Breton singer, musician and producer Quinquis just released her latest album, eor, on Mute Records and it’s exquisite. Inspired by mermaid lore and made with modular synthesizers, eor will have you imagining tales filled with fantastic beings, set against against gray skies and cold, tumultuous seas. This isn’t TikTok-friendly mermaidcore, this is something darker, richer and altogether more interesting.
Continue reading Breton Singer and Producer Quinquis Channels Mermaid Lore on eor
Last February, Anja Huwe took to the stage at the Grauzone Festival in The Hague for a set that included songs from Xmal Deutschland, the post-punk outfit she fronted throughout the 1980s. Huwe hadn’t performed these songs live since the band’s demise some 35 years earlier. In fact, after Xmal Deutschland, Huwe stepped away from the stage to focus on her career as a visual artist. Meanwhile, songs like “Mondlicht,” “Incubus Succubus” and “Qual” have become classics of the era. Out in the crowd were multiple generations of fans.
“I had to go out there and I saw these people, so many people, so I just tried to concentrate,” Huwe says, adding with a laugh, “I’ve got to get it right.”
Continue reading Anja Huwe on New Xmal Deutschland Box Set and Returning to the Live Stage
This Friday, May 9, Klub Nocturno takes over Catch One for five parties in one. I’ll be back in the New Wave vs. Darkwave room playing a mix of flashbacks and new bangers all night. There’s also the rock en Español vs. cumbia room, System of a Down night, the old school vs. new school reggaeton room and a disco room. Tickets are available on Dice for this 18+ event. Click here to get yours asap because Klub Nocturno does sell out.
Continue reading Klub Nocturno Is May 9 + More Happening in L.A. This Weekend
“Honestly, nowadays, making an album is not a healthy thing,” says Jonathan Bates. “Spending a year and a half making a collection of music and then putting it out and people literally giving it 30 minutes is not good for the soul.”
Bates, though, released his fifth album as Big Black Delta, Adonai, last February. It’s a fantastic mix of synthpop and rock. Since the album landed in my inbox earlier this year, I’ve spent much more than a half-hour listening to it.
Continue reading Big Black Delta Makes Music for the Other Side
Sextile kicks off Yes, Please with one hell of an “Intro.” It’s all alarms, distorted vocals and squelching electronics that make you think the L.A.-based duo have plans to drop you back into a 1992 Prodigy jam. They don’t. Instead, Sextile diverts you to the sweat-drenched warehouse of right now with “Women Respond to Bass,” a banger for the afters where the subs send the low-end pulsing through the soles of your Docs, and the previously released single “Freak Eyes.”
Continue reading Sextile Drops Rave-Punk Bangers on Yes, Please
“I think all of the music that I’ve ever made is mostly cathartic,” says Mike Cadoo of Vague Lanes. “I almost need to make music for that means.”
In fact, he notes, most of the songs on Divergence and Declaration, with the exception of “Exo,” are “pretty grim.”
“We’re not exactly making pop-punk music here,” bandmate Badger McInnes agrees.
Continue reading Vague Lanes on Catharsis and Connection Through Music
Since my Premium magazine feature on L.A.-area repertory cinema is out now, I wanted to highlight a few movie theaters for this week’s recommendations. And since I love animation, that will be the focus of this week’s picks. All of the screenings are happening on Sunday and there is some geographic diversity, so hopefully, you can fit one of these into your schedule. They’re (nearly) all movies that I have seen previously and 10/10 recommend.
Continue reading Five Animated Movies to See in Theaters on May 4
Just wanted to give you a quick update about some stories that I’ve recently written for other magazines and newspapers.
Now is a good time to watch a movie. At least it is if you’re in the greater Los Angeles area, where repertory and arthouse cinemas are experiencing a revival. I wrote about the resurgence of in-person movie screenings, focusing mainly on Philosophical Research Society in Los Feliz and The Frida Cinema in Santa Ana for Premium, which is the magazine Southern California News Group newspaper subscribers. Click here for a gift link to read the story.
Continue reading New Stories on Repertory Cinema, Violeta Parra and More Out Now
It’s pretty difficult to find coverage of Cheech & Chong’s Last Movie that’s not riddled with old weed puns. I guess that’s to be expected. Still, the wink-wink-nudge-nudge stoner references in headlines are a little trite when recreational marijuana is legal in nearly half the country and firmly embedded in the pop culture of all 50 states. As for the latter, much of that is because of Cheech and Chong. Without Up in Smoke, there would be no Half Baked or Harold and Kumar Go to White Castle or Evil Bong. Cheech & Chong essentially invented the stoner comedy, but that’s only part of the story.
Cheech & Chong’s Last Movie is a documentary framed as a road trip movie. The premise is that the influential comedy duo, who released a string of hit records and then movies, between the 1970s and 1980s, are on a road trip in the desert. As they head to a place called The Joint, they recount their life stories through interviews, archival footage and a few interjections from others who were there. Directed by David L. Bushell, who previously produced movies like Eternal Sunshine of the Spotless Mind and Dallas Buyers Club, the movie uses a few different devices to blur fact and fiction. This is all done to drive home one universal truth: No two people see the same situation the same way.
Continue reading Cheech & Chong’s Last Movie Is the Road Trip Movie/Documentary You Need to See
Even I’m surprised that I got through a two-hour DJ set without playing New Order. I came pretty close to dropping “Bizarre Love Triangle” into the set at La Cuevita on Friday night, but then I thought, “Liz, you’re at a bar, not a dance club, no one has requested ‘Bizarre Love Triangle’ and you played a New Order and Depeche Mode night last week. Give yourself a break.” So, I did. Also, I forgot to take photos
Anyhow, here’s the set. Thanks to Malvada for having me play Ex-Cetera at La Cuevita.
Continue reading The DJ Set Where I Didn’t Play New Order