All posts by Liz O.

I'm a longtime, cross-genre DJ and writer living in Los Angeles.

Brenton Wood, Thee Midniters and More Featured in Museum Exhibition “A Great Day in East L.A.”

Concert posters from Los Mirlos, Mazzy Star, Ozomatli and more on view at La Plaza de Cultura y Artes for exhibition "A Great Day in East L.A.: Celebrando the Eastside Sound" (Photo: Liz Ohanesian)
Concert posters on view at La Plaza de Cultura y Artes for exhibition “A Great Day in East L.A.: Celebrando the Eastside Sound” (Pic: Liz O.)

The first thing I saw inside La Plaza de Cultura y Artes on Saturday afternoon was Brenton Wood’s zoot suit, a gray number paired with a black-and- white tie and wide-brimmed fedora. The dapper mannequin gave me some kind of sign (sorry, couldn’t resist) of what was to come. Stage outfits like Little Willie G.’s suit from Thee Midniters, flyers for shows like The Brat at The Vex in 1980, t-shirts repping Quetzal and Slowrider and a vinyl wall with everyone from The Premiers to Tierra to Alice Bag to Thee Sinseers. A Great Day in East L.A.: Celebrando the Eastside Sound is a multi-media exhibition that pulls together various tangents related to more than half a century of East Los Angeles music. It’s a thorough show that’s absolutely essential to see if you’re interested in L.A. music. The exhibition opened in late June at La Plaza de Cultures y Artes, across from Olvera Street, and is on view until August of 2026.

Continue reading Brenton Wood, Thee Midniters and More Featured in Museum Exhibition “A Great Day in East L.A.”

Fever Ray Refreshes Classics and More on The Year of the Radical Romantics

Fever Ray The Year of the Radical Romantics

The only time I’ve seen Fever Ray live was at Coachella in 2010 and, even then, I only caught part of their set sometime on the first night of the festival after I had already decided that I was over Coachella and the only thing that might ever get me back is The Smiths reunion that I estimated would be announced the day after hell freezes over. All that said, I don’t really have a true concert experience to compare to The Year of the Radical Romantics, the new, live-ish album from Fever Ray, but that’s probably for the best. 

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Swimming Bell Live, Deltron 3030, Camp Classics and More Happening in L.A. July 24 – July 30

Swimming Bell live at Oblivion in Highland Park, Los Angeles on Friday, May 23, 2025 (Photo: Liz Ohanesian)
Swimming Bell live at Oblivion in Highland Park on May 23, 2025 (Pic: Liz O.)

Maybe you recall reading about Swimming Bell here on Beatique back in May. That’s when L.A.-based singer/songwriter Katie Schottland and her band of musicians celebrated the release of the latest Swimming Bell EP, Somnia, with a very intimate show at Oblivion in Highland Park. If you missed the story, go back and read it because Swimming Bell is fantastic and you can catch them on Thursday, July 25, at The Goldfish in Highland Park, where they’ll be playing alongside The GDR and Love Pig for a very low cover. Tickets are available now on Dice for this 21+ show. Check out Swimming Bell’s video for “95 at Night” too. 

Continue reading Swimming Bell Live, Deltron 3030, Camp Classics and More Happening in L.A. July 24 – July 30

Disco, Italo and House at Gloria Molina Grand Park’s Sunday Sessions, 7/20/25

View from the stage at Gloria Molina Grand Park's Sunday Sessions on July 20, 2025 (Photo: Liz Ohanesian)
View from the stage at Gloria Molina Grand Park’s Sunday Sessions on July 20, 2025 (Pic: Liz O.)

Gloria Molina Grand Park’s Sunday Sessions is a highlight of summer in L.A. It’s a series of free, all ages, dance party picnics right in the middle of downtown, inside the park that sits between the Music Center and City Hall. At the event on July 20, my friend, Maurice de la Falaise curated a lineup of DJs to celebrate the roots of house music, and I got to DJ alongside Loopdropkid and Clifton Weaver, with KG Superstar MCing the afternoon. It was a ton of fun.

