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Category: The Playlist

  • Here’s What I Played at Bigfoot Lodge on July 6, 2024

    Bigfoot Lodge in Los Feliz (Photo: Liz Ohanesian)
    Inside Bigfoot Lodge

    I brought two heaving bags of vinyl to play alongside DJ Felix for my pal Malvada’s night at Bigfoot Lodge. Of course, I worried that I didn’t bring enough music and, of course, I brought more than I needed. One of the records that made it onto the turntable, though, was Taleen Kali’s most recent album, Flower of Life. I played “Only Lovers Left Alive,” which is a terrific song that shares a title with one of the best ever vampire flicks. 

    Anyhow, I posted the record in my Instagram story, tagged Taleen and then, very shortly after that, there she was at Bigfoot Lodge. Turns out she was already on her way there when I posted. It was a fun coincidence, but also a good segue into this reminder that you should get Flower of Life. It’s a fantastic album and— I swear this isn’t sponsored content— if you head over to Bandcamp, you can get it on vinyl or cassette or CD or digital. 

    Keep reading for last night’s set list. 

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  • Here’s What I Played at Decadanse x Underground on July 5, 2024

    Photo of full dance floor at Club Underground at Grand Star Jazz Club in Chinatown, Los Angeles on July 5, 2024
    The scene at Grand Star Jazz Club for Decadanse x Underground on July 5, 2024

    Decadanse x Underground was such a great time and I’m happy to have been a part of it. DJs Pierrot and Fifi LaRoux played French pop on vinyl downstairs. Larry G. and I brought the indie vibes upstairs. We switched off on the controllers about every half hour or so. 

    “Amour Ex Machina,” from L’Impratrice’s new album, Pulsar, did pretty well for my first time playing it out. “Digitalism in Cairo,” the Digitalism track that samples “Fire in Cairo” by the Cure, made a reappearance after many years. People probably don’t recall it was a big track back in the ‘00s. 

    Anyhow, I’ll be back at Underground next Friday, July 12, for Siouxsie x Yeah Yeah Yeahs Nite. Tickets are already available on Restless Nites, Dice and Eventbrite. 

    Check out my set list from Decadanse x Underground at Grand Star Jazz Club on July 5, 2024.

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  • Daphne Guinness’ New Album, Sleep, Is Disco Perfection

    Cover of Sleep by Daphne Guinness
    Album cover for Sleep, by Daphne Guinness

    It was before noon on the first day of July when I listened to Sleep, the new album from Daphne Guinness, for the third time that day. I’m not one to play albums on repeat, but this one resonated with me in a particular way. By the third listen, I had already started to memorize a few of the songs, but had yet to decide which ones will end up in my DJ sets.  This album is disco perfection and there are songs suited for nearly every kind of set I might play.

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  • Zoot Woman, Alex Anwandter, Model Child and More June Music

    Cover art for Get There, the new album from Model Child
    Cover art for Get There, the new album from Model Child

    It’s always a good idea to sign up for band mailing lists. If I hadn’t added my info to Zoot Woman’s mailing list, I wouldn’t have known that the band dropped a new album, Maxidrama, this month. 

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  • This 12-Year-Old School of Seven Bells Song Still Hits Like It’s New

    School of Seven Bells Ghostory on vinyl
    My vinyl copy of School of Seven Bells’ 2012 album, Ghostory.

    When a song isn’t instantly recognizable, you can see it on the faces in the crowd. They’ll shoot befuddled glances around the room, scope the scene and see how many people look like they know it. They half-dance, as if they’re still deciding whether or not to stay on the floor. 

    In the DJ booth, this is a tense moment because there are a few ways that the scenario can play out. They might leave the dance floor, taking a handful of people with them. Or, someone who is equally bold and clueless might come up to the booth with the “play something I know” request. In the best possible instances, they stick with the groove and keep moving.

    I see people cast the “I don’t know this song, should I dance?” glance whenever I play “Low Times” by School of Seven Bells. The song is 12 years old, and I’ve been playing it for just as long, but it still hits as if it were new. Even though it’s not a song that people automatically know, they keep dancing. Every time, the crowd grows and energy builds alongside the heart-pounding rhythm and breathless vocals. 

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  • Here’s What I Played at Klub Nocturno on Saturday, June 15 2024

    Sambas and fishnets (photo: Liz Ohanesian)
    Summer 2024 DJ uniform: Sambas and fishnets.

