Tag: Sextile

  • Best of 2025: The Year in Political Songs

    Utility box in Los Angeles with graffiti that reads "Free Palestine" on top and "Fuck ICE" in the center (Photo: Liz Ohanesian)
    The vibe in downtown Los Angeles for 2025. (Pic: Liz O.)

    For the first of Beatique’s Best of 2025 lists, I wanted to highlight political songs for a very specific reason. Politics aren’t brand safe. You’ll risk alienating the people who disagree with you. You might scare off the companies who would otherwise want to work with you. Blah blah blah. But, at a certain point, if you’re someone with a platform, be it music, art, film or writing, you will need to ask yourself, “Am I a brand? Or am I a human being who actually gives a shit about what’s happening in the world?” Hopefully, the latter is the answer. 

    Particularly in this moment, we need artists who are willing to be outspoken. For every semi-anonymous person (or bot) chiding you to “stick to the music,” there will be many more motivated to say, I’m against this too. Some might go to a protest, or write their local representatives or get involved with activist group. Maybe music can’t change minds, but it can prompt the quieter people to raise their voice. And, maybe, years from now, kids listening to the 2025 throwbacks will hear that there were people against genocide and fascism and exploiting workers and everything else that’s coming to a head right now. That said, much respect to the eleven artists on this list. They are by no means the only people making political music in 2025, but they made the songs that have been in my personal rotation. In keeping with an egalitarian theme, this list is not ranked. 

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  • New Saint Etienne and Everything Else You Heard at Underground on 11/14/25

    Saint Etienne International album cover
    Cover of International, the final album from Saint Etienne

    Had been meaning to get “Save It for a Rainy Day,” from the latest Saint Etienne album, into my club sets for a good minute. It was sort of appropriate that the first time I played it out was at Underground last night, on account of the rain and all. The whole album, International, is fantastic. It’s also Saint Etienne’s final album, so do pick it up when you have a chance. 

    I forgot to take pics. It’s okay, we can use our imagination. Shout out to the handful of people who were on the dance floor for nearly the entire night and to the Kneecap fans who know all the words to “H.O.O.D.” I was impressed. Set list is below. The new-ish stuff is in bold and links to other mentions of the artists on this site. 

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  • Ultra Sunn, French Police, N8NOFACE and Everything Else You Heard in the New Wave/Darkwave Room at Nocturno 11/01/25

    Crowd shot from DJ booth in new wave vs darkwave room at Klub Nocturno in Los Angeles November 1, 2025 (Photo: Liz Ohanesian)
    View from the DJ booth in the new wave/darkwave room at Klub Nocturno, 11/01/25 (Pic: Liz O.)

    It’s Halloween weekend and the Dodgers won the World Series a handful of minutes before the club opened. Needless to say that the vibe was strong at Klub Nocturno on Saturday night. I was in the DJ booth in the new wave vs. darkwave all night and, even when the room was at its most densely packed, people seemed to be in a really good mood. Ex Lover played live and I enjoyed their set. 

    There wasn’t anything extremely new in my DJ sets last night, but I was happy to see more people out on the dance floor for the new-ish songs from Ultra Sunn, French Police, N8NOFACE and Alice Glass. Set list is below. All 2025 releases are in bold and link back to previous mentions on Beatique. 

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  • Cerrone, Christine and the Queens and More of What You Heard at Club Underground on Halloween

    Club Underground Grand Star Jazz Club Los Angeles Halloween 2025 (Photo: Liz Ohanesian)
    View from the DJ booth (Pic: Liz O.)

    I’ve had Cerrone’s new version of “Supernature,” with Christine and the Queens on vocals, on my laptop since it came out last summer, but I’ve only played it out once before tonight. IDK why as it’s a really good, fresh version of a disco classic. Anyhow, I played it for the second time tonight because it was Halloween and Underground was packed and it seemed like the best opportunity to give it another spin. It did really well.  

    Anyhow, I’m writing this at three in the morning because, even though I’m exhausted, I can’t get to sleep yet. Halloween was a vibe, even if I was too lazy to get together a costume and grabbed my husband’s old mask and army jacket and went as a human fly. The mask lasted about an hour before I started sweating and came to the realization that I do actually need to wear my glasses. None of that matters. What matters was that the crowd was good and there are more people dancing to “Highway Man” from The New Eves and Confidence Man’s collab with Jade, “Gossip,” is a legit dance floor hit now. Set list is below. All 2025 releases are in bold and link back to previous posts where they appear. 

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  • Ora the Molecule and More of What You Heard at Club Underground on 10/24/25

    Ora the Molecule live at El Cid in Los Angeles on May 15, 2025 (Photo: Liz Ohanesian)
    I didn’t take pics at Underground last night, so here’s one of Ora the Molecule at El Cid back in May. (Pic: Liz O.)

    Someone asked about a song I played at Club Underground last night and I wasn’t sure what it was at the time, but it was probably “Nobody Cares” by Ora the Molecule, since it was the only new song in that chunk of time. Also, people have asked about it elsewhere recently. It’s my favorite song on, Dance Therapy, the latest album from Ora the Molecule (who, for those reading in L.A. on Saturday, is playing at the Bob Baker Marionette Theater’s costume ball tonight) and it’s been doing really well on the dance floor. I’m guessing it’s because the song is true— “Oh, you’re feeling weird?/ Well, guess what/Nobody cares.” 

    Anyhow, I played the second half of the night and the set list is below. The 2025 releases are in bold and link back to other mentions on this lil’ blog. Don’t forget to snag yourself a ticket or two or more for Club Underground’s Halloween Party.  

