All posts by Liz O.

I'm a longtime, cross-genre DJ and writer living in Los Angeles.

New Wave vs. Darkwave at Klub Nocturno on January 17, 2025

Nosferatu statue at Klub Nocturno in the New Wave Darkwave room on January 17, 2025
Nosferatu welcoming you to the New Wave vs. Darkwave room at Klub Nocturno on Friday, January 17, 2025

If New Wave vs. Darkwave were a real battle, IDK who would have won. Last night, in the Loft at Catch One, where I DJed all night for Klub Nocturno’s fundraiser for those impacted by the recent wildfires, new wave was visibly the clear winner. Nothing packed the floor like the ‘80s jams last night. However, the requests were overwhelmingly for the darkwave bangers and the groups nearest to the DJ booth, some of whom were dancing virtually the entire night, definitely were into Boy Harsher, French Police, Molchat Doma, etc. , so darkwave was also a winner.

Anyhow, here’s the set list from the New Wave vs. Darkwave room at Klub Nocturno on January 17, 2025. The only new song— as in the first time I’ve played it out— in the set is “God Whispers” by Soft Vein, whose latest album, Through Blinds, came out on Friday. Check it out if you’re into dark, EBM-influenced synthpop, which you probably are if you’re reading this post. 

Continue reading New Wave vs. Darkwave at Klub Nocturno on January 17, 2025

It’s So Lonely In Heaven on Legendary Pink Dots’ New Album

Legendary Pink Dots So Lonely in Heaven album cover

In 2022, Legendary Pink Dots released The Museum of Human Happiness, their first album since the pandemic. It was one of my favorite albums of that year and, really, one of the finest releases from a band who celebrated their 40th anniversary just before lockdown. Now, two weeks into 2025, they’ve dropped the follow-up, So Lonely in Heaven, via Metropolis Records and I humbly recommend that you listen to the two albums back-to-back. I don’t know if it’s intentional, but from the listener’s perspective, The Museum of Human Happiness and So Lonely in Heaven sound as if they are part of the same extended body of work. 

Continue reading It’s So Lonely In Heaven on Legendary Pink Dots’ New Album

Greek Jam “Black Eyelashes” Stands Out On Franz Ferdinand’s The Human Fear

Franz Ferdinand The Human Fear album cover

In the four or five times that I’ve listened to The Human Fear, the latest album from Franz Ferdinand, since it was released on January 10, I keep going back to one song. “Black Eyelashes” is the band’s take on rembetiko (also spelled rebetiko), a style of Greek music that was particularly popular in the first half of the 20th century, and I’m hooked on it. 

It’s sounds like there have been a Greek influence on Franz Ferdinand’s music from the get-go. I can’t really pinpoint exactly what it is, but something in the guitar tones and the rhythms they use has struck me as very eastern Mediterranean since I first heard “Take Me Out” 20+ years ago. On, “Black Eyelashes,” though, the influence is so blatant that you might start imagining that final dance scene in Zorba the Greek. I did. 

Continue reading Greek Jam “Black Eyelashes” Stands Out On Franz Ferdinand’s The Human Fear

Club Underground’s Bowie Night, Klub Nocturno and More Happening in L.A. This Week

Club Underground Bowie Night January 10, 2025 Grand Star Jazz Club Los Angeles DJ Larry G and DJ Liz O


It’s David Bowie’s birthday, which means that Friday night, January 10, will be Club Underground’s annual Bowie night. Both floors of the Grand Star will be open so ready for some sound and vision with Larry G. and me in the DJ booths and Miho ready to make you up like Aladdin Sane. Underground’s Bowie Nights do sell out, so click on this link to get your tickets asap. 

Continue reading Club Underground’s Bowie Night, Klub Nocturno and More Happening in L.A. This Week

Finally, There’s a Horror Movie for the Vinyl Nerds

Pater Noster and the Mission of Light horror film 2024

Finally, there’s a movie that truly understands the vinyl nerd, one that gets the crazy, stupid and possibly dangerous lengths we might travel to procure an ultra-rare, likely-cursed album released by a hippie cult a half-century ago. Of course, this movie, Pater Noster and the Mission of Light, is a horror flick served with a good dose of comedy. Where else did you think a hunt for Discogs gold would take you? 

Directed by Christopher Bickel, the South Carolina-based, “anti-Hollywood” filmmaker whose previous efforts include Bad Girls and The Theta Girl, Pater Noster and the Mission of Light is no-budget cinema at its finest. It looks good, has a great soundtrack with original music and, most importantly, is a clever, well-written film. Released last year, Pater Noster has been streaming on Night Flight, which is where I caught it. There’s also a Blu-Ray release on the horizon.  

Continue reading Finally, There’s a Horror Movie for the Vinyl Nerds

The 40-Year-Old Song of 2024 and More From Underground’s New Year’s Eve Party

Dancing to Bronski Beat "Smalltown Boy" at Grand Star Jazz Club in Los Angeles for Club Underground's New Year's Eve party. (Photo: Liz O.)
Dancing to “Smalltown Boy” at Club Underground’s New Year’s Eve party.

By now, you’ve probably read, and argued with, more Best of 2024 lists than you can recall, but I’m here to tell you now, on the first day of 2025, that the real song of the year was a 40-year-old Bronski Beat club hit whose viral success probably wasn’t as organic as reported. (Seriously, people just happened to ask their parents how to dance to “Smalltown Boy” right at the time of the song’s 40th anniversary and not, like, when it appeared in Euphoria? And there just happened to be contemporary club remixes ready to be released in the aftermath of its success on TikTok?)

