View from the DJ booth in the new wave vs. darkwave room at Klub Nocturno on January 9, 2026 (Pic: Liz O.)
Yes, Please by Sextile was my favorite album of 2025 because it has bangers for days. Last year, I mostly played “Women Respond to Bass” and “Rearrange,” although “Freak Eyes” and “Push Ups” have gotten some love too. Last night, for the first Klub Nocturno of 2026, I finally had the chance to play “S Is For,” which I love because it has such a early ‘00s electro punk vibe. Also, who doesn’t just want to shout out “shit” over and over again while raging on the dance floor right now?
Full set list is below and the new-ish releases link back to previous mentions on this here blog. As always, thanks for dancing! To keep up on when and where I’m playing next, either check back here or sign up for the newsletter or follow me on Instagram.
View from the stage upstairs at Grand Star Jazz Club for Club Underground’s New Year’s Eve Party 2025/26 (Pic: Liz O.)
Last night, my friend asked if I had a song for the new year. I didn’t. I thought about it, though, and answered Kneecap “H.O.O.D.,” more for the band than for the specific song. They’re the group I would consider the MVP of 2025, one that has had a lot of bullshit thrown their way just for speaking out against the genocide that so much of the world has watched transpire on their phones. Yet, they’ve stuck to their principles and refuse to be silenced. They’re the real deal in a time of fakers and I appreciate that so much. That’s the kind of energy we need this year.
Anyhow, I played upstairs at the Grand Star for Underground’s New Year’s Eve party. Super cool crowd. Thank you all for being there, especially on a rainy L.A. night. It was great to overhear someone in the crowd saying, “I love this song…it’s Confidence Man” when “Gossip” came on. Even better to hear from people who came up to the booth because you were excited to hear “Juicebox” or “¿Porqué te vas?” or some other song that I can’t recall right now. Hope to see more of all of you in 2026. Set list is below. The 2025 songs link to other mentions on this blog.
View from the DJ booth in the new wave/darkwave room at Klub Nocturno on 12/20/25
I’m writing this on Sunday morning and the coffee hasn’t kicked in yet, so IDK what to say except that last night at Klub Nocturno was a vibe. I DJed alongside Milagro in new wave/darkwave room. Played a few of my favorite tunes from this year, like “Women Respond to Bass” by Sextile, “Catch and Release” from Alice Glass, Pixel Grip’s “Reason to Stay” and “Everything We Thought We Knew” by N8NOFACE. People danced. Good times were had. Anyhow, set list is below. The newer songs (past year or so) are in bold and link to other mentions here on the blog. Wishing you all happy holidays!
You may have danced to some of these songs in the new wave vs. darkwave room at Klub Nocturno (Pic: Liz O.)
After writing this list of the top 10 bangers for 2025, it’s clearer to me that the sound of the dance floor is changing. The songs that have been working well at the clubs are the ones that don’t follow the strict vibe code of Spotify playlists. Instead, we have “northern soul, but make it Britpop,” “post-punk by way of Piper at the Gates of Dawn” and “Irish grime for the moshpit.” None of those songs would make sense together on an algorithmically-generated playlist, but they all made it into the DJ sets I played at Underground just this past Friday.
At least amongst those who regularly leave the house, there are still people who want to dance to music that they don’t already know, that doesn’t hold nostalgic value and doesn’t quite fit into the narrow parameters of genre. That gives me a bit of hope in the midst of the new AI era of music that has been thrust upon us.
All of the songs here are ranked by how I’ve seen crowds respond to them at my own gigs, primarily at Underground, where I’m DJing on New Year’s Eve, and/or in the darkwave room at Nocturno, where I’ll be playing on December 20. The only “metrics” I’ve used here are eyeballing the size of the crowd and the enthusiasm of their dancing. TBH, enthusiasm is more important than size, so if there are fewer people dancing, but they’re screaming out every word of the song, that matters. Anyhow, what I’m getting at is that I trust my ears and eyes more than any music or social media platform that is designed to be gamed.
View from the DJ booth in the new wave/darkwave room at Klub Nocturno, 11/01/25 (Pic: Liz O.)
It’s Halloween weekend and the Dodgers won the World Series a handful of minutes before the club opened. Needless to say that the vibe was strong at Klub Nocturno on Saturday night. I was in the DJ booth in the new wave vs. darkwave all night and, even when the room was at its most densely packed, people seemed to be in a really good mood. Ex Lover played live and I enjoyed their set.
There wasn’t anything extremely new in my DJ sets last night, but I was happy to see more people out on the dance floor for the new-ish songs from Ultra Sunn, French Police, N8NOFACE and Alice Glass. Set list is below. All 2025 releases are in bold and link back to previous mentions on Beatique.
Artwork from Tomata at MutMuz Gallery (Pic: Liz O)
A cool thing that happened this summer is that, little by little, more people started to read this site. I don’t know how most of you got here, but, thanks for reading! If you like what you see, please check back often or sign up for the weekly newsletter. And, please, share what you enjoyed with anyone else who you think might be into it.
I do like to check the site’s stats, but don’t really live by them because if there’s any lesson to learn from the age of enshittification it’s that numbers do not equal quality. But, since I also don’t like to pick favorite stories, it makes more sense to do a round-up of the five most read stories between Memorial Day and the day I made this list (8/26 in case you’re wondering).
Pixel Grip’s third album, Percepticide: The Death of Reality is out now.
Chicago-based trio Pixel Grip released their third album, Percepticide: The Death of Reality on June 12. Three years in the making, Percepticide is also the band’s first fully independent release and the end result is a collection of a dozen songs that are rooted in the clubs, but defy expectations of what one might consider club music. It’s as punk as it is pop, as raw as it is slick and as menacing as it is euphoric.
Ora the Molecule live at El Cid in Silver Lake on May 15, 2025 was an inspiration for the first half of this set. (Pic: Liz O.)
Earlier this month, I caught Ora the Molecule play at El Cid in Silver Lake. It was such a fun show. The crowd grooved throughout the duration of her set and, by the end, had formed a conga line that snaked around the small dance floor. Ora the Molecule is Norwegian DJ Nora Schielderup’s Italo disco alter, a theremin-playing intergalactic Raffaella Carrà whose songs are simultaneously cheeky and sincere. My favorite off her latest album, Dance Therapy, is “Nobody Cares,” a sentiment I find more liberating than depressing.
