Category Archives: New Music

Daphne Guinness’ New Album, Sleep, Is Disco Perfection

Cover of Sleep by Daphne Guinness
Album cover for Sleep, by Daphne Guinness

It was before noon on the first day of July when I listened to Sleep, the new album from Daphne Guinness, for the third time that day. I’m not one to play albums on repeat, but this one resonated with me in a particular way. By the third listen, I had already started to memorize a few of the songs, but had yet to decide which ones will end up in my DJ sets.  This album is disco perfection and there are songs suited for nearly every kind of set I might play.

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Pulsar, the New Album from L’Impératrice, Is Out Now

L'Imperatrice Pulsar press photos by Augustin JSM
L’Impératrice (Photo by Augustin JSM)

In April of 2021, I saw L’Impératrice live at the Fonda Theatre in Los Angeles. Three years later, the thing that stands out about that show is how hard everyone danced.. There was one point when singer Flore Benguigui got low and the audience did the same.

I was in the balcony that night and, from my vantage point, I saw a broken heart totem and a crown totem bouncing above bobbing heads. When L’impératrice turned songs from Tako Tsubo, like “Submarine” and “Peur des filles” into full-blown disco jams — the latter sounding like “Love to Love You, Baby”— it felt like the crowd was moving as a single body. Before that night, I had spent more than a month listening to Tako Tsubo  on repeat, partially because I interviewed L’Impératrice for Audiofemme, but also because the album quickly became a favorite of mine for that year. But, L’Impératrice live is a whole other level of wild energy that I hadn’t heard in their recordings, at least until now. 

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Neutrals, Blood Club and More May 2024 Music

Album cover for New Town Dream by Neutrals released on May 31, 2024

On Memorial Day, right after turning in my last writing assignment of the month, I headed over to Bandcamp and played the new DIIV album. It was the first time I listened to Frogs in Boiling Water.Typically, I don’t like writing about an album unless I’ve given it a few spins, but, in that moment, DIIV resonated with me and I started typing. 

Frogs in Boiling Water is an album that sounds amazing when you’re eyes are about to fall shut at 11:30 a.m. because you had a DJ gig the previous night— your third over the holiday weekend— and you had to wake up early enough to finish some work. That is a very specific situation, but it’s one that I can hear reflected in the tough, hazy sound of the album. This album is not dreamy, as people often refer to shoegaze bands. It’s the sound of pushing forward even when your shoulders slump and you have to close your eyes ever couple minutes.

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Pet Shop Boys, A Certain Ratio, Brainstory and More April 2024 Music

I’m home on a Thursday night trying to finish a story that I need to turn in tomorrow. Since it’s already tomorrow in the U.K., the new Pet Shop Boys album, Nonetheless, is up on Spotify. So, I listen as I write and I listen again after I decide that 700 words is enough words for now and I can finish that article in the morning, when my eyelids aren’t quite as heavy and the chocolate mini Easter eggs I popped into my mouth one after the other aren’t weighing me down. 

To recap: I flipped over “Loneliness,” the first single and opening track from Nonetheless, when it was released earlier this year. It’s been doing really well in my sets too. It’s a classic Pet Shop Boys club track, the kind of that reminds you that life is sad, but you’re happy on the dance floor. They followed up “Loneliness” with the single “Dancing Star,” which I haven’t played yet, but I do quite like. It’s slightly reminiscent of “Domino Dancing,” which is probably why I picked up that vintage 12” at Rubycon last weekend. 

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Pet Shop Boys, Optometry, Ride and More New Music

Cover for Interplay 2024 album by Ride
Cover for Ride’s new album, Interplay, which I was listening to for the first time while finishing this post.

It sounds like we’re on the verge of another Pet Shop Boys moment. Or, at least, that’s how I hope 2024 will sound and, judging from the response on the dance floor, the L.A. crowds seem to agree. But, then again, L.A.’s affinity for the British duo has endured since the 1980s. 

In January, I fell for the cover of “Being Boring” by TR/ST, with guest vocals from Jake Shears of Scissor Sisters. Shortly after that dropped, Pet Shop Boys themselves released “Loneliness,” the first single from their forthcoming album, Nonetheless. It’s a gorgeous dance song that reflects the strange isolation of 2020s life. (The Guardian has a good interview with the band, if you’re interested in reading more about Pet Shop Boys’ new music.) Around the same time, I stumbled across a cover of “Rent” that Sally Shapiro released last fall. I wondered how I missed this release last year, then snapped it up on Bandcamp

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Future Islands, TR/ST and More January 2024 Music

Album covers for Future Islands People Who Aren't There Anymore and TR/ST EP
Album covers for Future Islands People Who Aren’t There Anymore and TR/ST EP

It’s Saturday morning on the last weekend of January and I’m listening to the new Future Islands album, People Who Aren’t There Anymore, for at least the third time since it dropped the previous day. I’m thinking about which songs might turn up in my DJ sets soon. I’ve yet to make up my mind. 

Sometimes, I listen to a new release and know immediately which song I’ll claim for my sets. That was the case when I heard TR/ST’s new EP the previous day. I wasn’t even fully awake when I pulled it up on Bandcamp, but was somehow cognizant enough to have very clear opinions on the songs. “Robrash,” which actually came out in December, was an obvious banger, but too stompy for my tastes. “Run,” featuring Cecile Believe, would probably do well on the dance floor, but the vocals give me Electric Daisy Carnival flashbacks, so I’ll pass. That cover of “Being Boring,” though, is gorgeous and exactly what I would play.

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Get This Album Now: Maraschino “Hollywood Piano”

Album cover for Maraschino Hollywood Piano released on March 3, 2023

The summer before the pandemic, my husband and I went to go see The Space Lady at Zebulon. It was a strange night. An earthquake hit while we were eating dinner and watching Skyfall in Spanish at an Armenian restaurant not far from the venue. That might have also been the night at Zebulon that ended with a parking ticket as well, but my memory of pre-pandemic times fails me. Regardless, what I do remember is that we got to Zebulon early enough to catch opener Maraschino, who I had never heard before that night. Her sound, a synth pop-disco hybrid, caught my attention immediately and I’ve been following her work since then. 

The moral of the story is always try to catch the opening act, even on those very strange nights.

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