This Friday, May 9, Klub Nocturno takes over Catch One for five parties in one. I’ll be back in the New Wave vs. Darkwave room playing a mix of flashbacks and new bangers all night. There’s also the rock en Español vs. cumbia room, System of a Down night, the old school vs. new school reggaeton room and a disco room. Tickets are available on Dice for this 18+ event. Click here to get yours asap because Klub Nocturno does sell out.
View from the DJ booth in the New Wave vs. Darkwave room at Klub Nocturno on April 11, 2025 (Pic: Liz O.)
Last night was Klub Nocturno at Catch One, where I was the DJ in the new wave vs. darkwave room from open to close. The theme was Boy Harsher Night and a lot of their songs made it into the set alongside bands like Lebanon Hanover, Twin Tribes, French Police, Glass Spells, plus the new wave bangers and lots, lots more. Thanks to Nocturno for having me play and to everyone who made it out to the club last night. Set list is below.
This Friday, April 11, I’ll be back at Catch One for Klub Nocturno. Find me in the Boy Harsher Night room, playing darkwave and new wave for you. (And, obviously, expect to hear a lot of Boy Harsher in the set.) As of the time of writing this, there are still tickets available, so click this link and get yours asap. This is a full venue takeover, so there are five rooms to explore all for one cover charge. Party starts at 9:30 p.m. This is a 21+ event.
As for the rest of the weekend, Saturday is jam-packed with events taking you from day to night. So, even if you didn’t get tickets to see Ultra Sunn at 1720, which is sold out now, there’s still a lot to do.
Nosferatu welcoming you to the New Wave vs. Darkwave room at Klub Nocturno on Friday, January 17, 2025
If New Wave vs. Darkwave were a real battle, IDK who would have won. Last night, in the Loft at Catch One, where I DJed all night for Klub Nocturno’s fundraiser for those impacted by the recent wildfires, new wave was visibly the clear winner. Nothing packed the floor like the ‘80s jams last night. However, the requests were overwhelmingly for the darkwave bangers and the groups nearest to the DJ booth, some of whom were dancing virtually the entire night, definitely were into Boy Harsher, French Police, Molchat Doma, etc. , so darkwave was also a winner.
Anyhow, here’s the set list from the New Wave vs. Darkwave room at Klub Nocturno on January 17, 2025. The only new song— as in the first time I’ve played it out— in the set is “God Whispers” by Soft Vein, whose latest album, Through Blinds, came out on Friday. Check it out if you’re into dark, EBM-influenced synthpop, which you probably are if you’re reading this post.
It’s David Bowie’s birthday, which means that Friday night, January 10, will be Club Underground’s annual Bowie night. Both floors of the Grand Star will be open so ready for some sound and vision with Larry G. and me in the DJ booths and Miho ready to make you up like Aladdin Sane. Underground’s Bowie Nights do sell out, so click on this link to get your tickets asap.
The crowd in Nocturno’s New Wave vs. Darkwave room on Saturday, November 30, dancing to Mareux “Lovers from the Past” (Pic: Liz O.)
It’s 9 a.m. and I just poured my second cup of coffee after waking up an hour ago, so last night is a still kind of a blur. I played in the New Wave vs. Darkwave room at Nocturno, which was lit almost from the start. Like, I remember seeing people dancing in the line for the bathroom by the third or fourth song of the set.
I finally had the chance to play “Digital Slaves,” from Gesaffelstein’s latest album, Gamma. I’ve been listening to the album for a few months now and keep going back to that song because the lyrics are very 2024, but the sound is very 2004, and that juxtaposition makes a lot of sense in my brain. But, I haven’t had a gig where I thought it would work until last night, right after I heard the screams for She Wants Revenge “Tear You Apart” and noticed that the room was packed. Tl;dr is that “Digital Slaves” did really well and it’s a total keeper in the sets now, which is nice because I haven’t really played his music out since The Lash closed.
Anyhow, overall, the vibe was more darkwave than new wave, which is always fun. Thanks to Nocturno for having me play and for everyone who hit the dance floor last night. Check out the set list below.
Beetlejuice hanging at Alex’s Bar, October 17, 2024 (Pic: Liz Ohanesian)
I think I have a backlog of playlists that haven’t been posted, but this one is from last night at Alex’s Bar in Long Beach for Klub Nocturno presents Darkwave Night. Thanks to everyone who was there. The energy was fantastic. I’d write more, but I’m still half-asleep, so peep the playlist below and I’ll see you on the dance floor soon. Click on this link to see what gigs I have on the calendar for the rest of the month and follow along on Instagram.
