Klub Nocturno is the be exception to the “nobody in L.A. goes out in the rain” rule. Saturday night was the second time I played a Nocturno event at Catch One and, just like the first time, a storm hit. Yet, the crowd was still massive. And so much fun. Shout out to Kill for Kickz and Color Void, both of whom played fantastic live sets in the New Wave vs. Darkwave room.
Cover for Ride’s new album, Interplay, which I was listening to for the first time while finishing this post.
It sounds like we’re on the verge of another Pet Shop Boys moment. Or, at least, that’s how I hope 2024 will sound and, judging from the response on the dance floor, the L.A. crowds seem to agree. But, then again, L.A.’s affinity for the British duo has endured since the 1980s.
In January, I fell for the cover of “Being Boring” by TR/ST, with guest vocals from Jake Shears of Scissor Sisters. Shortly after that dropped, Pet Shop Boys themselves released “Loneliness,” the first single from their forthcoming album, Nonetheless. It’s a gorgeous dance song that reflects the strange isolation of 2020s life. (The Guardian has a good interview with the band, if you’re interested in reading more about Pet Shop Boys’ new music.) Around the same time, I stumbled across a cover of “Rent” that Sally Shapiro released last fall. I wondered how I missed this release last year, then snapped it up on Bandcamp.
I’m so excited to be back at Catch One with Klub Nocturno this Saturday, March 30, in the New Wave vs. Darkwave room. Playing Nocturno’s L.A. party in January was such a wild vibe, as was last month’s party at Crescent Ballroom in Phoenix, and I’m looking forward to seeing what Saturday night has in store. Tickets are already sold out online, but there will be a few at the door, so if you want one of those, please be sure to arrive early. Doors open at 9:30 p.m. for this 21+ event. Catch One is located at 4067 W. Pico Blvd, Los Angeles 90019.
As for the rest of the weekend and into early next week, here are my recommendations.
The Wicker Man is screening at Videotheque this Friday night.
My next gig isn’t until March 30, when I’ll be playing with Klub Nocturno at Catch One, but, there are more than enough parties and shows to keep the good vibes going through this weekend and into next week. As always, I try to stick to lower-priced events. Everything here is under $30 a ticket and a number of them don’t have a cover. At the time of posting this list, there were tickets available for all the events on this list. (I double-checked because a few that I had initially planned to include were already sold out.) And, in what seems to be increasingly rare in L.A., two of the shows listed below are actually all-ages.
Thanks to everyone who made it out to Bar Franca on March 7 for the first installment of Night Shift. We’ll be doing it again on Thursday, April 4, so join me from 9 p.m. until last call for a night of post-punk, synthpop, darkwave and shoegaze.
If you want to see what I played for the first Night Shift, check out my playlist. And if you want to RSVP for the next event, head over to Restless Nites.
Bar Franca is located at 438 S. Main Street in Downtown Los Angeles. Look for the neon cherries above the door. There’s no cover and it’s 21+.
My only gig this weekend is a private event, so I want to encourage everyone to get out and hit up one of the many other parties and shows that are happening around town. Here’s what’s happening between Thursday, March 14 and Wednesday, March 20.
Thank you to everyone who came out to Bar Franca for Night Shift last night. It was so much fun to play post-punk, synthpop, darkwave and shoegaze for you all night. Plus, as always, it was great to catch up with some pals and meeting some lovely new people. Anyhow, I’ve posted the set list below. See you tonight at Underground’s Depeche Mode x New Order party.
It’s the rare week when I’m playing three nights in a row, so if you want to follow along for the ride, here are the details. On Thursday, March 7, Night Shift launches at Bar Franca, where I’ll be playing post-punk, synthpop, darkwave and shoegaze from 9 p.m. until close. You’ll find Bar Franca downtown at 438 S. Main Street. There’s no cover and it’s 21+
The following night, Friday, March 8, is Depeche Mode x New Order night at Club Underground. Larry G., Scarlett Casanova and I will be playing your favorites from both bands as well the best in new wave, post-punk, indie and more. Underground is at Grand Star Jazz Club in Chinatown’s Central Plaza (943 N. Broadway 90012) and it’s 21+. Tickets are available via Dice and Eventbrite.
This Saturday, March 9, is Razorcake Hearts Drinking Beer & Listening to Records at Footsie’s. This is an early, all-vinyl party with no cover. I’ll be playing alongside Nikki Nothing and Samantha Beerhouse between 5 p.m. and 10 p.m. As for what I’m bringing, that’s still up for debate, but I’m in a dubby ‘80s mood, so we’ll see where that goes. Footsie’s is located at 2640 N. Figueroa St. in Cypress Park and it’s 21+. Since we’re done at 10 p.m., there will be more than enough time to check out other happenings in L.A., so that’s where this list of music events begins. Also, there are a few super cool movies screening this week, so I’ve added those to the list as well.
Here’s the cover of my copy of Zoot Woman’s debut full length Living in a Magazine
For all-vinyl gigs, I often bring my copy of Living in a Magazine, the 2001 debut full-length from Zoot Woman, with me. The reason why is simple. No matter which song I play off this album, at least one person will come up to the booth and ask about it. In fact, that happened last Friday night, when I played the band’s cover of “The Model” at Club Synth. More than 20 years later, this album is still a vibe.
Living in a Magazine is one of my favorite records of the early ‘00s. In fact, I would argue that it’s one of the finest, and certainly most under-appreciated, albums of the era. The brand of soft funk-meets-indie disco that Zoot Woman cultivated on this album helped solidify a sound that persists this day, whether or not the bands who land Spotify playlists like Pollen and Indie Chillout realize it. At the turn of the 21st century, few outside of Zoot Woman and Phoenix were riding such a mellow groove. This was a handful of years before bands like Hot Chip and Holy Ghost hit the scene, before the fascination with “yacht rock” and definitely before the vinyl resurgence sent a new generation of crate diggers on the hunt for the smoothest sounds of the 1970s and 1980s.
The backside of Crescent Ballroom in Phoenix, taken while we were loading out at the end of the night. (Pic: Liz O.)
I’ve been DJing for a very long time, but had never played a gig outside of Southern California until last weekend. I headed out to Phoenix with Klub Nocturno last weekend to play their Rockero Night at Crescent Ballroom. It was so much fun and I’m really grateful to have the opportunity to play for such a wonderful crowd and meet some of the people who came out to the party on Saturday night. Thanks so much to Klub Nocturno and to everyone in Phoenix for making the experience so awesome.
There is definitely a challenge that come with playing in a different city, but it’s a fun one. I’ve been going to L.A. clubs since I was 18 and DJing at them almost as long, so I have a really good understanding of what works and what doesn’t when it comes to my hometown. But, playing a city that I’ve only visited once previously, and where I’ve never been to a dance club, means that I’m trying to figure all that out as I’m playing. So, I was paying attention to all these small cues in the crowd, like what band t-shirts people were wearing (Depeche Mode, The Faint), while I was scrolling through my collection. Anyhow, here’s what I played.