    On Saturday, it felt like summer had arrived. That is unfortunate if you, like me, have an aversion to sunlight and sweat. The upside was that I was DJing in the new wave/darkwave room at Nocturno on Saturday night, so I could avoid the sun. Since online tickets had already sold out, though, I had to prepare for a hot night. That’s when fishnets really come in handy. In fact, I think fishnets and Sambas might end up being my 2024 club uniform. After a four-and-a-half-hour DJ set, I felt pretty good. (Three cans of water probably helped too.)

    It was a really fun night. There were stilt walkers who came out to the stage in the new wave/darkwave room twice, dancing to French Police and Sisters of Mercy during one set and Depeche Mode and Visage in the other. The crowd let out disco calls during “Blue Monday.” It was a vibe. 

    Boy Harsher’s remix of Chelsea Wolfe’s song “House of Self-Undoing,” which was released earlier in the week, made its second appearance in my sets this weekend. Since it’s brand new, I’ve been testing it out early in the night, but I’m really into it, so you’ll probably be hearing this later in the nights going forward. The remix is available on Bandcamp, by the way, so get it into your own collection if you’re so inclined. (That’s not an ad or a sponsored link, btw, but Bandcamp is my personal first choice for digital music.)

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  • Here’s What I Played at Club Underground on Friday, June 14, 2024

    Actors In Real Life single cover
    Cover of Actors single for “In Real Life.”

    I forgot to take pics last night at Underground. It happens. But, it was another fun night on Friday, the memories of which become hazy after playing music for four hours. I do, however, recall that I really like the way Actors latest single, “In Real Life,” sounds with Roxy Music’s song “More Than This.” It makes sense in my head because Actors always sounded less like a “darkwave”  or “postpunk” band to me and more like people who have listened to a lot of Roxy Music, Bowie, Japan and Duran Duran. But, that doesn’t mean that two songs will go well together and I never know for sure until I try it. 

    (Just in case you’re wondering, all my sets are improvised, but, when you’ve been DJing since you were 18 and you’re now a far cry from that, you have a good feel for which songs go together and which ones don’t.)

    Also new to my set is “Hechizos” by Glass Spells, which you might have heard me play on Dublab last week. If not, you can click on this link to the archive of the show. Glass Spells are from San Diego and are currently on tour, but, unfortunately, don’t have an L.A. date. However, they will be at the Observatory in Santa Ana on July 17. Check Glass Spells’ website for other upcoming tour dates. The other new addition to my set is Boy Harsher’s remix of Chelsea Wolfe’s song “House of Self-Undoing,” which I love. Anyhow, here’s the set list.  

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  • Pulsar, the New Album from L’Impératrice, Is Out Now

    L'Imperatrice Pulsar press photos by Augustin JSM
    L’Impératrice (Photo by Augustin JSM)

    In April of 2021, I saw L’Impératrice live at the Fonda Theatre in Los Angeles. Three years later, the thing that stands out about that show is how hard everyone danced.. There was one point when singer Flore Benguigui got low and the audience did the same.

    I was in the balcony that night and, from my vantage point, I saw a broken heart totem and a crown totem bouncing above bobbing heads. When L’impératrice turned songs from Tako Tsubo, like “Submarine” and “Peur des filles” into full-blown disco jams — the latter sounding like “Love to Love You, Baby”— it felt like the crowd was moving as a single body. Before that night, I had spent more than a month listening to Tako Tsubo  on repeat, partially because I interviewed L’Impératrice for Audiofemme, but also because the album quickly became a favorite of mine for that year. But, L’Impératrice live is a whole other level of wild energy that I hadn’t heard in their recordings, at least until now. 

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  • Here’s What I Played at Disco Matinee on June 2, 2024

    Disco Matinee Grand Star Jazz Club, June 2, 2024

    Thank you to everyone who stopped by Disco Matinee on Sunday afternoon at the Grand Star. More importantly, thank you for hitting the dance floor. It was so good to see you out there. Here’s what we heard.

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  • Here’s What I Played at Underground’s 2000s Nite on May 31, 2024

    Dance floor scene at Club Underground 2000s Nite at Grand Star Jazz Club in Los Angeles on May 31, 2024. (Photo: Liz Ohanesian)
    The scene just before midnight on the dance floor at Club Underground. May 31, 2024. (Pic: Liz O.)

    I’m not one for nostalgia, but ‘00s Nite at Club Underground on May 31 did make me feel a bit wistful for the final decade of life untethered to phones and social media and streaming platforms. I wouldn’t say the ‘00s were a particularly great decade (like I’ve written before, it wasn’t), but it was nice to not be connected to everyone, everywhere, all the time.

    In keeping with this week’s theme at Underground, I busted out one of my favorite mashups, which I had downloaded and burned to a CD for gigs back in the ‘00s, and ended the night with the song that was my closer in the earliest years of that decade. Keep reading for the set list.

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