All posts by Liz O.

I'm a longtime, cross-genre DJ and writer living in Los Angeles.

The Beatique Mix 2/25 feat. Chromatics, FKA Twigs, Mareux, Optometry and More

On Sunday night, when I was DJing at The Mermaid for Splash! I mixed together “Cherry” from Chromatics with “Drums of Death,” from FKA Twigs’ latest album, and Mareux’s songs “DTLA.” It was one of those impromptu things that I really liked and I made a mental note to keep that in mind for future sets. 

The following morning, I woke up with the Dinner In America song still stuck in my head. I had to do something to get it out, so I pulled those three songs and built a set around it, opening and closing the set with two other frequent earworms. It did the trick, at least for now, and I liked it enough to post it for this month’s Beatique Mix. Also included in this set are Taleen Kali’s cover of My Bloody Valentine’s song “Cupid Come,” from her new EP, and “Bon Voyage,” from Optometry’s new album, Lemuria. Track list is below. Enjoy!

Continue reading The Beatique Mix 2/25 feat. Chromatics, FKA Twigs, Mareux, Optometry and More

L.A. Zine Fest, Mr. Black, Deftones and More Happening in L.A. From February 27 – March 5

The Adventures of Prince Achmed Lotte Reiniger
Lotte Reiniger’s 1926 animated feature The Adventures of Prince Achmed screens at PRS on Saturday, March 1 with live score by Elf Freedom

Love zines? This weekend, L.A. Zine fest takes over The Broad. You can learn how to DIY print media or just see what’s available to read in the super-indie press at the afternoon-long event, which is free to attend on both Saturday and Sunday. 

At the cusp of the ‘00s and ‘10s, Mr. Black was the place to be on Tuesday nights. The soiree returns for one night only on Saturday, March 1 at Bardot in Hollywood. Also on Saturday night, Lotte Reiniger’s nearly century-old animated feature The Adventures of Prince Achmed screens at Philosophical Research Society with a live score from Elf Freedom. 

While I don’t typically post about the stadium concerts, it seemed worthwhile to note that, at the time of writing this, there were still a few tickets left for Deftones and The Mars Volta at the Forum on Wednesday, March 5. 

Scroll down for details on these and more events happening in L.A. between Thursday, February 27 through Wednesday March 5.

Continue reading L.A. Zine Fest, Mr. Black, Deftones and More Happening in L.A. From February 27 – March 5

Dinner in America and the “Watermelon” Earworm

Dinner in America screenshot Emily Skeggs and Patty
Patty (Emily Skeggs) singing “Watermelon” in Dinner in America

I had “Watermelon,” the song that Patty sings in Dinner in America, stuck in my head for nearly a week, so I decided to watch the movie again. Of course, the earworm burrowed deeper into my brain.

“Fuck the rest of them

Fuck ‘em all

Fuck ‘em all but us”

Continue reading Dinner in America and the “Watermelon” Earworm

New Fontaines D.C. and Everything Else You Heard at Splash! at The Mermaid 2/23/25

Two skulls in a heart at The Mermaid bar in Little Tokyo Los Angeles (Photo: Liz Ohanesian)
Heart and skulls at The Mermaid 2/23/25 (Pic: Liz O.)

Fontaines D.C. dropped a new track last week, “It’s Amazing to Be Young” and the song was one of two from the Irish band to turn up in my set for Splash! at the Mermaid last night. Another new-ish tune worth mentioning is “The Silence That Remains” by The Horrors, which is from their forthcoming album, Night Life. It’s out on March 21 and I’m really looking forward to it. 

Recent releases from Optometry, Mogwai, Dustbowl Champion and FKA Twigs also made it into the Splash! set, but since there are no genre limitations for this night, I tend to play whatever is stuck in my head in the days leading up to the gig. Tracey Ullman’s cover of “They Don’t Know” was that song earlier last week until it was dislodged by the most persistent earworm I’ve had in a while. I’ll reveal what that song is tomorrow, but it is somewhere on this five-hour set list, so maybe you’ll figure it out before then.  

Continue reading New Fontaines D.C. and Everything Else You Heard at Splash! at The Mermaid 2/23/25

L.A. Duo Optometry Returns With Sophomore Album, Lemuria

Optometry Lemuria album cover
Lemuria is the second full-length album from L.A.-based duo Optometry

Read Beatique’s interview “Fear is the Mind Killer: Inside the World of Optometry”

Lemuria, the sophomore album from Optometry, has the best closer I’ve heard in a long time, so we’re going to start this review at the end. “Never Coming Back” is in the vein of what’s considered post-punk right now. It has a running-for-your-life tempo (over 160 bpm for those of you who keep track of these things), a gloomy synth and a “Ceremony” sad guitar. It’s dark— really, it sounds like the cliff-hanger ending of a TV show— but also danceable and it’s become my favorite track on the album, which is out today on Palette Recordings.

Continue reading L.A. Duo Optometry Returns With Sophomore Album, Lemuria

Record Fair Find: Quando Quango Produced by Bernard Sumner with Johnny Marr on Guitar

Quando Quango "2 From Quando" 12" produced by Bernard Sumner Johnny Marr on guitar
Quando Quango “Two From Quando” 12″

Last Sunday, at the same record fair booth where I found Marc Almond’s fantastic “Melancholy Rose” 12” single, I came across an Italian copy of Quando Quango’s 12” “Two From Quando,” featuring the song “Atom Rock,” released on a Bologna label called Base Record, although it’s still marked with the Factory Records catalog number FAC 102. Sweet! There was no way I was leaving the record fair without this record, even if I *technically* already have the song on vinyl. 

