View from the DJ booth in the new wave/darkwave room at Klub Nocturno on 12/20/25
I’m writing this on Sunday morning and the coffee hasn’t kicked in yet, so IDK what to say except that last night at Klub Nocturno was a vibe. I DJed alongside Milagro in new wave/darkwave room. Played a few of my favorite tunes from this year, like “Women Respond to Bass” by Sextile, “Catch and Release” from Alice Glass, Pixel Grip’s “Reason to Stay” and “Everything We Thought We Knew” by N8NOFACE. People danced. Good times were had. Anyhow, set list is below. The newer songs (past year or so) are in bold and link to other mentions here on the blog. Wishing you all happy holidays!
Black and white view from the DJ booth in the new wave vs. darkwave room. (Pic: Liz O.)
It was She Past Away Night in the New Wave vs. Darkwave room at Nocturno last night, so, if you were there, you heard a lot of them throughout the night. But, also, French Police’s new song, “Sugar Killer,” made it into the set early. It did pretty well for 10 p.m., so you’ll probably hear it again. “Nonstop Romance,” the title track from Mareux’s new album, was first played in the new wave vs. darkwave room at the last Nocturno party and, since it did well earlier in the night, I dropped it somewhere around 11:30 p.m. this time around and it did really well. “Reason to Stay” from Pixel Grip is a middle-of-the-night song now, which is good to see. “Wrong Floor” by Ultra Sunn, which someone requested last month, stuck around this month. I like that one a lot. And “Women Respond to Bass” from Sextile is basically this year’s summer song. I think that’s it for the new music from last night.
Overall, it was a fantastic night and the crowd was great, as well. Someone made two requests that were in the BPM ranges I was playing in, which never happens. I asked, “Are you a DJ?” No. “Are you a drummer?” No. Anyhow, it’s an impressive skill and it means that those requests landed in the set immediately instead of whenever I was able to raise the tempo or slow it down enough to fit the song into the set.
Heaven 17 “(We Don’t Need This) Fascist Groove Thang”
The right record will always find you at the right time. Take last Saturday afternoon as an example. I was in Little Tokyo, flipping through 45s at Salt Box and just happened to come across “(We Don’t Need This) Fascist Groove Thang,” the 1981 single from Heaven 17. Did I have this? Did it matter? Even if I did have a copy, I could use another one because this nearly 45-year-old song is the jam for right now. Or, rather, it should be the jam for right now.
I didn’t even have to listen to the song for the earworm to bury itself in my brain. “Have you heard it on the news?” it goes, “About this fascist groove thang.”
Jessika Von Rabbit and bassist Lee Joseph (Photo: Aydra Swan)
“Go Back to L.A.” started out as a joke. Jesika Von Rabbit and a friend were noodling around in her Joshua Tree home studio when she came up with the tune and the catchy, garage rock song stuck. Now, it’s the latest single from the singer’s recently released album, Bunnywood Babylon. “Hopefully, I don’t get too many people upset with me,” Von Rabbit says on a video call.
The song’s title stems from bumper stickers that have been popping up in the Joshua Tree area following an influx of new residents and tourists from Los Angeles. “Some of the people who grew up out here maybe don’t want some of the more of the hip, fancy stuff that’s coming to town,” Von Rabbit says. “Sometimes that’s out of fear too. People are afraid of what they don’t understand.”
View from the DJ booth in the New Wave vs. Darkwave room at Klub Nocturno on April 11, 2025 (Pic: Liz O.)
Last night was Klub Nocturno at Catch One, where I was the DJ in the new wave vs. darkwave room from open to close. The theme was Boy Harsher Night and a lot of their songs made it into the set alongside bands like Lebanon Hanover, Twin Tribes, French Police, Glass Spells, plus the new wave bangers and lots, lots more. Thanks to Nocturno for having me play and to everyone who made it out to the club last night. Set list is below.
The 110 freeway in L.A. as seen from a Metro J Line stop (Pic: Liz O.)
It’s time for another Beatique Mix. The April 2025 edition of this mix series includes new music from Mark Lane, Night Ritualz, Marie Davidson, Model/Actriz, The Horrors, French Police and more. It also includes a few classic cuts from the likes of Kittin and the Hacker, Joy Division and others.