But, even if the song’s resurgence was a total marketing ploy, it worked. On the hottest nights of the summer, I would hear people scream for “Smalltown Boy” as they threw their hands in the air and danced with sweat dripping from their faces. After the summer faded, the song’s popularity dipped only slightly. On New Year’s Eve, it still hyped up the Underground crowd. But, to be fair, “Smalltown Boy” is one of those songs that never quite dropped off L.A. club playlists— like “Living on Video” or “Send Me an Angel”—  the whole viral thing just gave it an extra kick.  

Anyhow, thanks to everyone who made it out to Club Underground’s New Year’s Eve party last night. Scroll down to see what I played. Next gig for me is David Bowie night at Club Underground on Friday, January 10. David Bowie night is a biggie, and it has sold out before, so click on this link to get your tickets as soon as possible. 

Continue reading The 40-Year-Old Song of 2024 and More From Underground’s New Year’s Eve Party

Cold Cave, Twin Tribes, Fontaines D.C. and More of What You Heard at Splash! Sundays on December 29

Siren Who Stole Xmas display at The Mermaid in Los Angeles on December 29, 2024 (Photo: Liz Ohanesian)

Just a quick update with my set list from last night’s gig. I played at The Mermaid for Splash Sundays, with a set that went roughly from 8 p.m. until 10:30 p.m. Splash Sundays is a no genre night, but I think last night’s set definitely leaned more towards classic alt and modern indie and darkwave. I don’t plan sets. Really, I just go by what songs make people move and what band t-shirts people are wearing.

Continue reading Cold Cave, Twin Tribes, Fontaines D.C. and More of What You Heard at Splash! Sundays on December 29

Celebrate New Year’s Eve at Club Underground

Club Underground New Year's Eve Flyer Grand Star Jazz Club on 12/31/2024

Did you make your plans for New Year’s Eve yet? On Tuesday, December 31, Club Underground takes over both floors of the Grand Star Jazz Club in Los Angeles’ Chinatown for a night of indie, new wave, darkwave, Britpop, post-punk and so much more. Larry G., Filthy Rich and I (Liz O.) will be your DJs from 9:30 p.m. until 2 a.m.

Tickets for New Year’s Eve at Club Underground are available now and you should click on this link and snap up yours as soon as possible because this event sells out every year.

Keep Reading:

The 2024 Year End Mix Is Online Now

The 15 Best Albums of 2024 According to One Really Opinionated DJ

Here’s What I Played at Underground on Friday, December 13, 2024

The 2024 Year End Mix Is Online Now

The Beatique 2024 Year End Mix is here. I recorded a live set at home featuring songs from all of the albums featured on my Best Albums of 2024 list, plus a few of the bangers that made their way into my DJ sets this year. I didn’t want to rank club hits this year, but there are four songs that really stood out for the crowd reaction that they get. Those are: French Police “Her”; Twin Tribes “Sangre de Oro”; Blood Club “No Quiero Bailar”; Glass Spells “Hechizos.” All four songs are on this mix. There are also a couple songs that actually came out in 2023, but turned up in my sets this year, so I figured those were worth including as well.

But, this isn’t a club mix. Think of it more like a college radio show without the mumbly airbreaks. There are some more ambient tracks, rock songs, etc. in here as well. The mix is a little over an hour-and-a-half, so put it on whenever you have time to listen and, if you like it, share it. Thanks for listening and, for those of you in L.A., I hope to see you at Underground’s New Year’s Eve party on Tuesday night. Scroll down for the set list. 

Continue reading The 2024 Year End Mix Is Online Now

Ride at The Fonda, You Had to Be There

Ride live at The Fonda in Los Angeles on Thursday, December 19, 2024 (Photo: Liz Ohanesian)
Ride live at The Fonda on Thursday, December 19, 2024 (Pic: Liz O.)

Early on in Ride’s set at The Fonda on December 19, as the band played “Dreams Burn Down,” the spotlights danced furiously with every wave of guitar noise that crashed over the crowd. Small specks of light flickered across the dark walls of the theater, burning out as soon as the shoegaze interludes cut back to the song. Everything was tightly choreographed, the lights and sound so in sync with each other that it was as if I had been swallowed by the music. When you can imagine the music as this living, breathing entity and you are, if only for a moment, existing in the belly of it, it’s an amazing, and rare, feeling. 

This was my first Ride concert and, honestly, I think it’s an ideal time to see the band. While I love the now-classic albums, Nowhere and Going Blank Again, Ride released an album this year, Interplay, that’s a career best. It’s a fantastic collection of psychedelic guitar pop and one of my favorite albums of 2024. If you haven’t heard it yet, you should fix that asap. 

I’ve been listening to Interplay since it was released earlier this year and had wanted to finally catch Ride on this tour. In fact, I was about to check for tickets when my friend Melissa was all like, just won tickets to see Ride, want to go with me? Of course, I did. This was an even better opportunity. Melissa and I have been friends since sometime around Y2K, when we crossed paths nerding out over British bands first in a chat room and then IRL at places like Cafe Bleu, a club night in West Hollywood at the time where you could actually dance to “Twisterella” and sway to “Vapour Trail.” Yet, neither of us had seen Ride before, so this was bound to be a memorable night. 

Continue reading Ride at The Fonda, You Had to Be There