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  • “My Favourite for a Long Time”: Fontaines D.C. and Everything Else You Heard at Underground 10/10/25

    Fontaines D.C. Romance Album cover

    The last song at Underground last night was “Favourite” by Fontaines D.C. and, when I saw people singing along, I thought finally. Romance has been out for over a year now. It was my favorite album of 2024. It was a lot of people’s favorite album of last year. Both Larry and I have been playing multiple tracks off the album since it came out, and we were both playing Fontaines D.C. before Romance, but it wasn’t until this past summer that I really started to see the band hit with the indie club crowd here in L.A. Back in the pre-algorithm days, that would have been really unusual, but now it’s kind of normal. A band can meet all the metrics by which it would be considered successful, like award nominations and sold-out shows, and people still don’t know who they are because their “personalized” feeds are really just regurgitating nostalgia content based on basic demographic info and passive likes, served with a dollop of hot takes on Taylor Swift and Sabrina Carpenter to make you feel like you know what’s happening in the world. 

    What I’m saying is that the internet is making us sad and uncool, so go out to a real club and dance to the music that real people put together into sets that would baffle Spotify. Dance to the new stuff. If you don’t know it this week, you’ll know it next week. 

    Anyhow, here’s last night’s set list, which includes new music The New Eves, Gorillaz (with Sparks), Alice Glass and more, plus a few oldies that I haven’t played in a really long time, like “Cupid Boy” from Kylie Minogue’s best album, the Scissor Sisters/Mylo mashup and probably some other tunes. All 2025 releases are in bold and link back to other references here on the blog. 

    Oh, before we get to the set list, be sure to pick up tickets for Halloween at Club Underground. Both floors of Grand Star Jazz Club will be open on Friday, October 31, and there will be a costume contest. 

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  • Sextile, Wolf Alice and More Happening in L.A. 10/09 – 10/15

    Sextile Yes, Please album cover

    Trying to find something to do in Los Angeles this weekend? I know, it’s rough. I just spent too long combing through Instagram feeds and screencapping flyers that have yet to pop up on my feed. Still, there are places to go and bands to see. In fact, I’m a little surprised to see that some shows, like Sextile at The Novo on Saturday, October 11, and Wolf Alice at the Wiltern on Monday, October 13, still have tickets left. There are also loads of movies screenings, a few great dance nights, a comedy show for a really good cause and lots more, so keep reading and share this with any pals who might be interested. All the events here are happening in Los Angeles sometime between Thursday, October 9, and Wednesday, October 15. 

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  • Confidence Man and Jade “Gossip” + Everything Else You Heard at Club Underground on Friday, August 29

    Cover of "Gossip," single by Confidence Man with Jade

    IDK how much I should explain here, but I’m just going to assume that we don’t have the same timeline and don’t hear all the same music in our scrolls. Confidence Man is an Australian dance-pop group with a weirdo KLF sensibility. If you go to my DJ gigs, you’ve probably heard “Angry Girl” many, many times, often with The Rapture “House of Jealous Lovers.” Jade Thirlwall is a British singer who I don’t really know much about outside of the Wikipedia entry I read. Last month, they released a song called “Gossip” that’s fire. It’s very Basement Jaxx-meets-Princess Superstar. I finally got around to playing it last week at Underground and it did pretty well. This week, it did even better.

    Most of the new tunes turned up early in the set: Alison Goldfrapp “Find Xanadu,” Pulp “Got to Have Love,” Ora the Molecule “Nobody Cares,” etc. I don’t even know what really constitutes “new” anymore, but we’ll save that rant for another day. Thanks to Larry G. for having me play Underground last night and thanks to everyone who hit the dance floor, especially those of you who stuck it out until the end of “My Girls.” Set list is below.

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  • More New Sextile and Everything Else You Heard Upstairs at Club Underground, 7/18/25

    More. Pulp notebook and pen. Pulp swag from Club Underground in Los Angeles, July 2025 (Photo: Liz Ohanesian)
    More. Pulp swag. And it’s a notebook and pen. Things I actually use a lot. (Pic: Liz O.)

    Last night was Club Underground’s Pulp Party, but I played in the not-Pulp room, which is why you heard a mix of ‘80s, ‘00s and new indie, darkwave, etc. upstairs at the Grand Star all night. “Women Respond to Bass” by Sextile is this summer’s banger, but I wanted to get “Rearrange,” from the duo’s latest album, into the set as well because it has a very DFA thing going on it.  Also, the lyrics are extremely right now. Teddybears (featuring Iggy Pop) made a comeback with “Punkrocker” thanks to the Superman movie that I haven’t seen. There was also new music from Ships in the Night and Mareux in the set. If you want to see what was played, keep scrolling. Oh, and shout out to the small group of Fontaines D.C. fans who happened to be upstairs for both “Here’s the Thing” and “Starburster.” 

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  • Beatique Mix May 2025 Feat. Ora the Molecule, Sally Shapiro, Sextile, Confidence Man and More

    Ora the Molecule live at El Cid in Silver Lake on May 15, 2025 (Photo: Liz Ohanesian)
    Ora the Molecule live at El Cid in Silver Lake on May 15, 2025 was an inspiration for the first half of this set. (Pic: Liz O.)

    Earlier this month, I caught Ora the Molecule play at El Cid in Silver Lake. It was such a fun show. The crowd grooved throughout the duration of her set and, by the end, had formed a conga line that snaked around the small dance floor. Ora the Molecule is Norwegian DJ Nora Schielderup’s Italo disco alter, a theremin-playing intergalactic Raffaella Carrà whose songs are simultaneously cheeky and sincere. My favorite off her latest album, Dance Therapy, is “Nobody Cares,” a sentiment I find more liberating than depressing. 

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