Toto Coelo 12″ single with the extended dance mix of “Milk from the Coconut.” (Pic: Liz O.)
On a Sunday afternoon, I flipped through a bin of new wave records at Sonido del Valle in Boyle Heights. At this point in the dig, I had already found a 12” of Bananarama’s cover of “He Was Really Saying Something” for 99 cents that was dusty, but definitely playable. I was starting to feel lucky. Not lottery ticket lucky, but lucky enough to take a chance on a Toto Coelo 12” single called “Milk from the Coconut.”
Something that happens when I play all-vinyl sets is that I decide on a personal theme that should, theoretically, make it easier for me to narrow down what I pull from my stacks. Take, for example, Saturday night’s Razorcake party at Footsies. My theme for the night was dubby ‘80s, a mishmash of the dub mixes found on 12” singles during that decade and post-punk tunes that are clearly influenced by dub.
But, now matter how often I say to myself, “Liz, stick to theme,” I just can’t do it. In this case, I started out pulling essentials like The Flying Lizards, Tom Tom Club, The League Unlimited Orchestra, Bauhaus and The Clash. Then I came across a copy of Outkast’s album Speakerboxx/The Love Below and was like, ‘when was the last time I listened to this?’ And then I find my copy of “Sally That Girl” and start thinking about how there will totally be people in the bar who haven’t heard that song since a middle school dance in 1990. But, if I’m going to play that, then I really need to bring Cybotron because that might be the only way I can mix out of Gucci Crew, and then I should probably bring Patrick Cowley too, just because I forgot to bring it to Disco Matinee last week.
Long story short, that’s how you end up with set lists like the ones listed below. If this is your jam, you should probably pick up tickets for Disco Matinee: Punk ’n’ Funk Edition on April 7 because it will also be all-vinyl and I know a few of these tracks will end up in my crate for that party as well.
When everyone is vibing to Animal Collective and they realize I’ve turned my camera on the crowd.
It was so good to be back at Underground last night. Both floors of the Grand Star were open on Friday night, with Larry playing Depeche Mode and New Order jams upstairs and Scarlett Casanova and I playing everything else downstairs. The crowd was a lot of fun. I was happy to see “Loneliness,” the latest Pet Shop Boys single, do well on the dancer floor. What did even better though was TR/ST’s cover of the PSB classic “Being Boring,” which is one of my current favorites. The most successful of the new tunes, though, was “Sangre de Oro,” from Twin Tribes’ latest album, Pendulum. The song also did extremely well at Nocturno’s party in Phoenix last month. Anyhow, thank you for dancing. Here’s the set list.
Set 1:
ABC “Be Near Me”
Kylie Minogue “Cupid Boy”
Saint Etienne “We’re in the City”
Royksopp “Ice Machine (Ewan Pearson Remix)”
Sally Shapiro “Rent”
Human League “Seconds”
Echo and the Bunnymen “In Bluer Skies”
Chromatics “Ceremony”
Chameleons “Reptile”
The Cure “Primary”
Set 2:
Ladytron “Playgirl”
Gorillaz “Dare (DFA Remix)”
Pet Shop Boys “West End Girls”
TR/ST, Jake Shears “Being Boring”
Boy Harsher, Ms. Boan “Machina”
Yaz “Situation”
Talking Heads “Girlfriend Is Better” (request)
Sophie Ellis Bextor “Murder on the Dancefloor” (request)
The Bucketheads “The Bomb! (These Sounds Fall Into My Mind) (Armand Van Helden Re-edit)”
The Rapture “House of Jealous Lovers”
Confidence Man “Angry Girl”
Le Tigre “Deceptacon”
Wet Leg “Chaise Longue”
Set 3:
Donna Summer “Our Love”
New Order “Blue Monday”
Trans X “Living on Video”
Vitalic “La Rock 01”
Crystal Castles, Robert Smith “Not in Love”
Soft Cell “Tainted Love”
Bloc Party “Banquet”
Molchat Doma “sudno (Boris Ryzhy)”
Twin Tribes “Sangre de Oro”
Los Prisioneros “Tren al Sur (Basic Remix)”
Nine Inch Nails “Closer”
Tom Tom Club “Genius of Love”
Daft Punk “Da Funk”
Chumbawamba “Tubthumping”
Set 4:
Pet Shop Boys “Loneliness”
Hercules & Love Affair “Blind”
Animal Collective “My Girls”
Tame Impala “Is It True”
Mr. Flagio “Take a Chance”
My Mine “Hypnotic Tango”
Righeira “Vamos a la Playa”
Desireless “Voyage Voyage”
Q Lazarus “Goodbye Horses”
Depeche Mode “Nodisco”
New Order “Sub-Culture”
If you’re around Cypress Park today, catch me playing records at Footsie’s for Razorcake’s party, which is from 5-10 p.m. and keep checking back here or follow me on Instagram because I have a bunch of stuff to announce in the next day or so.
Thank you to everyone who came out to Bar Franca for Night Shift last night. It was so much fun to play post-punk, synthpop, darkwave and shoegaze for you all night. Plus, as always, it was great to catch up with some pals and meeting some lovely new people. Anyhow, I’ve posted the set list below. See you tonight at Underground’s Depeche Mode x New Order party.
