Interview

Jesika Von Rabbit Welcomes Listeners Into Bunnywood Babylon

Jesika Von Rabbit and bassist Lee Joseph press photo for Bunnywood Babylon by Aydra Swan
Jessika Von Rabbit and bassist Lee Joseph (Photo: Aydra Swan)

“Go Back to L.A.” started out as a joke. Jesika Von Rabbit and a friend were noodling around in her Joshua Tree home studio when she came up with the tune and the catchy, garage rock song stuck. Now, it’s the latest single from the singer’s recently released album, Bunnywood Babylon. “Hopefully, I don’t get too many people upset with me,” Von Rabbit says on a video call. 

The song’s title stems from bumper stickers that have been popping up in the Joshua Tree area following an influx of new residents and tourists from Los Angeles. “Some of the people who grew up out here maybe don’t want some of the more of the hip, fancy stuff that’s coming to town,” Von Rabbit says. “Sometimes that’s out of fear too. People are afraid of what they don’t understand.”

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Interview

“I’m Still a Punk”: Claus Larsen of Leæther Strip on Horror Novels, Cover Songs and Connecting with Fans

Leæther Strip Claus Larsen promotional photo
Claus Larsen of Leæther Strip

Claus Larsen is a man of many projects. There’s Klutæ, for which he released the new album, Godsent, in early May and appeared at Seattle festival Mechanismus later that month. Am Tierpark,  his Italo disco-influenced synthpop duo with John R. Mirland, released the album Shameless last year and the two musicians also have a punk band, Gusten, with a forthcoming album that’s near completion. Then there’s Larsen’s flagship solo project, Leæther Strip, which has been ongoing since 1989. It’s Leæther Strip that brought a capacity crowd to downtown Los Angeles’s Slipper Clutch on the final Saturday night in May. 

While Larsen released his latest Leæther Strip album, Fucking Perfect, in February, L.A.’s industrial heads are here for the classics. Tonight’s set is centered around Leæther Strip’s 1990s catalog and Larsen is pummeling the crowd harsh, EBM beats, his intense vocal delivery and a barrage of samples. Inside the small, upstairs venue, people squeeze as close to the stage as possible. 

“I love doing these shows because you see the faces. They recognize what they were into in the ‘90s and instantly, smiles,” says Larsen earlier in the evening, when we meet right after soundcheck. “They’re the reason I’m still able to do this, because I built up my audience back in the ‘90s and they’re still hanging on and supporting.”

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Happening in L.A.

This Is a Good Weekend to Support Downtown Los Angeles

Photo taken on 7th Street in downtown Los Angeles by Liz Ohanesian
The curfew is gone, head back downtown this weekend.

Mayor Bass finally lifted the curfew that was thrust upon downtown Los Angeles on Tuesday, so this weekend is a really good time to support the venues who were impacted by the 8 p.m. shutdown. Over at the Grand Star in Chinatown, Club Tenderness is on Thursday, June 19. Underground is still happening on Friday, but note that Underground’s Pulp Party has been moved to Friday, July 18. Saturday, 6/21, is Club Disintegration downstairs at the Grand Star and ‘80s Night upstairs. 

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New Music

Classic Pulp and Northern Soul Meet on “Got to Have Love” + More. on New Album

Pulp More. vinyl photo by Liz Ohanesian taken at Moldy Toes Records in San Clemente, CA
Found Pulp’s new album, More., on vinyl at Moldy Toes Records in San Clemente

Every time I hear “Got to Have Love,” I have to stop what I’m doing and dance. The second single from More., the first new full-length Pulp album in 24 years, is a northern soul-style stomper. Like the Four Seasons songs “The Night,” which Pulp covered many years ago, and “Beggin’” it has a beat that pushes you to dance harder and faster, to kick and spin and drop to the ground. And if the song itself doesn’t quite compel you to do all these things, the video, comprised of footage from the legendary U.K. club Wigan Casino, will. By the song’s end, you should feel some kind of relief. Maybe the weight of the world has lifted. Maybe you’re just overjoyed that you got through the song without pulling a muscle. 

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Places to Visit, Record Stores

Digging for Fire at Bookmans in Mesa and Phoenix, Arizona

Bookmans Entertainment Exchange Mesa, Arizona (Photo: Liz Ohanesian)
With just a few spare hours in Arizona, I hit up Bookmans Entertainment Exchange in Mesa and Phoenix to dig for vinyl heat (Pic: Liz O.)

If you’ve spent a good amount of time in Arizona, you probably know about Bookmans. I’ve only been to Phoenix a few times and all of those were quick-turnaround work trips, so I hadn’t heard of the bookstore chain until the Saturday after DJing with Klub Nocturno at Crescent Ballroom, when we had enough time to hit up the locations in Phoenix and Mesa.

