The only time I’ve seen Fever Ray live was at Coachella in 2010 and, even then, I only caught part of their set sometime on the first night of the festival after I had already decided that I was over Coachella and the only thing that might ever get me back is The Smiths reunion that I estimated would be announced the day after hell freezes over. All that said, I don’t really have a true concert experience to compare to The Year of the Radical Romantics, the new, live-ish album from Fever Ray, but that’s probably for the best.
Black and white view from the DJ booth in the new wave vs. darkwave room. (Pic: Liz O.)
It was She Past Away Night in the New Wave vs. Darkwave room at Nocturno last night, so, if you were there, you heard a lot of them throughout the night. But, also, French Police’s new song, “Sugar Killer,” made it into the set early. It did pretty well for 10 p.m., so you’ll probably hear it again. “Nonstop Romance,” the title track from Mareux’s new album, was first played in the new wave vs. darkwave room at the last Nocturno party and, since it did well earlier in the night, I dropped it somewhere around 11:30 p.m. this time around and it did really well. “Reason to Stay” from Pixel Grip is a middle-of-the-night song now, which is good to see. “Wrong Floor” by Ultra Sunn, which someone requested last month, stuck around this month. I like that one a lot. And “Women Respond to Bass” from Sextile is basically this year’s summer song. I think that’s it for the new music from last night.
Overall, it was a fantastic night and the crowd was great, as well. Someone made two requests that were in the BPM ranges I was playing in, which never happens. I asked, “Are you a DJ?” No. “Are you a drummer?” No. Anyhow, it’s an impressive skill and it means that those requests landed in the set immediately instead of whenever I was able to raise the tempo or slow it down enough to fit the song into the set.
At DJ gigs, I always say that I don’t know what I’ll play until I play it and that’s absolutely true. I may have my heart set on playing one specific song, but, if it doesn’t sound like it’s going to vibe with the crowd, then I can’t play it. So, while I really don’t know which songs from Nonstop Romance, the latest album from Mareux, will end up in my sets, I am keeping my fingers crossed that it’s the title track.
“Nonstop Romance” has quickly become my favorite song on the album and I hope that its yours too. If you went to a club where the DJ played “Join in the Chant” and “Crazy Over You,” then came home and put that vibe into a song and gave it a 2020s spin, it might sound like this. (And, if this sounds like a plausible scenario to you, I’m going to guess you also live in L.A.) The juxtaposition of an EBM stomp and a very cheery synth melody is my idea of dance floor gold and I’ve listened to “Nonstop Romance” at least three times in a row while writing this.
Pixel Grip’s third album, Percepticide: The Death of Reality is out now.
Chicago-based trio Pixel Grip released their third album, Percepticide: The Death of Reality on June 12. Three years in the making, Percepticide is also the band’s first fully independent release and the end result is a collection of a dozen songs that are rooted in the clubs, but defy expectations of what one might consider club music. It’s as punk as it is pop, as raw as it is slick and as menacing as it is euphoric.
View from the DJ booth in the New Wave vs. Darkwave room at Klub Nocturno on April 11, 2025 (Pic: Liz O.)
Last night was Klub Nocturno at Catch One, where I was the DJ in the new wave vs. darkwave room from open to close. The theme was Boy Harsher Night and a lot of their songs made it into the set alongside bands like Lebanon Hanover, Twin Tribes, French Police, Glass Spells, plus the new wave bangers and lots, lots more. Thanks to Nocturno for having me play and to everyone who made it out to the club last night. Set list is below.
In early February, in a small L.A. venue called Love Song, Taleen Kali debuted her EP, Covered, a few days before its Valentine’s Day release. Every detail reflected the holiday theme. The EP, which includes versions of songs like “Ava Adore” and “#1 Crush,” was available on heart-shaped flashdrives at a merch booth decorated with cupids. The listening party was followed by a live set where Taleen Kali, the person, morphed into Taleen Kali, the band, as more and more musicians joined the singer/guitarist on stage for a set that included live rarities and music from Covered.
It was a killer night, and I’m not just saying that because I happened to be the DJ for the show or because Taleen and I have been pals for a few years. I mean, it was a very well-planned and well-executed show.
So, the reason I decided to scale back on posting events here is because I’m back at writing up listings for Discover Los Angeles and I don’t like to repeat myself. You can click here to see recommendations for the week of April 7 through April 13. The one event on the list that is most relevant to the roundups I write here is the Turntable Trio event at 2220 Arts + Archives on Monday, April 7. It a next-level DJ performance event with a super reasonable cover charge at a venue that I like a lot.
I won’t be DJing this weekend, which is probably a good thing on account of having a feature story that I have to finish for next week. (My next gig, if you’re wondering, is at Nocturno on April 11.) If you’re looking for a dance night, head to Underground on Friday at the Grand Star. Larry G. has all the indie, new wave and post-punk jams ready for you. Here are more recommendations for this weekend.
When Vincent Guerrero had a venue in San Antonio, called Vice Versa, he spent his days organizing, which also meant going through the vinyl collection housed in the space. “Every day, I would get a random record and I would listen to it,” he recalls.
He was struck by the album covers with photos of the musicians, sometimes large bands, all dressed up for the occasion. “At some point in their life, this was their dream,” Guerrero remarks. He’d listen to the music, some of which could not be found on Spotify or YouTube. “It was kind of scary, but kind of beautiful,” he says. “We won’t be here forever, but our music potentially could live for a very, very long time.”
All this inspired Guerrero, who records under the name Night Ritualz. “I always wanted a record, a vinyl,” he says. “That was a dream.”
So, after Vice Versa closed, Guerrero put his efforts into attaining that dream. On March 7, Night Ritualz’s self-titled debut album was released via Metropolis Records on both digital and vinyl formats. Following the album drop, he hit the road. He headed back to San Antonio for the record release shows, then to Austin, where he now lives, and played a string of South by Southwest dates. A West Coast tour, which concludes with Night Ritualz’s first headlining gig in California at The Cathedral in Pomona on April 4, followed.
The 110 freeway in L.A. as seen from a Metro J Line stop (Pic: Liz O.)
It’s time for another Beatique Mix. The April 2025 edition of this mix series includes new music from Mark Lane, Night Ritualz, Marie Davidson, Model/Actriz, The Horrors, French Police and more. It also includes a few classic cuts from the likes of Kittin and the Hacker, Joy Division and others.
One thing that I want to stress is that these aren’t club mixes, even if they partially sound very clubby. The Beatique Mix series is a reflection of the music that’s been in my head for the past month, regardless of genre or vibe or whatever. For the April mix, specifically, I had transportation in mind, which explains the first three songs, as well as the last one. The photo for this mix is of the 110 freeway as seen from an L.A. Metro J Line stop.
If you want to hear my club sets, then you have to go to the gigs. Click this link to see where I’m playing next.