Jalapeño and pineapple wontons at The Mermaid. (Pic: Liz O.)
It was a little unexpected, but I did turn up at The Mermaid on Tuesday night to provide the music for the first half of Dolce Vita. I also didn’t have a chance to eat dinner beforehand, which led to another unexpected delight. The jalapeño and pineapple wontons at The Mermaid are amazing. I hadn’t had them before last night and loved them. Even with the chili sauce, they won’t set your mouth on fire. It’s more of a subtle sweet-and-spicy hybrid. Plus, they are shaped like starfish, which I find endearing.
Anyhow, here’s what you may have heard if you were at The Mermaid between 8 p.m. and 10:30 p.m. on Tuesday night.
Intro “Lost Without Your Love” isn’t on Spotify, but it is in my record collection, so you’ll hear it in my vinyl sets.
Thank you to everyone who came out to Disco Matinee at Grand Star Jazz Club on Sunday, March 3 for our freestyle and hi-NRG party. Jus’ B and Gustavisimo played some jams for the crowd. I think I did too. At least, I got to play the Intro 12” for “Lost Without Your Love,” which I posted about on Instagram the other day.
The next Disco Matinee is Sunday, April 7. Check back here or follow me on Instagram for details, including our guest DJ and theme, because we’ll be announcing all that later this week. In the meantime, here’s my set list.
Hearts and skulls on display at The Mermaid, February 2024
I popped into The Mermaid on Tuesday night to play the opening set for Dolce Vita. The party starts at 8 p.m. now and there was already a good crowd at the bar by then, so I dropped more familiar tunes than I normally would for the early portion of the night. Also got to work in some themed portions of the set. I won’t disclose the themes right now, but if you look through the playlist below, you might be able to figure out what they are.
Next up is Disco Matinee on Sunday, March 3, at Grand Star Jazz Club. The theme is freestyle and hi-NRG and I’ll be playing it all on vinyl. Anyhow, keep reading to see what I played at Dolce Vita on February 27, between (roughly) 8 p.m. and 10:30 p.m.
Here’s the cover of my copy of Zoot Woman’s debut full length Living in a Magazine
For all-vinyl gigs, I often bring my copy of Living in a Magazine, the 2001 debut full-length from Zoot Woman, with me. The reason why is simple. No matter which song I play off this album, at least one person will come up to the booth and ask about it. In fact, that happened last Friday night, when I played the band’s cover of “The Model” at Club Synth. More than 20 years later, this album is still a vibe.
Living in a Magazine is one of my favorite records of the early ‘00s. In fact, I would argue that it’s one of the finest, and certainly most under-appreciated, albums of the era. The brand of soft funk-meets-indie disco that Zoot Woman cultivated on this album helped solidify a sound that persists this day, whether or not the bands who land Spotify playlists like Pollen and Indie Chillout realize it. At the turn of the 21st century, few outside of Zoot Woman and Phoenix were riding such a mellow groove. This was a handful of years before bands like Hot Chip and Holy Ghost hit the scene, before the fascination with “yacht rock” and definitely before the vinyl resurgence sent a new generation of crate diggers on the hunt for the smoothest sounds of the 1970s and 1980s.
The backside of Crescent Ballroom in Phoenix, taken while we were loading out at the end of the night. (Pic: Liz O.)
I’ve been DJing for a very long time, but had never played a gig outside of Southern California until last weekend. I headed out to Phoenix with Klub Nocturno last weekend to play their Rockero Night at Crescent Ballroom. It was so much fun and I’m really grateful to have the opportunity to play for such a wonderful crowd and meet some of the people who came out to the party on Saturday night. Thanks so much to Klub Nocturno and to everyone in Phoenix for making the experience so awesome.
There is definitely a challenge that come with playing in a different city, but it’s a fun one. I’ve been going to L.A. clubs since I was 18 and DJing at them almost as long, so I have a really good understanding of what works and what doesn’t when it comes to my hometown. But, playing a city that I’ve only visited once previously, and where I’ve never been to a dance club, means that I’m trying to figure all that out as I’m playing. So, I was paying attention to all these small cues in the crowd, like what band t-shirts people were wearing (Depeche Mode, The Faint), while I was scrolling through my collection. Anyhow, here’s what I played.
The Rio Room at the Stowaway on Friday, February 23, 2024 before the party started. (Pic: Liz O.)
Fun Times were had at Club Synth on Friday night. I was delighted to have the chance to drop vinyl on the turntables alongside Drayk and Jen Rock. Plus, some old friends stopped by the Rio Room at the Stowaway to join in the fun.
Tonight, I’ll be in Phoenix to play with Klub Nocturno on Saturday night at Crescent Ballroom. That said, this is a quick update and there is more info on some of the specific records played in this set coming next week. And, for those reading in L.A. (most of you), my next gig is another all-vinyl set on Sunday, March 3 for Disco Matinee: Freestyle Hi-NRG Edition at the Grand Star in Chinatown. RSVP on Instagram, Facebook or Partiful for $5 entry before 4 p.m.
