Last week, Hunx and His Punx released their first new album in over a decade. Walk Out on This World is an album several years in the making and the backstory is marked by tragedy, including the death of bassist Shannon Shaw’s fiancé in 2022 and, more recently, the Eaton Fire, which devastated Seth Bogart’s neighborhood. You might think that would make for a somber album, but Hunx and His Punx don’t play like that. Walk Out on This World is real, an album that acknowledges that life is rough without dropping the beat.
Album cover of The New Eve Is Rising by The New Eves
Earlier this month, I read a review of The New Eves album The New Eve Is Rising, which referenced The Slits and The Wicker Man, on Bandcamp and promptly bought the album based on my love of post-punk and the original 1973 The Wicker Man, which is the only version of the film that matters and, yes, I’m including that overhyped waste-of-time Midsommer when I say that. But, back to The New Eves. The album is killer and I’ve been wanting to play “Highway Man,” but haven’t because it seemed like the first play should be for a very specific crowd. That brings us to Underground on Friday night. I was playing upstairs. It wasn’t packed or anything, but there were a handful of goths in flowing skirts dancing to “Christine,” the Siouxsie and the Banshees song, and, I thought, if anybody is going to get The New Eves, it’s them. So, I played the song and every single one of them stayed on the dance floor for the whole three minutes and 43 seconds.
I finally got around to playing Confidence Man’s new track, “Gossip,” as well. It did pretty well and someone came up to the booth and asked about it, which is a good sign. The same person then mentioned a mashup that I played way back in the day that was Ladytron and Kylie Minogue. I love that one, but, I said, I literally only have it on vinyl. There’s a story behind that record too that I’ve been meaning to post, but you’ll have to wait for it.
Anyhow, the set list is below. New/ish tunes are in bold.
It’s been a minute since I’ve DJed at The Mermaid, long enough where I hadn’t seen how the corner near the DJ booth now looks like an underwater cave (see pic above). It’s super cute. Anyhow, last night was an open format set, so you heard everything from new Alison Goldfrapp and Tyler the Creator to oldies from Brenton Wood and Creedence Clearwater Revival to everything in between. Set list is below.
If you’ve been paying attention to the singles that Alison Goldfrapp has dropped this year, then you have an idea of what to expect from the singer’s new album, Flux. It’s a pop-minded album that does, at least at times, recall her work with Goldfrapp, the duo that bears her name. Still, “Reverberotic” and “Find Xanadu” aren’t the only jams on this album and, if you’re a fan of those two songs in particular, definitely get Flux in your queue asap.
Flux is Goldfrapp’s second solo album. Two years ago, she released The Love Invention, a dreamy disco collection that was one of my favorite albums of 2023. With Flux, the sound is a little more rooted in the singer’s legacy while maintaining a contemporary sound.
Jeffrey Runnings’ final solo album is out now on Independent Project Records (Pic: Liz O.)
In the extensive liner notes by Camilla Aisa, Jeffrey Runnings says that it wasn’t his intention to release the music that he was recording on a thrifted 8-track machine. But, in a tragic turn of events, Piqued would be Runnings final solo album. Last fall, the musician, known for his work as bassist and singer of For Against, learned that he had advanced stage cancer. Over the course of the next few months, he was able to finish up the collection of songs and work with Independent Project Records, who had previously released For Against albums, to begin approving the artwork. Runnings died on March 3, 2025 at the age of 61. Piqued was released posthumously in July. It is both a testament to Runnings’ creativity and a loving tribute to the musician.
View from the DJ booth: Vilevo live at Nocturno (Pic: Liz O.)
Vilevo played live last night at Nocturno and their set was fire. I watched from the DJ booth, both above and behind the stage, so I really could only see the backs of the musicians, but I saw the way the crowd lit up when they played and that was really cool. Anyhow, I bought their album, Recopilación, this morning and am listening to it right now. Give it a listen when you have a chance.
Alice Glass dropped a new single a couple weeks ago, “Catch and Release,” and it slayed last night. Instant banger. You’ll definitely be hearing this more in the coming weeks/months. Other new tunes in the set include “My Love” from Lebanon Hanover, which turned up pretty early in the set, plus “Everything We Thought We Knew” from N8NOFACE and “Rearrange” by Sextile, both of which I started playing at Underground in the past few weeks. Then there are the new-ish songs that I’ve played at Nocturno previously this summer, but are definitely getting more people out on the dance floor now: French Police “Sugar Killer,”Mareux “Nonstop Romance” and Ultra Sunn “Wrong Floor.” Set list is below.
There’s one new song that I really wanted to play last night, but couldn’t fit it into the set, so you’ll have to wait a few weeks until I’m back at Underground. Other than that, thanks for dancing and here’s the set list. Anything new-ish is linked to a related post or, if there is no related post, a YouTube clip.
Mark Stewart, founder of the Pop Group, finished work on The Fateful Symmetry before his death in 2023. The album was released earlier this month. (Photo: Chiara Meatelli and Dominic Lee)
Sometimes, it feels like there’s just too much awful news in the world to pay attention to new music. This is one of those times. But, if I’ve learned anything after IDK how many years of music obsession, it’s that turning up the stereo/laptop/earbuds/whatever and tuning into something different can help. Sometimes the songs make you dance, sometimes they make you chuckle, sometimes they even give you some new insight into the news on our screens.
Here’s a small sample of what I’ve been listening to in July of 2025. At the end of the post, you’ll find links to a few other recent releases that I’ve already reviewed.
The only time I’ve seen Fever Ray live was at Coachella in 2010 and, even then, I only caught part of their set sometime on the first night of the festival after I had already decided that I was over Coachella and the only thing that might ever get me back is The Smiths reunion that I estimated would be announced the day after hell freezes over. All that said, I don’t really have a true concert experience to compare to The Year of the Radical Romantics, the new, live-ish album from Fever Ray, but that’s probably for the best.
View from the stage at Gloria Molina Grand Park’s Sunday Sessions on July 20, 2025 (Pic: Liz O.)
Gloria Molina Grand Park’s Sunday Sessions is a highlight of summer in L.A. It’s a series of free, all ages, dance party picnics right in the middle of downtown, inside the park that sits between the Music Center and City Hall. At the event on July 20, my friend, Maurice de la Falaise curated a lineup of DJs to celebrate the roots of house music, and I got to DJ alongside Loopdropkid and Clifton Weaver, with KG Superstar MCing the afternoon. It was a ton of fun.
For my own set, I played mostly disco and Italo, with a lot of edits to kind of stress that connection between disco and house. In the first set, which started at about 3 p.m., I dropped Horse Meat Disco and Phenomenal Handclap Band’s track “Sanctuary,” which you probably heard a lot if you went to my nights back at The Lash right after the pandemic, because the lyrics are relevant to the moment. The second set, which was from 5:15 – 6 p.m., took a house turn towards the end because the crowd seemed up for it, so I dropped in two of my favorite tracks from the past handful of years “Cissy” from Natasha Kitty Katt, which pulls vocals from the Cissy Houston song “Think It Over,” and Kerri Chandler’s remix of Gabriels “Love and Hate in a Different Time.” Set list is below.