For my own set, I played mostly disco and Italo, with a lot of edits to kind of stress that connection between disco and house. In the first set, which started at about 3 p.m., I dropped Horse Meat Disco and Phenomenal Handclap Band’s track “Sanctuary,” which you probably heard a lot if you went to my nights back at The Lash right after the pandemic, because the lyrics are relevant to the moment. The second set, which was from 5:15 – 6 p.m., took a house turn towards the end because the crowd seemed up for it, so I dropped in two of my favorite tracks from the past handful of years “Cissy” from Natasha Kitty Katt, which pulls vocals from the Cissy Houston song “Think It Over,” and Kerri Chandler’s remix of Gabriels “Love and Hate in a Different Time.”  Set list is below.

Continue reading Disco, Italo and House at Gloria Molina Grand Park’s Sunday Sessions, 7/20/25

More New Sextile and Everything Else You Heard Upstairs at Club Underground, 7/18/25

More. Pulp notebook and pen. Pulp swag from Club Underground in Los Angeles, July 2025 (Photo: Liz Ohanesian)
More. Pulp swag. And it’s a notebook and pen. Things I actually use a lot. (Pic: Liz O.)

Last night was Club Underground’s Pulp Party, but I played in the not-Pulp room, which is why you heard a mix of ‘80s, ‘00s and new indie, darkwave, etc. upstairs at the Grand Star all night. “Women Respond to Bass” by Sextile is this summer’s banger, but I wanted to get “Rearrange,” from the duo’s latest album, into the set as well because it has a very DFA thing going on it.  Also, the lyrics are extremely right now. Teddybears (featuring Iggy Pop) made a comeback with “Punkrocker” thanks to the Superman movie that I haven’t seen. There was also new music from Ships in the Night and Mareux in the set. If you want to see what was played, keep scrolling. Oh, and shout out to the small group of Fontaines D.C. fans who happened to be upstairs for both “Here’s the Thing” and “Starburster.” 

Continue reading More New Sextile and Everything Else You Heard Upstairs at Club Underground, 7/18/25

Olya Sonica, Izzy Outerspace and Lots of Britpop at Hotel Ziggy, 7/17/25

Olya Sonica live at Hotel Ziggy in Los Angeles on July 17, 2025 (Photo: Liz Ohanesian)
Olya Sonica live at Hotel Ziggy on July 17, 2025 (Pic: Liz O.)

Olya Sonica has a new single, “You Only Live Forever (YOLF)” out now and shows in the U.K. next week, so, to celebrate, she put together a special Britpop-themed show last night at Hotel Ziggy. Izzy Outerspace opened. Olya played a full set with her new single and then brought together a group of friends for a set of Britpop covers with various vocalists, including Blur “Song 2,” Pulp “Disco 2000,” The Verve “Bittersweet” and multiple Oasis songs. They finished with a singalong of “Don’t Look Back in Anger,” of course. 

Oh, yeah, and I DJed too. Dug through my Britpop stash and managed to pull out some tunes that I haven’t played in a long time. Some I haven’t played in a really long time, like maybe not since the Bang! days. Check out the set list below and maybe I’ll see you tonight at Club Underground’s Pulp Party

Continue reading Olya Sonica, Izzy Outerspace and Lots of Britpop at Hotel Ziggy, 7/17/25

As Ships in the Night, Alethea Leventhal Casts Protections Spells

Ships in the Night Alethea Leventhal press photo Protection Spells
Protection Spells by Ships in the Night is out now on Metropolis Records (photo courtesy of Ships in the Night)

Last May, Alethea Leventhal released her third full-length album as Ships in the Night , Protection Spells, with two Black Lodge Balls in Virginia. The David Lynch-themed events were planned before the director’s death and were a “labor of love” for the singer and her team. “Emphasis on labor,” says Leventhal on a recent phone call. There were costumes and cover songs. Leventhal herself performed “I’m Deranged,” the David Bowie song that appeared in Lost Highway. The show’s lighting designer projected a Black Lodge floor. “I wish I could have seen the show,” she says on a recent phone call. “I was on stage so I couldn’t see it in quite the same way.”

