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Author: Liz O.

  • Olya Sonica, Izzy Outerspace and Lots of Britpop at Hotel Ziggy, 7/17/25

    Olya Sonica live at Hotel Ziggy in Los Angeles on July 17, 2025 (Photo: Liz Ohanesian)
    Olya Sonica live at Hotel Ziggy on July 17, 2025 (Pic: Liz O.)

    Olya Sonica has a new single, “You Only Live Forever (YOLF)” out now and shows in the U.K. next week, so, to celebrate, she put together a special Britpop-themed show last night at Hotel Ziggy. Izzy Outerspace opened. Olya played a full set with her new single and then brought together a group of friends for a set of Britpop covers with various vocalists, including Blur “Song 2,” Pulp “Disco 2000,” The Verve “Bittersweet” and multiple Oasis songs. They finished with a singalong of “Don’t Look Back in Anger,” of course. 

    Oh, yeah, and I DJed too. Dug through my Britpop stash and managed to pull out some tunes that I haven’t played in a long time. Some I haven’t played in a really long time, like maybe not since the Bang! days. Check out the set list below and maybe I’ll see you tonight at Club Underground’s Pulp Party. 

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  • As Ships in the Night, Alethea Leventhal Casts Protections Spells

    Ships in the Night Alethea Leventhal press photo Protection Spells
    Protection Spells by Ships in the Night is out now on Metropolis Records (photo courtesy of Ships in the Night)

    Last May, Alethea Leventhal released her third full-length album as Ships in the Night , Protection Spells, with two Black Lodge Balls in Virginia. The David Lynch-themed events were planned before the director’s death and were a “labor of love” for the singer and her team. “Emphasis on labor,” says Leventhal on a recent phone call. There were costumes and cover songs. Leventhal herself performed “I’m Deranged,” the David Bowie song that appeared in Lost Highway. The show’s lighting designer projected a Black Lodge floor. “I wish I could have seen the show,” she says on a recent phone call. “I was on stage so I couldn’t see it in quite the same way.”

    In case it weren’t already clear, Leventhal is a David Lynch fan. In particular, the soundtracks from his work has been an inspiration for Ships in the Night. So has David Bowie, Kate Bush, Motown and Depeche Mode, whose 1990 hit, “Enjoy the Silence” she covers on Protection Spells. Leventhal recalls hearing the song for the first time, via a mix CD, when she was 13. “I heard that song and remember thinking what is this? How do they do that? What are those sounds?” she recalls. 

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  • See You on the Dance Floor This Weekend

    Crowd shot from Depeche Mode x New Order Night at Club Underground at Grand Star Jazz Club in Los Angeles on April 18, 2025 (Photo: Liz Ohanesian)
    On the dance floor at Club Underground (Pic: Liz O.)

    I have three DJ gigs coming up this weekend. Thursday, July 17, is the premiere party for Olya Sonica’s new single “You Only Live Forever (YOLF)” at Hotel Ziggy. Friday, July 18, is Club Underground’s Pulp Party at Grand Star Jazz Club and Sunday, July 20, is Gloria Molina Grand Park’s Sunday Sessions. Keep reading for details for all three gigs. Hope to see you on the dance floor this weekend. 

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  • Getting Back Into the Old Internet State of Mind

    Monday Nights: L.A.'s Scene of the Century 2005 -2016 Sean Carnage retrospective exhibition at Leiminspace in Los Angeles, August 2025
    Monday Nights: L.A.’s Scene of the Century opens at Leiminspace in Chinatown on August 2, 2025

    I’ve been knee deep in work for Monday Nights: L.A.’s Scene of the Century, 2005-2016, the exhibition of photos and ephemera from Sean Carnage’s DIY show series that opens at Leiminspace in Chinatown on August 2. I’m one of the co-curators for the show and wrote an essay for the catalog, so my brain is half-stuck in the ‘00s and half-living in the present day, which is strange. I didn’t think the world could possibly be more grim than it was in the midst of the Bush era, but, here we are. Endless war, Fox News and the Great Recession seem quaint in comparison to the red cap crowd’s brand of reality show fascism. 

    What made the ‘00s bearable, at least here in Los Angeles, was underground culture. Monday Nights was a big part of that. I think the first one I went to was Halloween of 2005 and I continued to go often throughout the duration of the series. At Monday Nights, I saw so many wildly creative bands/artists play— some of whom I wrote about at the time for L.A. Weekly and other publications— but that was just part of what was happening in the city at that point in time. There were other club nights and venues, not to mention the parties in lofts, warehouses, backyards and living rooms. Once, I even went to a show in a storage unit in Chatsworth. 

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  • New French Police + More of What You Heard in Klub Nocturno New Wave vs. Darkwave Room, 7/11/25

    New wave vs. darkwave room at Klub Nocturno, July 11, 2025 (Photo: Liz Ohanesian)
    Black and white view from the DJ booth in the new wave vs. darkwave room. (Pic: Liz O.)

    It was She Past Away Night in the New Wave vs. Darkwave room at Nocturno last night, so, if you were there, you heard a lot of them throughout the night. But, also, French Police’s new song, “Sugar Killer,” made it into the set early. It did pretty well for 10 p.m., so you’ll probably hear it again. “Nonstop Romance,” the title track from Mareux’s new album, was first played in the new wave vs. darkwave room at the last Nocturno party and, since it did well earlier in the night, I dropped it somewhere around 11:30 p.m. this time around and it did really well. “Reason to Stay” from Pixel Grip is a middle-of-the-night song now, which is good to see. “Wrong Floor” by Ultra Sunn, which someone requested last month, stuck around this month. I like that one a lot. And “Women Respond to Bass” from Sextile is basically this year’s summer song.  I think that’s it for the new music from last night. 

