I am really excited for The Mountain, the new album from Gorillaz that’s due at the end of month. Three of the album’s already-released singles made it into my Gorillaz x Daft Punk set upstairs at Club Underground last night. The set list is below and, as always, songs from the past year or so are highlighted and link back to the artist’s tag on this blog. Thanks for dancing!
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It’s time for the February edition of Beatique, which is now up on Mixcloud and embedded here. Again, I’m not posting the full set list because some things should be a surprise, but it does include a couple new songs that I want to mention. Last week, ADULT. released “No One Is Coming,” the lead single from their forthcoming album, Kissing Luck Goodbye. There is so much tension packed into this song that it feels like being trapped inside a nightmare, which is probably also a good description America right now too. I have a feeling that’s the point. Also last week, Kneecap dropped “Liars Tale,” the first song from their next album, Fenian. It’s dark and it’s brutal and I love it. Between ADULT. and Kneecap, I think my rage soundtrack will be covered this spring.
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Played the second half of the night in the Underground room for Club Underground x Synthwaves last night. Fantastic crowd, as always. Got in a nod to David Lynch with a remix of Chromatics’ song “Shadow.” Didn’t play anything extremely new, but did get in some of last year’s faves, like Sextile “Rearrange” and Confidence Man and Jade “Gossip.” Dropped in “Tubthumping” near the end for a reason. Heed the wisdom of Chumbawamba, friends. Set list is below. New-ish stuff links back to other mentions on this blog.
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Last night, my friend asked if I had a song for the new year. I didn’t. I thought about it, though, and answered Kneecap “H.O.O.D.,” more for the band than for the specific song. They’re the group I would consider the MVP of 2025, one that has had a lot of bullshit thrown their way just for speaking out against the genocide that so much of the world has watched transpire on their phones. Yet, they’ve stuck to their principles and refuse to be silenced. They’re the real deal in a time of fakers and I appreciate that so much. That’s the kind of energy we need this year.
Anyhow, I played upstairs at the Grand Star for Underground’s New Year’s Eve party. Super cool crowd. Thank you all for being there, especially on a rainy L.A. night. It was great to overhear someone in the crowd saying, “I love this song…it’s Confidence Man” when “Gossip” came on. Even better to hear from people who came up to the booth because you were excited to hear “Juicebox” or “¿Porqué te vas?” or some other song that I can’t recall right now. Hope to see more of all of you in 2026. Set list is below. The 2025 songs link to other mentions on this blog.
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After writing this list of the top 10 bangers for 2025, it’s clearer to me that the sound of the dance floor is changing. The songs that have been working well at the clubs are the ones that don’t follow the strict vibe code of Spotify playlists. Instead, we have “northern soul, but make it Britpop,” “post-punk by way of Piper at the Gates of Dawn” and “Irish grime for the moshpit.” None of those songs would make sense together on an algorithmically-generated playlist, but they all made it into the DJ sets I played at Underground just this past Friday.
At least amongst those who regularly leave the house, there are still people who want to dance to music that they don’t already know, that doesn’t hold nostalgic value and doesn’t quite fit into the narrow parameters of genre. That gives me a bit of hope in the midst of the new AI era of music that has been thrust upon us.
All of the songs here are ranked by how I’ve seen crowds respond to them at my own gigs, primarily at Underground, where I’m DJing on New Year’s Eve, and/or in the darkwave room at Nocturno, where I’ll be playing on December 20. The only “metrics” I’ve used here are eyeballing the size of the crowd and the enthusiasm of their dancing. TBH, enthusiasm is more important than size, so if there are fewer people dancing, but they’re screaming out every word of the song, that matters. Anyhow, what I’m getting at is that I trust my ears and eyes more than any music or social media platform that is designed to be gamed.
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Thank you to everyone who made it out to Underground last night and for all the birthday wishes. I’ve always been pretty low maintenance about birthdays just because mine competes with Christmas parties (and competed with finals back when I was in school). So, I learned the best thing to do is book a DJ gig the weekend of my birthday and say, “I’m playing here, if you want to come by and say hi.” I’m always pleasantly surprised by who I see. Anyhow, outside of this playlist and one really short and shaky video for the ‘gram, I don’t have much documentation, so you’ll just have to trust me when I saw it was a vibe.
