The Mermaid was busy last night. People filtered in and out of the bar. Guest bartenders from The Wolves poured specialty cocktails. Scenes from Star Odyssey, the “Italian Star Wars,” played on the TV set. I played a mix of Italo disco, space disco and other assorted, related tunes from 8 p.m. until 1 a.m. A couple friends turned up and got a dance party going. It was a good time. Check out the set list.
On Saturday night, I played Scarlett Casanova’s Indie Sleaze party at The Offbeat. It was a ton a fun. It was also a reminder that I need to go through my collection and rip a bunch of CDs that I used to play in sets during the ’00s because I was continually reminded of songs I have and probably haven’t heard since I had a laptop with a CD drive. I need to get one of those external drives too.
If ’00s indie is your thing, mark your calendar for Underground x 2000s Nite on May 31. Maybe I wll have ripped some of those old CDs by then.
Klymaxx’s album Meeting in the Ladies Room on vinyl. I played “The Men All Pause”
A big shout out to my friend Clifton Weaver for inviting me to play with him at Apotheke in Chinatown last night. I had never DJed there before and it was so much fun with a great crowd in a really beautiful venue.
Check out the set list below to see what I played for this all-vinyl set. If these are the tunes that make you groove, click this link for tickets to the next Disco Matinee, which is May 5 at Grand Star Jazz Club.
I’m home on a Thursday night trying to finish a story that I need to turn in tomorrow. Since it’s already tomorrow in the U.K., the new Pet Shop Boys album, Nonetheless, is up on Spotify. So, I listen as I write and I listen again after I decide that 700 words is enough words for now and I can finish that article in the morning, when my eyelids aren’t quite as heavy and the chocolate mini Easter eggs I popped into my mouth one after the other aren’t weighing me down.
To recap: I flipped over “Loneliness,” the first single and opening track from Nonetheless, when it was released earlier this year. It’s been doing really well in my sets too. It’s a classic Pet Shop Boys club track, the kind of that reminds you that life is sad, but you’re happy on the dance floor. They followed up “Loneliness” with the single “Dancing Star,” which I haven’t played yet, but I do quite like. It’s slightly reminiscent of “Domino Dancing,” which is probably why I picked up that vintage 12” at Rubycon last weekend.
I took a photo while I was DJing and then remembered why I don’t take photos when I DJ.
Thanks to Larry G. for having me back at Underground on Friday night and for everyone who showed up and hit the dance floor. Some notes on last night’s set: I played the newest additions to my virtual crates really early, so you probably didn’t hear them. Mostly, I wanted to see what “Cadenas de la Infancia” and “I Forget” sounded like in a club. I might stick with them. I might not, but both Mueran Humano’s album, Reemplazante, and Jaako Eino Kalevi’s album, Chaos Magic, have been playing on repeat at home and I absolutely recommend getting both.
Toto Coelo 12″ single with the extended dance mix of “Milk from the Coconut.” (Pic: Liz O.)
Thanks so much to everyone who came out to the Grand Star on Sunday for Disco Matinee. It was so much fun to dig through my vinyl crates for this one and even more fun to play alongside Jus’ B and Televandalist.
I got to play Dildox’s remix of Taleen Kali’s song “Flower of Life” in my set last night.
Here’s most of the set list from Night Shift at Bar Franca on on Thursday, April 4. I was using flashdrives and wrote everything down because it just takes too long to wait around for the history to load into Rekordbox on my laptop and I have no patience for that. I definitely forgot to write down a couple songs and can’t remember what they were. There’s at least one instance where I couldn’t read my own handwriting, which is generally terrible and always gets worse the more I write. The important thing, though, is that the new tunes in last night’s set include Taleen Kali “Flower of Life” remixed by Dildox, “Monaco” by Ride, Optometry’s cover of “Into the Groove” and Pedal Steel Noah’s cover of “Love Will Tear Us Apart.” They’re all keepers.
Next gig is Disco Matinee on Sunday at 3 p.m. With Jus’ B, Televandalist and I digging for our punkiest, funkiest jams, I have a feeling this will be a good one. Click here to get discount advance tickets now on Restless Nites.
Klub Nocturno is the be exception to the “nobody in L.A. goes out in the rain” rule. Saturday night was the second time I played a Nocturno event at Catch One and, just like the first time, a storm hit. Yet, the crowd was still massive. And so much fun. Shout out to Kill for Kickz and Color Void, both of whom played fantastic live sets in the New Wave vs. Darkwave room.
Cover for Ride’s new album, Interplay, which I was listening to for the first time while finishing this post.
It sounds like we’re on the verge of another Pet Shop Boys moment. Or, at least, that’s how I hope 2024 will sound and, judging from the response on the dance floor, the L.A. crowds seem to agree. But, then again, L.A.’s affinity for the British duo has endured since the 1980s.
In January, I fell for the cover of “Being Boring” by TR/ST, with guest vocals from Jake Shears of Scissor Sisters. Shortly after that dropped, Pet Shop Boys themselves released “Loneliness,” the first single from their forthcoming album, Nonetheless. It’s a gorgeous dance song that reflects the strange isolation of 2020s life. (The Guardian has a good interview with the band, if you’re interested in reading more about Pet Shop Boys’ new music.) Around the same time, I stumbled across a cover of “Rent” that Sally Shapiro released last fall. I wondered how I missed this release last year, then snapped it up on Bandcamp.
I forgot to take pics, so here’s an old one of a mermaid skeleton at The Mermaid that I saw right before the night started. (Pic: Liz O.)
I popped into The Mermaid at the last minute on Tuesday to play about 90 minutes of music for Dolce Vita. I knew that there was a screening of Dave Attell’s Netflix special happening beforehand. What I didn’t know, however, was that Dave Attell was actually going to make an appearance. We didn’t meet, but it was wild to be in the same room as him because I lovedInsomniac.