Quando Quango first came into my orbit thanks to a compilation called Cool As Ice: The Be Music Productions. Released in 2003, it’s a collection of music produced by members of New Order as Be Music between 1983 and 1985. There are two tracks from Quando Quango on there, “Love Tempo” and “Atom Rock,” both of which were produced by the dream team of Bernard Sumner, using the name Be Music, and A Certain Ratio’s Donald Johnson, under the name DoJo. At the time that copies of Cool As Ice landed in the bins at Amoeba, I was promoting and DJing a Wednesday night party at a now long-gone West Hollywood bar called The Parlour called Transmission. If the name weren’t a total giveaway, I was pretty obsessed with everything related to Joy Division and New Order, as were a lot of the regulars, so I played both those songs often. And, since one of the few constants in this world is that I’m still a little on the Joy Division/New Order obsessive side and still play for people who are riding the same wave, “Love Tempo” and “Atom Rock” still turn up in my sets. All of this a super tl;dr way of justifying my purchase, btw. 

Continue reading Record Fair Find: Quando Quango Produced by Bernard Sumner with Johnny Marr on Guitar

Splash! at The Mermaid Is Sunday + More Clubs, Concerts and Movie Screenings Happening in L.A. 2/20/25 – 2/26/25

Splash at The Mermaid DJ Liz O. February 23, 2025

This Sunday, February 23, I’m back at The Mermaid in Little Tokyo for Splash! Catch me in the DJ booth from 8 p.m. until close, playing a little bit of everything. Seriously. Check out my previous playlists to see what has made it into my sets for this night without genres.  The Mermaid is located at 428 E. 2nd Street in Little Tokyo. There’s street and lot parking, plus the venue is just a block or so away from Metro’s A/E station in Little Tokyo. There’s no cover, but The Mermaid is 21+. 

As for the rest of this week, and early next week, some highlights include Kool Keith at The Paramount on Thursday, David Longstreth and Dirty Projectors on Friday and Saturday, DIIV in Ventura on Monday and Bon Entendeur at The Fonda next Wednesday. 

Not surprisingly, there are loads of great movies back in the theaters this week, including screenings of Chungking Express at multiple theaters, The Juniper Tree at Philosophical Research Society on Saturday night and much more, so keep scrolling to get the list. 

Continue reading Splash! at The Mermaid Is Sunday + More Clubs, Concerts and Movie Screenings Happening in L.A. 2/20/25 – 2/26/25

The Juniper Tree: Ingmar Bergman meets Brothers Grimm in this 1990 Movie Starring Björk

Screenshot from The Juniper Tree (1990) starring Björk
The Juniper Tree (1990)

The Juniper Tree is one of those movies that’s been kicking around on my “To Watch” list for ages, but it wasn’t until last weekend that I finally saw it on Kanopy. The film, made in Iceland by American director Nietzchka Keene, was released in 1990 and is probably best known as “Björk’s first movie.” Several years ago, The Juniper Tree was restored and re-released. Since then, it’s been making the rounds on the repertory cinema circuit. In fact, if you’re in L.A. and want to see it in a theater, you can catch it at Philosophical Research Society on Saturday, February 22

While Björk is clearly the movie’s selling point now, she’s not the only reason you should check out The Juniper Tree. It’s a stunning movie that makes good use of the landscape to tell a modern-medieval fairy tale with a Seventh Seal feel. 

Continue reading The Juniper Tree: Ingmar Bergman meets Brothers Grimm in this 1990 Movie Starring Björk

Found at the Record Fair: Marc Almond “Melancholy Rose” 12″ Single

Marc Almond "Melancholy Rose" 12" single on vinyl
Marc Almond “Melancholy Rose” vinyl 12″ single

At Sunday’s Lovers Market at Homage Brewing in Chinatown, I stopped by the one record vendor who I try to always visit. I don’t think I’ve ever walked away from this booth empty-handed because there’s usually at least one crate loaded with legit cool ‘80s club 12” singles, a mix of everything from post-punk to Italo disco to hiNRG that’s geared towards DJs rather than collectors. While I was digging, I came across a Marc Almond single that I instantly wanted to buy. 

Continue reading Found at the Record Fair: Marc Almond “Melancholy Rose” 12″ Single

Valley Girl Is the Best ’80s Teen Movie

Julie (Deborah Foreman) and Randy (Nicolas Cage) in Valley Girl.
Julie (Deborah Foreman) and Randy (Nicolas Cage) in Valley Girl.

Television and film is loaded with heart-to-hearts between kids and parents where young people learn that you shouldn’t judge someone by how they look or what they have, but by who they are. The conversation in Valley Girl, though, hits a little differently than the rest. Julie, the lead Val in the 1983 film, is torn between the Hollywood punk she likes and the preppy dumbass that her friends want her to date. Julie’s dad adds that it’s not just what’s inside a person that counts, but “what they stand for.” Then he reminds her that not everyone will be okay with her choice because, “There are lots of people out there who just ain’t happy unless you live and think the way they do.”

The answer should be simple, but it isn’t. It never is. 

Continue reading Valley Girl Is the Best ’80s Teen Movie