In case it weren’t already clear, Leventhal is a David Lynch fan. In particular, the soundtracks from his work has been an inspiration for Ships in the Night. So has David Bowie, Kate Bush, Motown and Depeche Mode, whose 1990 hit, “Enjoy the Silence” she covers on Protection Spells. Leventhal recalls hearing the song for the first time, via a mix CD, when she was 13. “I heard that song and remember thinking what is this? How do they do that? What are those sounds?” she recalls. 

Continue reading As Ships in the Night, Alethea Leventhal Casts Protections Spells

See You on the Dance Floor This Weekend

Crowd shot from Depeche Mode x New Order Night at Club Underground at Grand Star Jazz Club in Los Angeles on April 18, 2025 (Photo: Liz Ohanesian)
On the dance floor at Club Underground (Pic: Liz O.)

I have three DJ gigs coming up this weekend. Thursday, July 17, is the premiere party for Olya Sonica’s new single “You Only Live Forever (YOLF)” at Hotel Ziggy. Friday, July 18, is Club Underground’s Pulp Party at Grand Star Jazz Club and Sunday, July 20, is Gloria Molina Grand Park’s Sunday Sessions. Keep reading for details for all three gigs. Hope to see you on the dance floor this weekend. 

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Getting Back Into the Old Internet State of Mind

Monday Nights: L.A.'s Scene of the Century 2005 -2016 Sean Carnage retrospective exhibition at Leiminspace in Los Angeles, August 2025
Monday Nights: L.A.’s Scene of the Century opens at Leiminspace in Chinatown on August 2, 2025

I’ve been knee deep in work for Monday Nights: L.A.’s Scene of the Century, 2005-2016, the exhibition of photos and ephemera from Sean Carnage’s DIY show series that opens at Leiminspace in Chinatown on August 2. I’m one of the co-curators for the show and wrote an essay for the catalog, so my brain is half-stuck in the ‘00s and half-living in the present day, which is strange. I didn’t think the world could possibly be more grim than it was in the midst of the Bush era, but, here we are. Endless war, Fox News and the Great Recession seem quaint in comparison to the red cap crowd’s brand of reality show fascism. 

What made the ‘00s bearable, at least here in Los Angeles, was underground culture. Monday Nights was a big part of that. I think the first one I went to was Halloween of 2005 and I continued to go often throughout the duration of the series. At Monday Nights, I saw so many wildly creative bands/artists play— some of whom I wrote about at the time for L.A. Weekly and other publications— but that was just part of what was happening in the city at that point in time. There were other club nights and venues, not to mention the parties in lofts, warehouses, backyards and living rooms. Once, I even went to a show in a storage unit in Chatsworth. 

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New French Police + More of What You Heard in Klub Nocturno New Wave vs. Darkwave Room, 7/11/25

New wave vs. darkwave room at Klub Nocturno, July 11, 2025 (Photo: Liz Ohanesian)
Black and white view from the DJ booth in the new wave vs. darkwave room. (Pic: Liz O.)

It was She Past Away Night in the New Wave vs. Darkwave room at Nocturno last night, so, if you were there, you heard a lot of them throughout the night. But, also, French Police’s new song, “Sugar Killer,” made it into the set early. It did pretty well for 10 p.m., so you’ll probably hear it again. “Nonstop Romance,” the title track from Mareux’s new album, was first played in the new wave vs. darkwave room at the last Nocturno party and, since it did well earlier in the night, I dropped it somewhere around 11:30 p.m. this time around and it did really well. “Reason to Stay” from Pixel Grip is a middle-of-the-night song now, which is good to see. “Wrong Floor” by Ultra Sunn, which someone requested last month, stuck around this month. I like that one a lot. And “Women Respond to Bass” from Sextile is basically this year’s summer song.  I think that’s it for the new music from last night. 

Overall, it was a fantastic night and the crowd was great, as well. Someone made two requests that were in the BPM ranges I was playing in, which never happens. I asked, “Are you a DJ?” No. “Are you a drummer?” No. Anyhow, it’s an impressive skill and it means that those requests landed in the set immediately instead of whenever I was able to raise the tempo or slow it down enough to fit the song into the set. 

Anyhow, here’s what you heard last night. 

Continue reading New French Police + More of What You Heard in Klub Nocturno New Wave vs. Darkwave Room, 7/11/25