Maria Somerville Brings Luster to Los Angeles on Saturday Night

Maria Somerville press photo 2025 photo credit Cait Fahey
Maria Somerville (Photo: Cait Fahey)

Bird songs open Luster, the sophomore album from Maria Somerville and her debut full-length with venerable indie label 4AD. Their chirps, taken from a field recording at the singer/producer’s home in Connemara, Ireland, slowly give away to a kind of ethereal ambience with Róisín Berkeley on harp and Henry Earnest on guitar. 

Somerville, who also hosts “The Early Bird Show” on NTS, self-released her debut album, All My People. In between the two albums, she moved from Dublin back to her hometown. “It’s grounding and expansive there, and gives me spaciousness, which maybe subconsciously shapes how I make music,” she says of the move in an email interview. 

Continue reading Maria Somerville Brings Luster to Los Angeles on Saturday Night

Cyrnai Embraces “Found Experience” and Future Sound on Calamity of Beauty

Cyrnai (Carolyn Fok) press photo 2025
Cyrnai, aka Carolyn Fok

Carolyn Fok was in Los Angeles, cleaning out her late father’s house, when she discovered the statue of a woman, reclining in a seductive pose amidst the odds and ends stored in a dark room. She shined a flashlight through nearby glass and snapped a photo for what would become the cover of Calamity of Beauty, her latest album as Cyrnai. 

Fok, who is also a visual artist and writer, refers to these kind of moments as “found experience.” As a child,  she found a drum machine that her father made and began playing around with it. “He didn’t give it to me, I just found it and I found a lot of things,” Fok says on a recent video call. “He would leave secondhand instruments in the living room and I started putting things together as a teen, so finding this statue was like, oh, did he want me to find this too?”

Continue reading Cyrnai Embraces “Found Experience” and Future Sound on Calamity of Beauty

Scarface Italo Disco, Carrie Movie Screenings and More for Memorial Day Weekend

Flyer for Dolce Vita Italo disco tribute to Scarface at The Grayson in Los Angeles on May 24, 2025

I’m not DJing this weekend, but my friends are Saturday night, May 24, at the Grayson (351 S. Broadway DTLA 90013) for Dolce Vita’s Tribute to Scarface. David Christian and Mando Italo will be on the decks playing Italo disco and Giorgio Moroder faves. Dolce Vita’s Scarface parties are always a vibe and guests are encouraged to dress in theme, so don’t miss out on this. There’s no cover. Party starts at 9 p.m. and goes until last call. This is a 21+ event. 

If you’re planning on going to the Scarface party you might as well make it a Brian De Palma kind of weekend at head to Gardena Cinema (14948 Crenshaw Blvd., Gardena 90249) on Sunday, May 25, where Carrie is screening. This is the real deal 1976 De Palma film, not an unnecessary remake, starring creepy Sissy Spacek and creepier Piper Laurie. It is, quite possibly, the best horror film ever made. There are three screenings, so check the times and get tickets. 

Continue reading Scarface Italo Disco, Carrie Movie Screenings and More for Memorial Day Weekend

Subverting the Algorithm at Printed Matter’s L.A. Art Book Fair

Printed Matter L.A. Art Book Fair at ArtCenter on Sunday, May 18, 2025 (Photo: Liz Ohanesian)
Inside ArtCenter for Printed Matter’s L.A. Art Book Fair (Pic: Liz O.)

In a world ruled by tech bros and geriatric shitposters, going to a book fair is subversive af. Think about it. You have to actually stop scrolling and go to an IRL location. When you’re there, you’ll flip through print publications that weren’t recommended by an algorithm. You might purchase some of them too. You may even read them, an act that would require you to divert your eyes from screens teeming with slop and rage posts and ads— so many ads!— and all the other garbage that makes rich dudes richer and the rest of us broke and miserable. 

Certainly, I’m not the only person who thinks reading paper > reading screens because Printed Matter’s L.A. Art Book Fair was slammed on Sunday afternoon. Now, this is a long-running, well-attended event. In fact, I wrote about the size of the crowd on this very blog two years ago. But, the weekend-long indie and DIY book extravaganza has since moved from MOCA’s Geffen Contemporary to ArtCenter’s South Campus in Pasadena. It appeared to be a bigger venue, given all the rooms at the art school that were in use, but it was still overflowing with people. There were corners of some exhibit halls where crowds were so thick that they were virtually impassible, but that might have had more to do with the layout than the amount of people.

Continue reading Subverting the Algorithm at Printed Matter’s L.A. Art Book Fair

Digging for Fire at Penny Lane Records in Upland

A bin of vintage 45 vinyl with a Gene Pitney single in front at Penny Lane Records in Upland, California (Photo: Liz Ohanesian)
45s at Penny Lane in Upland (Pic: Liz O.)

I’m sitting on the floor of Penny Lane Records digging through bins of 45s while eavesdropping on the other shoppers. It’s busy at around noon on a Saturday and the names dropped are varied. Clairo. Phoebe Bridgers. Crystal Castles.  “Have you heard Slowdive?” one person asks. “They’re shoe— there’s a name for it.” A mom, who is probably right around my own age, is hyping up Korn and System of a Down to a disinterested kid. Trust me, this is not a conversation you would have overheard anywhere in 1999. I’m trying not to laugh. Need to concentrate on the old soul records in front of me. Ooh, Ann Peebles!

