Search results for: “school of seven bells”

  • This 12-Year-Old School of Seven Bells Song Still Hits Like It’s New

    School of Seven Bells Ghostory on vinyl
    My vinyl copy of School of Seven Bells’ 2012 album, Ghostory.

    When a song isn’t instantly recognizable, you can see it on the faces in the crowd. They’ll shoot befuddled glances around the room, scope the scene and see how many people look like they know it. They half-dance, as if they’re still deciding whether or not to stay on the floor. 

    In the DJ booth, this is a tense moment because there are a few ways that the scenario can play out. They might leave the dance floor, taking a handful of people with them. Or, someone who is equally bold and clueless might come up to the booth with the “play something I know” request. In the best possible instances, they stick with the groove and keep moving.

    I see people cast the “I don’t know this song, should I dance?” glance whenever I play “Low Times” by School of Seven Bells. The song is 12 years old, and I’ve been playing it for just as long, but it still hits as if it were new. Even though it’s not a song that people automatically know, they keep dancing. Every time, the crowd grows and energy builds alongside the heart-pounding rhythm and breathless vocals. 

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  • New Alison Goldfrapp, Tyler the Creator and Everything Else You Heard at The Mermaid on 8/17/25

    The Mermaid Little Tokyo Los Angeles August 2025 (Photo: Liz Ohanesian)
    Inside the Mermaid 8/17/25 (Pic: Liz O.)

    It’s been a minute since I’ve DJed at The Mermaid, long enough where I hadn’t seen how the corner near the DJ booth now looks like an underwater cave (see pic above). It’s super cute. Anyhow, last night was an open format set, so you heard everything from new Alison Goldfrapp and Tyler the Creator to oldies from Brenton Wood and Creedence Clearwater Revival to everything in between. Set list is below. 

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  • Top 5 Beatique Stories of 2025 (So Far)

    Mike Meyers So I Married an Axe Murderer coffee House screenshot
    Mike Myers in So I Married an Axe Murderer ordering a ’90s coffee house cappuccino

    For a good while, Beatique was just a personal blog where I would post my playlists, updates on gigs and the occasional story. In January, I figured I should turn it into a regularly updated music and culture blog that’s still very personal. Now that we’re near the middle of the year, I’m happy to say that the project is going well. There are new posts most weekdays. Interviews are a regular feature, with at least one running every week. There are also album and live reviews, event recaps, record store spotlights and the occasional rant

    Not to brag, but even I’m a little shocked that I’ve been able to post that much in between working two jobs, one of which involves a lot of writing, without using AI. It’s actually because journalism is my day job that I started putting some actual effort into the blog. Music, arts and culture journalism— which has been my beat for my entire career— is in a dismal place. It’s not just that I missed getting the music and alt culture assignments that never really came back after lockdown, but I missed reading stories that aren’t about the World’s Most Boring pop star and TikTok hits. Basically, I’m writing what I want to read, so thanks for joining me on the ride. If you want to stay up-to-date, sign up for the new mailing list. Newsletters will go out on Thursdays beginning this week and it’s free. The only thing I’m adamant about with this project is that there will be no subscriptions or paywalls.

    Please share what you like, whether it’s on socials or just directly with your friends. I’m not interested in the quantity of readers so much as the quality of them, so if you know someone who is all like, “I’m really tired of paywalls on stories about social media posts,” then send them this way. 

    I debated whether or not I should post the Top 5 stories of the past six months because I don’t want to judge a story by how much traffic it gets, but I think these five stories are also reflective of what you’ll find here and what I have in store for the future.

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  • Maria Somerville Plays an Extraordinary Shoegaze Set at Zebulon

    Maria Somerville live at Zebulon in Los Angeles on Saturday, May 24, 2025 (Photo: Liz Ohanesian)
    Maria Somerville concluded her five-week tour, which included the singer’s first U.S. jaunt, on Saturday, May 24 at Zebulon in L.A. (Pic: Liz O.)

    On Saturday, May 24, Maria Somerville closed out a five week tour, which included her first U.S. jaunt, at Zebulon in Los Angeles. Playing with a full band, the Irish musician transformed the sublime, often atmospheric, sound of her two albums into a shoegaze blowout. It was loud and cathartic and I’m really glad that Zebulon keeps a bowl of earplugs near its entrance. 

    I grabbed a spot right in front of the bassist’s zone on stage, next to some dudes who were investigating the pedals. (I told you this was a shoegaze show!) A hodgepodge of tunes played as the small, Frogtown venue filled with people. Hearing “French Disko,” the Stereolab song, was an appropriate way to prepare for the show that was about to start. I noticed a My Bloody Valentine t-shirt in the crowd too, which was both completely expected and probably a bit of foreshadowing.

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  • L.A. Witch Explores Psychedelic Post-Punk on Doggod

    L.A. Witch Doggod album cover

    L.A. Witch is back with their first full-length since the pandemic. For Doggod, released on April 4 via Suicide Squeeze Records, the local three-piece headed to Paris, where they recorded at Motorbass, the studio founded by late producer Philippe Zdar (Cassius) where Phoenix recorded Wolfgang Amadeus Phoenix

    Even though the album was made in a studio with a French indie pop pedigree, the sound of Doggod is very L.A. Specifically, the album makes me think of the city’s 1980s post-punk scenes. At that time, you had deathrock, which became goth, and included bands like Kommunity FK, Christian Death and 45 Grave. There was a scene known as the Paisley Underground, which was ‘80s psyche and spawned bands like The Bangles and Opal, who evolved into Mazzy Star. Then, you had a band like the Gun Club, that was really its own vibe, playing dark Americana. Doggod sounds like the point where those three tangents intersect. My point being, you can take the band out of L.A., but you can’t take L.A. out of the band, especially when the city is in their name. 

