Category Archives: The Playlist

Best of 2025: Top 10 Bangers

New wave vs. darkwave room at Klub Nocturno, Catch One Los Angeles Saturday March 8 (Photo: DJ Liz O.)
You may have danced to some of these songs in the new wave vs. darkwave room at Klub Nocturno (Pic: Liz O.)

After writing this list of the top 10 bangers for 2025, it’s clearer to me that the sound of the dance floor is changing. The songs that have been working well at the clubs are the ones that don’t follow the strict vibe code of Spotify playlists. Instead, we have “northern soul, but make it Britpop,” “post-punk by way of Piper at the Gates of Dawn” and “Irish grime for the moshpit.” None of those songs would make sense together on an algorithmically-generated playlist, but they all made it into the DJ sets I played at Underground just this past Friday

At least amongst those who regularly leave the house, there are still people who want to dance to music that they don’t already know, that doesn’t hold nostalgic value and doesn’t quite fit into the narrow parameters of genre. That gives me a bit of hope in the midst of the new AI era of music that has been thrust upon us. 

All of the songs here are ranked by how I’ve seen crowds respond to them at my own gigs, primarily at Underground, where I’m DJing on New Year’s Eve, and/or in the darkwave room at Nocturno, where I’ll be playing on December 20. The only “metrics” I’ve used here are eyeballing the size of the crowd and the enthusiasm of their dancing. TBH, enthusiasm is more important than size, so if there are fewer people dancing, but they’re screaming out every word of the song, that matters. Anyhow, what I’m getting at is that I trust my ears and eyes more than any music or social media platform that is designed to be gamed.

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Kneecap, Pulp, Confidence Man and More of What You Heard at Underground on 12/05/25

Kneecap "H.O.O.D." (2025 Remix) cover
Frankly, I’m impressed by how many of you know all the words to “H.O.O.D.”

Thank you to everyone who made it out to Underground last night and for all the birthday wishes. I’ve always been pretty low maintenance about birthdays just because mine competes with Christmas parties (and competed with finals back when I was in school). So, I learned the best thing to do is book a DJ gig the weekend of my birthday and say, “I’m playing here, if you want to come by and say hi.” I’m always pleasantly surprised by who I see. Anyhow, outside of this playlist and one really short and shaky video for the ‘gram, I don’t have much documentation, so you’ll just have to trust me when I saw it was a vibe. 

As usual, the set list is below. Songs released in 2025 are in bold and link back to other references to the band on Beatique. And, before I sign off, tickets for New Year’s Eve at Club Underground are already available on Dice and Eventbrite. Two floors of indie, Britpop, darkwave, post-punk dancing all night. Get your tickets asap. 

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Habibi Funk Gets Into the ‘Bourj Hammoud Groove’ with Ara Kekedjian Collection

Cover of Habibi Funk 033 Bourj Hammoud Groove by Ara Kekedjian title is written on cover in Armenian alphabet

From its first note, “Mini, Midi, Maxi,” the opening track off Bourj Hammoud Groove, Habibi Funk’s new Ara Kekedjian retrospective, will transport you to another time and place. You don’t know where in the world you are, but it’s somewhere around the end of the 1960s and you’re feeling very jet set as you shimmy against psychedelic lights in your Paco Rabanne fit while smoking a really long cigarette. The band is giving Jacques Dutronc energy with a song that falls somewhere in between “Mini, Mini, Mini” and “Et Moi, Et Moi, Et Moi.” You don’t really understand the lyrics, but it doesn’t matter. Vibe transcends language at the global disco-a-go-go. 

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Chin Up Buttercup, Austra Dropped a New Album and It’s Dance Floor Magic

Austra Chin Up Buttercup album cover

If there is one song on Chin Up Buttercup that summarizes this fifth full-length album from Austra, it’s “The Hopefulness of Dawn.” The six-minute epic opens with a cavernous, echoing intro that plays up the ethereal quality of Katie Stelmanis’ voice. Then, at about two-and-a-half minutes into the song, the raver synths kick in, rising with her voice as a new rhythm overtakes the song. Stelmanis’ name-checks Ray of Light as an influence and, indeed, “The Hopefulness of Dawn” does play out like Austra’s twist on the title track from Madonna’s era-defining 1998 album in that it’s an ecstatic, almost spiritual, slice of dance music. 

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New Saint Etienne and Everything Else You Heard at Underground on 11/14/25

Saint Etienne International album cover
Cover of International, the final album from Saint Etienne

Had been meaning to get “Save It for a Rainy Day,” from the latest Saint Etienne album, into my club sets for a good minute. It was sort of appropriate that the first time I played it out was at Underground last night, on account of the rain and all. The whole album, International, is fantastic. It’s also Saint Etienne’s final album, so do pick it up when you have a chance. 

I forgot to take pics. It’s okay, we can use our imagination. Shout out to the handful of people who were on the dance floor for nearly the entire night and to the Kneecap fans who know all the words to “H.O.O.D.” I was impressed. Set list is below. The new-ish stuff is in bold and links to other mentions of the artists on this site. 

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Ultra Sunn, French Police, N8NOFACE and Everything Else You Heard in the New Wave/Darkwave Room at Nocturno 11/01/25

Crowd shot from DJ booth in new wave vs darkwave room at Klub Nocturno in Los Angeles November 1, 2025 (Photo: Liz Ohanesian)
View from the DJ booth in the new wave/darkwave room at Klub Nocturno, 11/01/25 (Pic: Liz O.)

