groove” for September 16 through September 22

Continue reading Happening in L.A.: Thursday, September 12 – Wednesday, September 18

A Word on “Blue Monday” Requests + My Setlist from Underground on August 9, 2024

Club Underground August 9 2024
Dancing to She Wants Revenge “Tear You Apart”

At Underground on Friday night, it dawned on me that the most requested song of my DJ career, which, by the way, began before today’s 21-year-olds were alive, is “Blue Monday.” No question about it, the New Order dance floor classic, which I also want to mention was already an oldie by the time I started DJing, has been requested at just about every club night where I’ve regularly played, sometimes multiple times in the course of one night. I get it. “Blue Monday” is the best dance song ever. I’ll write more about that later, but the tl;dr is that it’s over seven minutes long, mixes well with multiple styles of music and never clears the dance floor. It’s perfect. 

But, the weird thing about “Blue Monday” requests is that they’re unnecessary. If it’s a dance club where some variation of indie, ‘80s and/or synthpop are played, there’s a 99% chance that “Blue Monday” will be in the mix. Often, I’ll get the requests at 10:30 p.m. and I’m like, “wait until midnight,” because one does not play “Blue Monday” until the floor is at it’s peak. Other times, I’ll get the request after 1 a.m, at which point, the song was already played. 

Last night, I got the post-1 a.m. “Blue Monday” request. Malvada had already played the and I said that. However, the requester had spent a good chunk of time on the dance floor upstairs, so I wanted to do something nice. “But,” I said, “I have the ‘Blue Monday’ mix of ‘Can’t Get You Out of My Head.’” The requester looked excited. I played the song. Everyone in the room seemed happy. Compromises can be a good thing. 

Keep reading for the set lists. 

Continue reading A Word on “Blue Monday” Requests + My Setlist from Underground on August 9, 2024