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  • Miki Berenyi Trio Makes Dance Floor-Friendly Dreampop on Tripla

    Album cover for Tripla by Miki Berenyi Trio

    Last year, I saw Miki Berenyi Trio live at the Fonda in Hollywood and, since then, have been waiting for the British indie group’s debut full-length. Tripla came out on Friday, April 4, and was well worth the wait. The tl;dr version is it’s fantastic. Get it, but don’t expect a rehash of the 1990s. Keep reading if you want more details. 

    MB3 is named for Miki Berenyi, former guitarist and singer for Lush and author of the must-read memoir Fingers Crossed, but it isn’t a solo project. The trio is rounded out by KJ “Moose” McKillop, and Oliver Cherer. All three musicians share songwriting duties and that’s reflected in the album’s title, which is Hungarian for triple. Still, Berenyi is the most recognizable member of MB3. 

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  • New Fontaines D.C. and Everything Else You Heard at Splash! at The Mermaid 2/23/25

    Two skulls in a heart at The Mermaid bar in Little Tokyo Los Angeles (Photo: Liz Ohanesian)
    Heart and skulls at The Mermaid 2/23/25 (Pic: Liz O.)

    Fontaines D.C. dropped a new track last week, “It’s Amazing to Be Young” and the song was one of two from the Irish band to turn up in my set for Splash! at the Mermaid last night. Another new-ish tune worth mentioning is “The Silence That Remains” by The Horrors, which is from their forthcoming album, Night Life. It’s out on March 21 and I’m really looking forward to it. 

    Recent releases from Optometry, Mogwai, Dustbowl Champion and FKA Twigs also made it into the Splash! set, but since there are no genre limitations for this night, I tend to play whatever is stuck in my head in the days leading up to the gig. Tracey Ullman’s cover of “They Don’t Know” was that song earlier last week until it was dislodged by the most persistent earworm I’ve had in a while. I’ll reveal what that song is tomorrow, but it is somewhere on this five-hour set list, so maybe you’ll figure it out before then.  

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  • L.A. Duo Optometry Returns With Sophomore Album, Lemuria

    Optometry Lemuria album cover
    Lemuria is the second full-length album from L.A.-based duo Optometry

    Read Beatique’s interview “Fear is the Mind Killer: Inside the World of Optometry”

    Lemuria, the sophomore album from Optometry, has the best closer I’ve heard in a long time, so we’re going to start this review at the end. “Never Coming Back” is in the vein of what’s considered post-punk right now. It has a running-for-your-life tempo (over 160 bpm for those of you who keep track of these things), a gloomy synth and a “Ceremony” sad guitar. It’s dark— really, it sounds like the cliff-hanger ending of a TV show— but also danceable and it’s become my favorite track on the album, which is out today on Palette Recordings.

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  • Taleen Kali Covers Smashing Pumpkins and My Bloody Valentine at EP Release Show in L.A.

    (left to right) Genevieve, Taleen Kali and Josephine playing Covered EP release party at Love Song Bar DTLA on February 8, 2025
    (left to right) Genevieve, Miles (back of pic on drums) Taleen Kali and Josephine playing Covered EP release party at Love Song Bar DTLA on February 8, 2025 (Pic: Liz O.)

    Taleen Kali has a new EP out on Valentine’s Day. Covered features the band’s versions of songs by Smashing Pumpkins, My Bloody Valentine, The Supremes, Garbage and Depeche Mode. Last night, at the appropriately-named Love Song in downtown Los Angeles, was the listening party, which included a live performance. This isn’t a review, which would be unfair on account of the fact that I was the DJ for the event. It’s more of a recap. 

    The Love Song is a tiny bar— like, really tiny— at the front of The Regent, a 110-year-old former movie theater-turned-concert venue. Bands typically play in a patch of open space right next to the bar’s entrance, in front a window that faces Main Street and that was the setup last night. All this makes for a very intimate performance. If you’re up at the front, which I was on account of the CDJs being set up right next to the band, you’re really face-to-face with the performers. 

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  • My Top 10 Belle & Sebastian Songs

    Belle & Sebastian "Legal Man" 12" vinyl single and signed vinyl copy of Girls in Peacetime Want to Dance plus hardcover copy of Nobody's Empire by Stuart Murdoch (Photo: Liz Ohanesian)
    Belle & Sebastian “Legal Man” single, Belle & Sebastian Girls in Peacetime Want to Dance and Nobody’s Empire by Stuart Murdoch

    Stuart Murdoch just released his first novel. Called Nobody’s Empire, it’s inspired by the Belle & Sebastian singer’s own experiences. In the novel, a young, Scottish man develops chronic fatigue syndrome, also called myalgic encephalomyelitis (ME), which changes his life and brings him together with a new group of friends and leads him on a path towards songwriting.

    Nobody’s Empire is a beautifully written story about finding your people under difficult circumstances. It’s also filled with vivid details about the music and fashion of late 1980s and early 1990s indie/alternative subcultures. Recently, I was able to meet up with Murdoch on Zoom for an interview that is now out in the Books section of Southern California News Group papers. (Here’s a gift link to read the story.) You can catch Murdoch at Barnsdall Gallery Theatre for his L.A. stop on the book tour. 

    I’ve been a Belle & Sebastian fan for a long time, so I wanted to list my favorite songs from the band here as well. Keep reading to see the picks. 

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