Between 2005 and 2016, anything could happen on Monday Nights. The weekly series of DIY shows presented by Sean Carnage brought together synthpunk, metal, noise, hip-hop, unexpected cover bands and so much more. Locals like Health and Captain Ahab played Monday Nights, as did touring artists like Dan Deacon and Future Islands. The shows were influential on a wave of L.A. musicians coming up in the ’00s. They were influential for myself as well, as I covered the shows often early in my journalism career. So I’m excited to tell you now that I’m co-curating, “Monday Nights: L.A.’s Scene of the Century 2005=2016,” an exhibition set to open at Leiminspace in Chinatown on Saturday, August 2. Check out the press release below, mark your calendars , tell your friends and join us for the opening party.
I hate to break it to you in the midst of this “indie sleaze” moment, but the late ‘00s weren’t that cool. It was the era when poseurs and paparazzi flocked to Hollywood and West Hollywood to catch a glimpse of the misadventures of Lindsay Lohan. Bottle service was on the rise, as were the profiles of well-connected, but barely competent DJs. People started dressing up for Coachella, a baffling development to anyone who ever stepped near a porta potty on the final evening of the festival. This was also the time when it was obvious that we were in an endless war and the divide between the haves and have-nots was just going to get bigger. The late ‘00s foreshadowed all of today’s bullshit, but people were too entranced by gossip blogs to notice.
Lest I ruin your enjoyment of early 21st century nostalgia, I’ll let you in on one really cool thing that happened in the midst of ‘00s L.A. That was Sean Carnage’s Monday Nights. Between the mid-’00s and mid-’10s, Sean put together weekly showcases of local and touring underground artists first at Il Corral in East Hollywood and then at Pehrspace in Historic Filipinotown. Over 1100 bands played the events. Some became well-known, at least in indie circles. Most were just really cool.