It’s Halloween weekend and the Dodgers won the World Series a handful of minutes before the club opened. Needless to say that the vibe was strong at Klub Nocturno on Saturday night. I was in the DJ booth in the new wave vs. darkwave all night and, even when the room was at its most densely packed, people seemed to be in a really good mood. Ex Lover played live and I enjoyed their set. 

There wasn’t anything extremely new in my DJ sets last night, but I was happy to see more people out on the dance floor for the new-ish songs from Ultra Sunn, French Police, N8NOFACE and Alice Glass. Set list is below. All 2025 releases are in bold and link back to previous mentions on Beatique. 

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Cerrone, Christine and the Queens and More of What You Heard at Club Underground on Halloween

Club Underground Grand Star Jazz Club Los Angeles Halloween 2025 (Photo: Liz Ohanesian)
View from the DJ booth (Pic: Liz O.)

I’ve had Cerrone’s new version of “Supernature,” with Christine and the Queens on vocals, on my laptop since it came out last summer, but I’ve only played it out once before tonight. IDK why as it’s a really good, fresh version of a disco classic. Anyhow, I played it for the second time tonight because it was Halloween and Underground was packed and it seemed like the best opportunity to give it another spin. It did really well.  

Anyhow, I’m writing this at three in the morning because, even though I’m exhausted, I can’t get to sleep yet. Halloween was a vibe, even if I was too lazy to get together a costume and grabbed my husband’s old mask and army jacket and went as a human fly. The mask lasted about an hour before I started sweating and came to the realization that I do actually need to wear my glasses. None of that matters. What matters was that the crowd was good and there are more people dancing to “Highway Man” from The New Eves and Confidence Man’s collab with Jade, “Gossip,” is a legit dance floor hit now. Set list is below. All 2025 releases are in bold and link back to previous posts where they appear. 

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Ora the Molecule and More of What You Heard at Club Underground on 10/24/25

Ora the Molecule live at El Cid in Los Angeles on May 15, 2025 (Photo: Liz Ohanesian)
I didn’t take pics at Underground last night, so here’s one of Ora the Molecule at El Cid back in May. (Pic: Liz O.)

Someone asked about a song I played at Club Underground last night and I wasn’t sure what it was at the time, but it was probably “Nobody Cares” by Ora the Molecule, since it was the only new song in that chunk of time. Also, people have asked about it elsewhere recently. It’s my favorite song on, Dance Therapy, the latest album from Ora the Molecule (who, for those reading in L.A. on Saturday, is playing at the Bob Baker Marionette Theater’s costume ball tonight) and it’s been doing really well on the dance floor. I’m guessing it’s because the song is true— “Oh, you’re feeling weird?/ Well, guess what/Nobody cares.” 

Anyhow, I played the second half of the night and the set list is below. The 2025 releases are in bold and link back to other mentions on this lil’ blog. Don’t forget to snag yourself a ticket or two or more for Club Underground’s Halloween Party.  

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“Les Yeux de Laura” and More of What You Heard at Salt Box Sessions on 10/19/25

Vinyl 45 single for "Les Yeux de Laura" by Gouts de Luxe
The 45 for “Les Yeux de Laura” by Goûts de Luxe

It was an ordinary Sunday in Los Angeles. I heard one driver blasting Zapp while walking from the Metro station to Salt Box Records, another blasting Debbie Deb as I walked back. Second Street was packed with teenagers dressed in goth garb and anime gear and indie sleaze vintage with Labubus hanging off their bags. 

Salt Box Sessions was a blast. Did some digging through the vinyl bins. The Miracles 45 that I got made it into the set. I went more soul than disco in the set, but the song that got the biggest reaction was “Les Yeux de Laura” by Goût de Luxe. It really impressed a French guy, who took a photo of it. I don’t know anything about the band or the song and the only reason why I know the title means “The Eyes of Laura” is because I Googled it and the movie The Eyes of Laura Mars (which is amazing, see it, if you haven’t) was one of the results. It is, however, a 45 that I found in the bins at Salt Box not too long ago. 

Anyhow, here’s the set list. 

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French Police, Riki, Klub Nocturno @ The Novo 10/16/25

French Police live at The Novo in Los Angeles on Thursday, October 16, 2025 (Photo: Liz Ohanesian)
French Police live at The Novo on 10/16/25 (Pic: Liz O.)

I’ve seen French Police a few times this year and last night’s show at The Novo was the best of them. The energy was really high, both from the band and the crowd. I watched the show from stage left, where you’re looking at a diagonal past the band and into the crowd. L.A. has a rep for not dancing at shows, but, here, seemingly everyone was bouncing around, even in the balcony seats, maybe especially in the balcony seats. 

Riki does a terrific cover of “Porque Te Vas,” the Jeanette song, that’s on her second album, Gold and I was so excited to hear her play it live in the opening set that I can’t remember what else was in the set. Again, I watched from stage left and noticed how the crowd was vibing.

This isn’t a show review, btw, because I think it’s weird to review shows in which one is a participant and I was on DJ duty for Klub Nocturno’s support sets. I played the tunes for the first hour and then for the half-hour between Riki and French Police. So, all this is to say that it was a fantastic night. The set list is below. 

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