Tag: Sirât

  • Beatique Mix June 2026

    For the June Beatique mix, I decided that I would just play music for an hour or so and post the results whether or not I flubbed any airbreaks or mixes. The whole point of that is that I think it’s really important to keep the imperfections as a sign that there’s a real person making stuff for no real reason other than to just do it. We’ve been in this creepy, brand-centric cycle of culture for so long, where everything we share is supposed to function as a commercial for the next hustle, and it’s really easy to forget that we should do things just for the hell of it. DJing is my job- or, one of my jobs- but I also listen to a lot music because I like it. And sometimes I work out sets at home because I want to know how to songs fit together. It’s kind of practice, but it’s also just kind of how my brain has worked since before I realized that DJing was a job that I could do. 

    Even though this was made on the fly, there’s a flow to it. A lot of the songs relate to each other in ways that won’t make much sense to anyone who isn’t me. The first part is mostly related to stories I recently wrote or am in the middle of writing. The second half is club stuff, although not all of the songs have made it into my club sets yet. None of them are transitions that I’ve practiced prior to recording this. I’m just kind of figuring them out here. (The Angelé/Justice song and the Slayyyter one I played in reverse order the previous night and, tbh, I prefer that flow.) This is all background stuff that nobody really cares about, but, whatever. We’re living in the dead internet era and I have no illusions that anyone is actually reading or listening. But, because it helps me think things through, I made an annotated set list with links back to references. 

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  • Go See Sirât + More Happening in L.A. from 3/12 – 3/18

    Go see Sirât. It’s not widely screening in LA right now, but it is playing at Alamo Drafthouse, which is where I saw the Spanish film, through next Wednesday. The  movie is about a Spanish man, his son and their dog traveling in Morocco to find his daughter, who has disappeared into the desert rave scene some months earlier. A war breaks out, the ravers decamp to the south of the country and the father and son follow them deeper into the desert. 

    There’s a lot going on in Sirât and I don’t want to spoil it for anyone, so the one thing that I will mention is that the sound design is exceptional. The score is frequently diegetic, meaning that it’s the music the characters in the film hear, and it interacts with their surroundings in both clever and realistic ways. For example, you can hear the crackle of techno pouring through busted speakers and the way a song fades into the wind when you’re driving in the middle of nowhere with the windows open. This all adds to the story, but you need to hear it for yourself.

    Sirât is a beautiful, and heavy, film that will stick with you after you leave the theater. See it with someone else so that you can talk about it afterwards. Like I said, it looks like Alamo is the only place in L.A. showing Sirât this weekend and next week, but it’s right in the middle of downtown, literally above a Metro station where four trains converge, so it’s a fairly convenient for most people. Plus, they have half-priced screenings on Tuesday and bottomless popcorn, which is a plus even if you have to order from your phone now. In Orange County, Sirât is playing at The Frida, which is also an excellent movie theater and is walking distance from the Metrolink stop in Santa Ana. Plus, Metrolink has$10 day passes on the weekends, a good option if gas prices have you reconsidering plans right now. 

    But, wait, there are more recommendations below. 

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