The only time I’ve seen Fever Ray live was at Coachella in 2010 and, even then, I only caught part of their set sometime on the first night of the festival after I had already decided that I was over Coachella and the only thing that might ever get me back is The Smiths reunion that I estimated would be announced the day after hell freezes over. All that said, I don’t really have a true concert experience to compare to The Year of the Radical Romantics, the new, live-ish album from Fever Ray, but that’s probably for the best.
Swimming Bell live at Oblivion in Highland Park on May 23, 2025 (Pic: Liz O.)
Maybe you recall reading about Swimming Bell here on Beatique back in May. That’s when L.A.-based singer/songwriter Katie Schottland and her band of musicians celebrated the release of the latest Swimming Bell EP, Somnia, with a very intimate show at Oblivion in Highland Park. If you missed the story, go back and read it because Swimming Bell is fantastic and you can catch them on Thursday, July 25, at The Goldfish in Highland Park, where they’ll be playing alongside The GDR and Love Pig for a very low cover. Tickets are available now on Dice for this 21+ show. Check out Swimming Bell’s video for “95 at Night” too.
View from the stage at Gloria Molina Grand Park’s Sunday Sessions on July 20, 2025 (Pic: Liz O.)
Gloria Molina Grand Park’s Sunday Sessions is a highlight of summer in L.A. It’s a series of free, all ages, dance party picnics right in the middle of downtown, inside the park that sits between the Music Center and City Hall. At the event on July 20, my friend, Maurice de la Falaise curated a lineup of DJs to celebrate the roots of house music, and I got to DJ alongside Loopdropkid and Clifton Weaver, with KG Superstar MCing the afternoon. It was a ton of fun.
For my own set, I played mostly disco and Italo, with a lot of edits to kind of stress that connection between disco and house. In the first set, which started at about 3 p.m., I dropped Horse Meat Disco and Phenomenal Handclap Band’s track “Sanctuary,” which you probably heard a lot if you went to my nights back at The Lash right after the pandemic, because the lyrics are relevant to the moment. The second set, which was from 5:15 – 6 p.m., took a house turn towards the end because the crowd seemed up for it, so I dropped in two of my favorite tracks from the past handful of years “Cissy” from Natasha Kitty Katt, which pulls vocals from the Cissy Houston song “Think It Over,” and Kerri Chandler’s remix of Gabriels “Love and Hate in a Different Time.” Set list is below.
More. Pulp swag. And it’s a notebook and pen. Things I actually use a lot. (Pic: Liz O.)
Last night was Club Underground’s Pulp Party, but I played in the not-Pulp room, which is why you heard a mix of ‘80s, ‘00s and new indie, darkwave, etc. upstairs at the Grand Star all night. “Women Respond to Bass” by Sextile is this summer’s banger, but I wanted to get “Rearrange,” from the duo’s latest album, into the set as well because it has a very DFA thing going on it. Also, the lyrics are extremely right now. Teddybears (featuring Iggy Pop) made a comeback with “Punkrocker” thanks to the Superman movie that I haven’t seen. There was also new music from Ships in the Night and Mareux in the set. If you want to see what was played, keep scrolling. Oh, and shout out to the small group of Fontaines D.C. fans who happened to be upstairs for both “Here’s the Thing” and “Starburster.”
Olya Sonica live at Hotel Ziggy on July 17, 2025 (Pic: Liz O.)
Olya Sonica has a new single, “You Only Live Forever (YOLF)” out now and shows in the U.K. next week, so, to celebrate, she put together a special Britpop-themed show last night at Hotel Ziggy. Izzy Outerspace opened. Olya played a full set with her new single and then brought together a group of friends for a set of Britpop covers with various vocalists, including Blur “Song 2,” Pulp “Disco 2000,” The Verve “Bittersweet” and multiple Oasis songs. They finished with a singalong of “Don’t Look Back in Anger,” of course.
Oh, yeah, and I DJed too. Dug through my Britpop stash and managed to pull out some tunes that I haven’t played in a long time. Some I haven’t played in a really long time, like maybe not since the Bang! days. Check out the set list below and maybe I’ll see you tonight at Club Underground’s Pulp Party.
Protection Spells by Ships in the Night is out now on Metropolis Records (photo courtesy of Ships in the Night)
Last May, Alethea Leventhal released her third full-length album as Ships in the Night , Protection Spells, with two Black Lodge Balls in Virginia. The David Lynch-themed events were planned before the director’s death and were a “labor of love” for the singer and her team. “Emphasis on labor,” says Leventhal on a recent phone call. There were costumes and cover songs. Leventhal herself performed “I’m Deranged,” the David Bowie song that appeared in Lost Highway. The show’s lighting designer projected a Black Lodge floor. “I wish I could have seen the show,” she says on a recent phone call. “I was on stage so I couldn’t see it in quite the same way.”