Continue reading Digging for Fire at Penny Lane Records in Upland

“Don’t Forget the Songs That Made You Smile”: Liz O.’s Smiths Nite Setlist for Underground, 5/16/25

Smiths Nite at Club Underground at Grand Star Jazz Club on May 16, 2025
View from the DJ booth Smiths Nite at Club Underground 5/16/25

For the record, The Smiths are my favorite band and have been since I was 12. And, yet, I’ve never played an all-Smiths-related set before last night. It was Club Underground’s Smiths Nite and Rose Knows and I DJed in the theme room for the two-room event at the Grand Star. It was hard! Seriously, I *still* have The Smiths catalog committed to memory and this was easily the hardest set I’ve ever played. It’s one of those things where, at 10 p.m., you think there aren’t enough songs to fill a whole night and at 12 p.m., you realize you might get to half of what you wanted to play. 

“Don’t forget the songs that made you smile/And the songs that made you cry.” (Rubber Ring)

At least “Rubber Ring” made it into the set. And “What She Said.” 

Anyhow, thanks to everyone who hit the dance floor last night. You can catch Rose Knows for her Smiths Night at Cha Cha Cha Lounge this Thursday, May 22. Larry G. is at Grand Star Jazz Club for Club Underground every Friday night. IDK when I’m playing next, so just follow me on Instagram or check here on Wednesdays. My set list is below. 

Continue reading “Don’t Forget the Songs That Made You Smile”: Liz O.’s Smiths Nite Setlist for Underground, 5/16/25

Edward Ka-Spel on How AI Inspired New Legendary Pink Dots Album, So Lonely in Heaven

Illustration of Legendary Pink Dots by Simon Paul
Illustration of Legendary Pink Dots by Simon Paul


On So Lonely in Heaven, the latest album from Legendary Pink Dots, the long-running psychedelic band leads listeners deeper into a tech dystopian landscape that doesn’t quite feel like fiction. A deleted file leads to disaster where all you can do is “pray to the server, pray to the cloud” on “The Sound of the Bell.”  A persona lives on after the body dies and the organs have been donated in “Pass the Accident.” It’s all very much within the universe that singer and lyricist Edward Ka-Spel has been building across the band’s vast catalog for the past 45 years, where scenarios that blur the line between sci-fi, fantasy and reality are told with a good dose of dark humor. 

Where the band’s 2022 album, The Museum of Human Happiness, essentially documented the COVID-19 pandemic, this time around, Ka-Spel drew inspiration from AI. “My experience of artificial intelligence isn’t all that great,” he admits on a recent call from his home outside of London. 

However, Ka-Spel had caught wind of AI-generated lyrics produced in the style of his own. “It was passable in that it was eloquent,” he says. “It was, I guess, coherent.”

Continue reading Edward Ka-Spel on How AI Inspired New Legendary Pink Dots Album, So Lonely in Heaven

The Smiths Nite at Club Underground + More Happening in L.A. This Weekend

The Smiths Nite at Club Underground in Los Angeles at Grand Star Jazz Club on May 16, 2025 with DJs Larry G., Liz O. and Rose Knows

This Friday, May 16, is The Smiths Nite at Club Underground. Larry G., Rose Knows and I will be playing a mix of The Smiths, Morrissey and Johnny Marr, plus the indie, Britpop and post-punk bands they inspired over at Grand Star Jazz Club in Chinatown. Advance tickets are available now, so click this link to get yours. Party starts at 9:30 p.m. and it’s 21+. 

Grand Star Jazz Club is located at 943 N. Broadway, inside Chinatown’s Central Plaza, right next to the Bruce Lee statue. 

As for the rest of the weekend/early next week, here’s what I recommend. 

Continue reading The Smiths Nite at Club Underground + More Happening in L.A. This Weekend

Tropa Magica Cover The Doors “People Are Strange” on New Album

Tropa Magica Para Bailar y Tripiar album cover

There is no shortage of “People Are Strange” covers in the world, but “Todos Son Raros,” a Spanish rendition by Tropa Magica, is 100% worth your attention. The L.A.-based band reimagines the Doors classic as a groovy cumbia with some surfy reverb and an expanded guitar solo that ventures into Middle Eastern psychedelia. It’s wild and lives up to the title of Tropa Magica’s latest album, Para Bailar y Tripiar

Continue reading Tropa Magica Cover The Doors “People Are Strange” on New Album

Model/Actriz Brings the Noise Back to Dance Rock on Pirouette

Cover of Pirouette by Model/Actriz, released on May 2, 2025

On Pirouette, the latest album from New York-based Model/Actriz, there’s a lineage that runs from the funkier, Gang of Four side of post-punk to the noisy, late 1990s aftermath of hardcore that led to indie dance bands like The Rapture, The Faint and !!! to the L.A. DIY scene of the ‘00s and early ‘10s that spawned bands like Health and clipping. It’s noisy, driven by an urgent energy and will probably scare off those who like nice pop songs. It’s music for people who like to keep things weird, but still need structured songs and a good dance beat. 

Continue reading Model/Actriz Brings the Noise Back to Dance Rock on Pirouette

Indie music and alt culture blog from Los Angeles. By Liz O.