Attention, Long Beach pals! I’m back at Alex’s Bar on Thursday, October 17, when Klub Nocturno presents Darkwave Night. There’s no cover, so come down and dance to your faves from bands like The Cure, Siouxsie and the Banshees, Boy Harsher, French Police, Ultra Sunn, Lebanon Hanover and loads more. This is a 21+ event and the party starts at 9 p.m. Alex’s Bar is located at 2913 E. Anaheim St., Long Beach 90804. See you Thursday night.
In other news tickets are running low for Club Underground’s Halloween party on Friday, October 25, so click here to get yours now. Larry G., Malvada, Jesse B. and I are going to be on the decks and it will be a good time. The night before that, Thursday, October 24, I’ll be playing Olya Sonica’s Record Release party at Hotel Ziggy. Olya Sonica, The Dirty Shirts and Veronica Bianqui play live. I’ll be spinning Brit Pop and rock classics. Tickets are available now, so click here to get yours on Dice.
As for the rest of this week and early next week, check out the list below for some very reasonably priced events. It’s pretty heavy on movie screenings on account of October being a very good month for those. You can also head over to my Discover Los Angeles column “Get Into the LA Groove,” for more events happening this weekend and early next week.
On Thursday, September 12, I headed down to Long Beach to play with Klub Nocturno at Alex’s Bar. It was my first time playing at the venue and it was a total vibe– super cool crowd with great energy. My set was roughly from 8:30 p.m. until around midnight and the set list is below the jump.
This was my new from DJ booth in the Jewel’s Room at Catch One for Nocturno on Saturday, August 31. (Pic: Liz O.)
It’s Sunday morning, I’ve hardly slept. I have Sacred Skin’s song “Call It Off” running through my head and Depresion Post Mortem’s cover of “Yo Voy” fighting to overtake it. Still, I’m going to try to explain last night’s gig at Klub Nocturno in a way that people who normally don’t know what I’m rambling about will understand. It might not work, but we’ll try. (Scroll down if you just want to see the set list.)
Last night, Klub Nocturno took over Catch One, which is this massive, multi-room disco that has an amazing history going back to actual disco L.A. There were five dance floors of varying sizes going all night: Rock en Español vs. Cumbia, Indie vs. 80s, Deftones Night, Corrido Night and Sad Bunny Night. I played Indie vs. 80s in the Jewel’s Room, where the dance floor is on the ground level of the building and a staircase in the corner leads up to a mezzanine, where the DJ booth is located, before heading towards the second level of the club.
I have a view from the booth that overlooks the dance floor and stage. Usually, it’s not until right around 10 p.m. that I see the room begin to fill with people. Last night, I started playing at 9:30 on the dot and began to see signs of life on the dance floor three or four songs into the set. By the time I mixed “Rippin Kittin” into “Something to Remember Me By,” the dance floor was alive and growing.
The first time I heard people scream for a song that night was during “Love My Way,” the Psychedelic Furs classic, which was maybe at around 10:30 p.m. The energy was incredible. I’d look down and see this big mass of people under the purple and red glow of the lights. I could hear them singing along to The Strokes song “Reptilia” and Le Tigre’s big ’00s club hit “Deceptacon.”
When the intro of “Smalltown Boy,” the Bronski Beat’s jam, faded in at midnight, the screams were wild. TBH, that’s really the song of summer 2024, even though it’s literally 40 years old. I hear it everywhere from clubs to the A Line.
The room hit its peak at midnight. People chanted through “Living on Video” and sang along with “Two of Hearts.” There were dancers in the mezzanine lounge area too, so during the stretch from “Smalltown Boy” through “Goodbye Horses,” I felt like I was DJing in the middle of the dance floor.
It was one of those nights that passed all too quickly. I looked at my laptop, noticed it was after 1 a.m. and realized that I had to start dropping the big sing-a-long numbers— “Love Will Tear Us Apart,” “There Is a Light,” “Just Like Heaven”— immediately and try to squeeze in as many requests as I could. (I had more than four hours of requests, which came in before the party started, loaded into Rekordbox.) Anyhow, it was an awesome night and you can see my set list below.