One thing that I want to stress is that these aren’t club mixes, even if they partially sound very clubby. The Beatique Mix series is a reflection of the music that’s been in my head for the past month, regardless of genre or vibe or whatever. For the April mix, specifically, I had transportation in mind, which explains the first three songs, as well as the last one. The photo for this mix is of the 110 freeway as seen from an L.A. Metro J Line stop.
If you want to hear my club sets, then you have to go to the gigs. Click this link to see where I’m playing next.
Julie (Deborah Foreman) and Randy (Nicolas Cage) in Valley Girl.
Television and film is loaded with heart-to-hearts between kids and parents where young people learn that you shouldn’t judge someone by how they look or what they have, but by who they are. The conversation in Valley Girl, though, hits a little differently than the rest. Julie, the lead Val in the 1983 film, is torn between the Hollywood punk she likes and the preppy dumbass that her friends want her to date. Julie’s dad adds that it’s not just what’s inside a person that counts, but “what they stand for.” Then he reminds her that not everyone will be okay with her choice because, “There are lots of people out there who just ain’t happy unless you live and think the way they do.”
The answer should be simple, but it isn’t. It never is.
Nosferatu welcoming you to the New Wave vs. Darkwave room at Klub Nocturno on Friday, January 17, 2025
If New Wave vs. Darkwave were a real battle, IDK who would have won. Last night, in the Loft at Catch One, where I DJed all night for Klub Nocturno’s fundraiser for those impacted by the recent wildfires, new wave was visibly the clear winner. Nothing packed the floor like the ‘80s jams last night. However, the requests were overwhelmingly for the darkwave bangers and the groups nearest to the DJ booth, some of whom were dancing virtually the entire night, definitely were into Boy Harsher, French Police, Molchat Doma, etc. , so darkwave was also a winner.
Anyhow, here’s the set list from the New Wave vs. Darkwave room at Klub Nocturno on January 17, 2025. The only new song— as in the first time I’ve played it out— in the set is “God Whispers” by Soft Vein, whose latest album, Through Blinds, came out on Friday. Check it out if you’re into dark, EBM-influenced synthpop, which you probably are if you’re reading this post.
The crowd in Nocturno’s New Wave vs. Darkwave room on Saturday, November 30, dancing to Mareux “Lovers from the Past” (Pic: Liz O.)
It’s 9 a.m. and I just poured my second cup of coffee after waking up an hour ago, so last night is a still kind of a blur. I played in the New Wave vs. Darkwave room at Nocturno, which was lit almost from the start. Like, I remember seeing people dancing in the line for the bathroom by the third or fourth song of the set.
I finally had the chance to play “Digital Slaves,” from Gesaffelstein’s latest album, Gamma. I’ve been listening to the album for a few months now and keep going back to that song because the lyrics are very 2024, but the sound is very 2004, and that juxtaposition makes a lot of sense in my brain. But, I haven’t had a gig where I thought it would work until last night, right after I heard the screams for She Wants Revenge “Tear You Apart” and noticed that the room was packed. Tl;dr is that “Digital Slaves” did really well and it’s a total keeper in the sets now, which is nice because I haven’t really played his music out since The Lash closed.
Anyhow, overall, the vibe was more darkwave than new wave, which is always fun. Thanks to Nocturno for having me play and for everyone who hit the dance floor last night. Check out the set list below.
View from the DJ booth in the new wave/darkwave room at Klub Nocturno. (Pic: Liz O.)
There were a lot of requests for the new wave/darkwave room at Nocturno on Saturday night. Most of them came before the event and I started a separate playlist in Rekordbox just to keep track of them. The most requested song of the night was “Club de Vampiros” by French Police, which you heard a little after midnight at the start of my second set.
My favorite request came in person at the club, maybe a little before 1 a.m. Someone asked for Miguel Bosé, which I was happy to oblige. For a minute, though, I feared that I wouldn’t be able to play it after all because the night was coming to a close and I kept thinking of big songs that hadn’t been played yet, like “Tainted Love.” Fortunately, though, “Amante Bandido” made an appearance right before the last song of the night.
As always, Nocturno was a blast. Thanks for dancing and thanks for the requests. Keep reading for my set lists.