Bookmans is a lot more than a bookstore. It offers everything from books to guitars to video game consoles. What immediately struck me from visiting two of the five locations is that the range of what they stock varies between stores. I was (obviously) there for vinyl, which you’ll find at both the Mesa and Phoenix outposts, but the digging experience was as different as if I had gone to two independently owned stores. 

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New Music

Pixel Grip Explores the Dark Side of Club Pop on Percepticide: The Death of Reality

Pixel Grip album cover of Percepticide: The Death of Reality
Pixel Grip’s third album, Percepticide: The Death of Reality is out now.

Chicago-based trio Pixel Grip released their third album, Percepticide: The Death of Reality on June 12. Three years in the making, Percepticide is also the band’s first fully independent release and the end result is a collection of a dozen songs that are rooted in the clubs, but defy expectations of what one might consider club music. It’s as punk as it is pop, as raw as it is slick and as menacing as it is euphoric. 

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Happening in L.A.

This Weekend, Take a Break from Doomscrolling

Photo of the monarch habitat at Los Angeles State Historic Park in May, 2025 (Photo: Liz Ohanesian)
Seriously, stop doomscrolling. (Pic: Liz O.)

If you aren’t able to protest in Los Angeles, but want to get involved in the effort to stop the ongoing I.C.E. Raids, check out this list from L.A. Public Press on other actions you can take. Head over to L.A. Taco for a list of 17 non-profits supporting immigration rights that could use donations. 

Mostly, I want to encourage people to not doomscroll this weekend. And, by people, I mean myself as well. I really need to stop doomscrolling. Whether or not you’re out protesting over the next few days, we’ll all need a break from the news. So, set aside some time to watch a movie, visit a park or museum, go to the gym or do something to chill for a bit.

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Adventures in L.A.

In Reality, It’s Not That Exciting

Graffiti in downtown Los Angeles of a middle finger and the word Ice
Can’t say I disagree. (Pic: Liz O.)

On Monday afternoon, a bit after 3 p.m., I went for a walk through Chinatown. It was the fourth day of the protests against ICE raids in the city and helicopters had been hanging over the neighborhood like gnats all day. The first thing I noticed while walking down Broadway was that I’m not the only person annoyed by the incessant buzz of the helicopters. An older man stopped in his tracks and looked towards one of them. I almost walked into him. Another neighborhood senior sat on a bench, tilted his head upwards and shook a cigarette-wielding fist in the air. I almost busted up laughing while thinking of the “Old Man Yells at Cloud” headline from The Simpsons. 

It was business as usual in Chinatown. The Broadway shops remained open with racks of merchandise set up outside the storefronts. The local produce vendors tried to coerce me into buying more avocados and peaches than I could eat in a couple days.

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Adventures in L.A., Live Music

Satanic Puppeteer Orchestra Live at Exotikon 3

Satanic Puppeteer Orchestra live at The Mayan in downtown Los Angeles for Exotikon 3 (photo: Liz Ohanesian)
Satanic Puppeteer Orchestra live at The Mayan in downtown Los Angeles for Exotikon 3 (Pic: Liz O.)

Our glasses weren’t 3D. We were watching a live performance inside downtown L.A.’s Mayan Theatre and, like the robot on stage told the crowd on Sunday afternoon, that’s already 3D. These were decoder glasses. Some in the audience had blue lenses. Others, like me, had red ones. The color of the lenses determined what you would see on the screen behind Satanic Puppeteer Orchestra, the human-and-robot duo from San Diego who were playing as part of Exotikon.

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Interview

‘Intergalactic Dance’ Diva Ora the Molecule Has a Message for the Dance Floor

Ora the Molecule Nora Schjelderup press photo by Jonathan Kvien
Ora the Molecule Photo: Jonathan Kvien

It’s early, at least by club standards, on a Thursday night in mid-May, but the dance floor at El Cid is poppin’. On stage, Ora the Molecule flits between the synthesizer that sits on a table cloaked in glittery fabric and a theremin off to the side of her. When she looks down at the synthesizer, beams of light shoot from her disco ball helmet towards the crowd. Dressed in a red jumpsuit with matching gloves and boots, Ora the Molecule looks like a space disco diva who has just arrived on Earth. Few, if any, people in the crowd can resist her intergalactic groove. 

When Nora Schjelderup, the singer and producer behind Ora the Molecule, and I connect for a video call a couple weeks later, I tell her that the show reminded me of sci-fi disco performances from 1970s European variety shows that I’ve seen floating around online.

“Yes!” she responds through laughter. “That’s exactly what I’m aiming for.”

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Indie music and alt culture blog from Los Angeles. By Liz O.