In case it weren’t already clear, Leventhal is a David Lynch fan. In particular, the soundtracks from his work has been an inspiration for Ships in the Night. So has David Bowie, Kate Bush, Motown and Depeche Mode, whose 1990 hit, “Enjoy the Silence” she covers on Protection Spells. Leventhal recalls hearing the song for the first time, via a mix CD, when she was 13. “I heard that song and remember thinking what is this? How do they do that? What are those sounds?” she recalls.
On the dance floor at Club Underground (Pic: Liz O.)
I have three DJ gigs coming up this weekend. Thursday, July 17, is the premiere party for Olya Sonica’s new single “You Only Live Forever (YOLF)” at Hotel Ziggy. Friday, July 18, is Club Underground’s Pulp Party at Grand Star Jazz Club and Sunday, July 20, is Gloria Molina Grand Park’s Sunday Sessions. Keep reading for details for all three gigs. Hope to see you on the dance floor this weekend.
Monday Nights: L.A.’s Scene of the Century opens at Leiminspace in Chinatown on August 2, 2025
I’ve been knee deep in work for Monday Nights: L.A.’s Scene of the Century, 2005-2016, the exhibition of photos and ephemera from Sean Carnage’s DIY show series that opens at Leiminspace in Chinatown on August 2. I’m one of the co-curators for the show and wrote an essay for the catalog, so my brain is half-stuck in the ‘00s and half-living in the present day, which is strange. I didn’t think the world could possibly be more grim than it was in the midst of the Bush era, but, here we are. Endless war, Fox News and the Great Recession seem quaint in comparison to the red cap crowd’s brand of reality show fascism.
What made the ‘00s bearable, at least here in Los Angeles, was underground culture. Monday Nights was a big part of that. I think the first one I went to was Halloween of 2005 and I continued to go often throughout the duration of the series. At Monday Nights, I saw so many wildly creative bands/artists play— some of whom I wrote about at the time for L.A. Weekly and other publications— but that was just part of what was happening in the city at that point in time. There were other club nights and venues, not to mention the parties in lofts, warehouses, backyards and living rooms. Once, I even went to a show in a storage unit in Chatsworth.
Black and white view from the DJ booth in the new wave vs. darkwave room. (Pic: Liz O.)
It was She Past Away Night in the New Wave vs. Darkwave room at Nocturno last night, so, if you were there, you heard a lot of them throughout the night. But, also, French Police’s new song, “Sugar Killer,” made it into the set early. It did pretty well for 10 p.m., so you’ll probably hear it again. “Nonstop Romance,” the title track from Mareux’s new album, was first played in the new wave vs. darkwave room at the last Nocturno party and, since it did well earlier in the night, I dropped it somewhere around 11:30 p.m. this time around and it did really well. “Reason to Stay” from Pixel Grip is a middle-of-the-night song now, which is good to see. “Wrong Floor” by Ultra Sunn, which someone requested last month, stuck around this month. I like that one a lot. And “Women Respond to Bass” from Sextile is basically this year’s summer song. I think that’s it for the new music from last night.
Overall, it was a fantastic night and the crowd was great, as well. Someone made two requests that were in the BPM ranges I was playing in, which never happens. I asked, “Are you a DJ?” No. “Are you a drummer?” No. Anyhow, it’s an impressive skill and it means that those requests landed in the set immediately instead of whenever I was able to raise the tempo or slow it down enough to fit the song into the set.
“Waiting to Wait For You” has been running on a loop through my brain. The lead single from As of Right Now, the latest EP from N8NOFACE and his debut with venerable L.A. label Stones Throw, is a sticky mix of indie jangle and new wave bounce with the Long Beach-based singer repeating, “I can’t wait, wait to wait for you” against a riff that sounds as if it could have come from Johnny Marr.
N8 credits producer Chico Mann, aka Marcos Garcia, the guitarist best known for his work with Antibalas and Here Lies Man, for the EP’s sound. “He was a huge Johnny Marr fan as a kid,” says N8 on a recent video call. The two connected a few years back to collaborate on producing another song. “We would talk about what direction I would want to go in and I always mention to him things that I just can’t do musically and he’s like, well this is a sound I always wanted to produce, let me write some music with your voice in mind,” N8 recalls. Garcia came back with about a dozen instrumentals. N8 tackled the lyrics in about a year and seven of the songs landed on As of Right Now.