    Overall, it was a fantastic night and the crowd was great, as well. Someone made two requests that were in the BPM ranges I was playing in, which never happens. I asked, “Are you a DJ?” No. “Are you a drummer?” No. Anyhow, it’s an impressive skill and it means that those requests landed in the set immediately instead of whenever I was able to raise the tempo or slow it down enough to fit the song into the set. 

    Anyhow, here’s what you heard last night. 

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  • N8NOFACE and Chico Mann Update a Classic Alternative Sound on As of Right Now

    N8NOFACE promo photo by Sela Shiloni
    N8NOFACE (photo: Sela Shiloni)

    “Waiting to Wait For You” has been running on a loop through my brain. The lead single from As of Right Now, the latest EP from N8NOFACE and his debut with venerable L.A. label Stones Throw, is a sticky mix of indie jangle and new wave bounce with the Long Beach-based singer repeating, “I can’t wait, wait to wait for you” against a riff that sounds as if it could have come from Johnny Marr. 

    N8 credits producer Chico Mann, aka Marcos Garcia, the guitarist best known for his work with Antibalas and Here Lies Man, for the EP’s sound. “He was a huge Johnny Marr fan as a kid,” says N8 on a recent video call. The two connected a few years back to collaborate on producing another song. “We would talk about what direction I would want to go in and I always mention to him things that I just can’t do musically and he’s like, well this is a sound I always wanted to produce, let me write some music with your voice in mind,” N8 recalls. Garcia came back with about a dozen instrumentals. N8 tackled the lyrics in about a year and seven of the songs landed on As of Right Now. 

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  • “Supernature MMXXV”: Cerrone Revives Disco Banger with Christine and the Queens and Purple Disco Machine

    Cerrone and Christine and the Queens photo by Thomas Spault
    Cerrone and Christine and the Queens collaborated on new EP, Catching Feelings (Photo: Thomas Spault)

    “Supernature” is the signature Cerrone song. A synth-fueled, sci-fi epic with Lene Lovich-penned lyrics inspired by The Island of Dr. Moreau, it was both of-the-moment and ahead-of-the-curve in 1978, a disco hit that foretold the sound and the vibe of the new wave 1980s. In the decades that followed, it’s become one of those songs that DJs love, right up there with “You Make Me Feel” and “I Feel Love” when it comes to seminal dance club tracks. Now, Cerrone is bringing the banger back, this time with help from Christine and the Queens and Purple Disco Machine, as “Supernature MMXXV.”

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  • Klub Nocturno Is This Friday + Decadanse Soiree, Optometry Live and More Happening in L.A. from July 10 – July 16

    Klub Nocturno at Catch One in Los Angeles on Friday, July 11, 2025

    Klub Nocturno is back at Catch One this Friday, July 11, and, yes, I’ll be your DJ in the new wave vs. darkwave room, where it will be She Past Away night. There are five rooms for you and your friends to explore at Nocturno, whether your tastes lean towards rock en Español and cumbia, Deftones, reggaeton or banda. Tickets for the 18+ event are available now via Dice, so get yours asap and join us on Friday night. Party starts at 9:30 p.m.

    As for the rest of the weekend and early next week, keep reading for my recommendations.

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  • Molly Nilsson’s Un-American Activities Is More Relevant a Year After Its Release

    Molly Nilsson Un-American Activities 2024 album on vinyl

    Last year, Molly Nilsson released Un-American Activities, which you could say is her L.A. album. The Berlin-based synthpop artist made it as part of a residency at Villa Aurora in Pacific Palisades and it’s inspired by a few specific moments where global events and local history come together. Moreover, the album, which is one of my favorites from 2024, really fits the mood in Los Angeles right now. It’s dark and, lyrically, she makes connections between European fascism of the 1930s, the Red Scare in the mid-20th century U.S. and contemporary politics. So, when I was pulling records to play at Bigfoot Lodge on Saturday, I immediately grabbed my copy of Un-American Activities and thought of the song “Jackboots Return.” 

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  • Molly Nilsson, The Clash and More of What You Heard at Bigfoot Lodge on July 5, 2025

    Bigfoot Lodge Los Angeles California July 5, 2025 (Photo: Liz Ohanesian)
    Inside Bigfoot Lodge

    For anyone who hasn’t been there before, Bigfoot Lodge is this bar on Los Feliz Blvd. that’s designed to look like a cabin in the woods. There are animatronic critters near the entrance and taxidermy hiding out in the corners. It’s a trippy bar that’s been around for some 25 years. Every once in a while, I pop in to guest DJ on Malvada’s nights there, which is why I packed a bag of vinyl and headed to Bigfoot Lodge last night. I brought some recent releases (Pulp, Optometry, Sextile) and some oldies that I picked up on recent digs (Freda Payne, Heaven 17). There were songs I haven’t played out in public before, but felt needed to be heard (Molly Nilsson “Jackboots Return) and songs that I’ve played many, many times, but should be heard again (The Clash “Police On My Back”), but there wasn’t a real theme or anything. There were three of us DJ last night, so we swapped off throughout the night. My set lists are below. 

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