As usual, the set list is below. Songs released in 2025 are in bold and link back to other references to the band on Beatique. And, before I sign off, tickets for New Year’s Eve at Club Underground are already available on Dice and Eventbrite. Two floors of indie, Britpop, darkwave, post-punk dancing all night. Get your tickets asap.
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Had been meaning to get “Save It for a Rainy Day,” from the latest Saint Etienne album, into my club sets for a good minute. It was sort of appropriate that the first time I played it out was at Underground last night, on account of the rain and all. The whole album, International, is fantastic. It’s also Saint Etienne’s final album, so do pick it up when you have a chance.
I forgot to take pics. It’s okay, we can use our imagination. Shout out to the handful of people who were on the dance floor for nearly the entire night and to the Kneecap fans who know all the words to “H.O.O.D.” I was impressed. Set list is below. The new-ish stuff is in bold and links to other mentions of the artists on this site.
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I’ve had Cerrone’s new version of “Supernature,” with Christine and the Queens on vocals, on my laptop since it came out last summer, but I’ve only played it out once before tonight. IDK why as it’s a really good, fresh version of a disco classic. Anyhow, I played it for the second time tonight because it was Halloween and Underground was packed and it seemed like the best opportunity to give it another spin. It did really well.
Anyhow, I’m writing this at three in the morning because, even though I’m exhausted, I can’t get to sleep yet. Halloween was a vibe, even if I was too lazy to get together a costume and grabbed my husband’s old mask and army jacket and went as a human fly. The mask lasted about an hour before I started sweating and came to the realization that I do actually need to wear my glasses. None of that matters. What matters was that the crowd was good and there are more people dancing to “Highway Man” from The New Eves and Confidence Man’s collab with Jade, “Gossip,” is a legit dance floor hit now. Set list is below. All 2025 releases are in bold and link back to previous posts where they appear.
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Someone asked about a song I played at Club Underground last night and I wasn’t sure what it was at the time, but it was probably “Nobody Cares” by Ora the Molecule, since it was the only new song in that chunk of time. Also, people have asked about it elsewhere recently. It’s my favorite song on, Dance Therapy, the latest album from Ora the Molecule (who, for those reading in L.A. on Saturday, is playing at the Bob Baker Marionette Theater’s costume ball tonight) and it’s been doing really well on the dance floor. I’m guessing it’s because the song is true— “Oh, you’re feeling weird?/ Well, guess what/Nobody cares.”
Anyhow, I played the second half of the night and the set list is below. The 2025 releases are in bold and link back to other mentions on this lil’ blog. Don’t forget to snag yourself a ticket or two or more for Club Underground’s Halloween Party.
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The last song at Underground last night was “Favourite” by Fontaines D.C. and, when I saw people singing along, I thought finally. Romance has been out for over a year now. It was my favorite album of 2024. It was a lot of people’s favorite album of last year. Both Larry and I have been playing multiple tracks off the album since it came out, and we were both playing Fontaines D.C. before Romance, but it wasn’t until this past summer that I really started to see the band hit with the indie club crowd here in L.A. Back in the pre-algorithm days, that would have been really unusual, but now it’s kind of normal. A band can meet all the metrics by which it would be considered successful, like award nominations and sold-out shows, and people still don’t know who they are because their “personalized” feeds are really just regurgitating nostalgia content based on basic demographic info and passive likes, served with a dollop of hot takes on Taylor Swift and Sabrina Carpenter to make you feel like you know what’s happening in the world.
What I’m saying is that the internet is making us sad and uncool, so go out to a real club and dance to the music that real people put together into sets that would baffle Spotify. Dance to the new stuff. If you don’t know it this week, you’ll know it next week.
Anyhow, here’s last night’s set list, which includes new music The New Eves, Gorillaz (with Sparks), Alice Glass and more, plus a few oldies that I haven’t played in a really long time, like “Cupid Boy” from Kylie Minogue’s best album, the Scissor Sisters/Mylo mashup and probably some other tunes. All 2025 releases are in bold and link back to other references here on the blog.
Oh, before we get to the set list, be sure to pick up tickets for Halloween at Club Underground. Both floors of Grand Star Jazz Club will be open on Friday, October 31, and there will be a costume contest.
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