Category Archives: Live Music

Purity Ring Builds a Better World On Stage at The Novo

Purity Ring live at The Novo on November 12, 2025 (Photo: Liz Ohanesian)
Purity Ring at The Novo 11/12/25 (Pic: Liz O.)

A few songs into their set on Wednesday night, Megan James of Purity Ring thanked the crowd for masking up. She talked about a world where we are “caretakers of the land we live on,” where there are no prisons or genocide. “It starts at home with material care for others,” she told the crowd, “like wearing a mask. No one is going to save us. We care for each other. We keep each other safe. Free Palestine.” 

The night began with security passing out masks near the entrance to The Novo It ended with guards near the photo pit handing out water bottles to people in the crowd, something I have never seen happen at a show before this one. All of this connects to Purity Ring’s new, self-titled concept album, which was released in September. Inspired by RPGs like Nier Automata and Final Fantasy X, the album is itself a soundtrack for an imagined game, wherein the characters’ quest is to built a better world. 

Continue reading Purity Ring Builds a Better World On Stage at The Novo

Mariachi El Bronx Introduces New Songs to Fans at L.A. Bar La Cita

Mariachi El Bronx on stage at La Cita, November 8, 2025 (Photo: Liz Ohanesian)
Mariachi El Bronx on stage at La Cita, 11/08/25 (Pic: Liz O.)

Matt Caughthran didn’t need to remind the crowd inside La Cita to show their enthusiasm. even if Mariachi El Bronx were filming for a new music video inside the sold out, Saturday night show. This crowd, packed close to the narrow stage inside the downtown Los Angeles bar, was already hyped. And “Bandoleros,” from the forthcoming album, Mariachi El Bronx IV, is a jam with a cumbia rhythm that automatically gets people dancing.

Continue reading Mariachi El Bronx Introduces New Songs to Fans at L.A. Bar La Cita

Satanic Puppeteer Orchestra Live at Exotikon 3

Satanic Puppeteer Orchestra live at The Mayan in downtown Los Angeles for Exotikon 3 (photo: Liz Ohanesian)
Satanic Puppeteer Orchestra live at The Mayan in downtown Los Angeles for Exotikon 3 (Pic: Liz O.)

Our glasses weren’t 3D. We were watching a live performance inside downtown L.A.’s Mayan Theatre and, like the robot on stage told the crowd on Sunday afternoon, that’s already 3D. These were decoder glasses. Some in the audience had blue lenses. Others, like me, had red ones. The color of the lenses determined what you would see on the screen behind Satanic Puppeteer Orchestra, the human-and-robot duo from San Diego who were playing as part of Exotikon.

Continue reading Satanic Puppeteer Orchestra Live at Exotikon 3

Maria Somerville Plays an Extraordinary Shoegaze Set at Zebulon

Maria Somerville live at Zebulon in Los Angeles on Saturday, May 24, 2025 (Photo: Liz Ohanesian)
Maria Somerville concluded her five-week tour, which included the singer’s first U.S. jaunt, on Saturday, May 24 at Zebulon in L.A. (Pic: Liz O.)

On Saturday, May 24, Maria Somerville closed out a five week tour, which included her first U.S. jaunt, at Zebulon in Los Angeles. Playing with a full band, the Irish musician transformed the sublime, often atmospheric, sound of her two albums into a shoegaze blowout. It was loud and cathartic and I’m really glad that Zebulon keeps a bowl of earplugs near its entrance. 

I grabbed a spot right in front of the bassist’s zone on stage, next to some dudes who were investigating the pedals. (I told you this was a shoegaze show!) A hodgepodge of tunes played as the small, Frogtown venue filled with people. Hearing “French Disko,” the Stereolab song, was an appropriate way to prepare for the show that was about to start. I noticed a My Bloody Valentine t-shirt in the crowd too, which was both completely expected and probably a bit of foreshadowing.

Continue reading Maria Somerville Plays an Extraordinary Shoegaze Set at Zebulon

Caravan Palace Live at The Novo in Los Angeles

French group Caravan Palace live at The Novo in Los Angeles on Monday, March 24, 2025. (Photo: Liz Ohanesian)
Caravan Palace live at The Novo (Pic: Liz O.)

A little more than an hour had passed since Caravan Palace launched into their set at The Novo on Monday night. The French group, a trio in the studio now six people strong on stage, had already pumped up the crowd with a near-seamless mix of older tunes, like their version of “Black Betty,” and material from last year’s album, Gangbusters Melody Club. The stage was now saturated in blue light that moved like a wave as singer Zoé Colotis talked the audience. 

“Let’s get crazy for a while. Forget all your troubles, just spread good energy and craziness,” she told the crowd. 

White lights burst from the strobes, pulsating with the beat that had just kicked the crowd in the pants. They pumped their hands in the air and jumped in unison. The floor vibrated. My phone started to shake as I tried to record video. 

Continue reading Caravan Palace Live at The Novo in Los Angeles

Whammy! Analog Media Celebrates Third Anniversary with Day of Live Music

Chaki performs live at Whammy! Analog Media's third anniversary party in Echo Park on Sunday, February 9, 2025 (Photo: Liz Ohanesian)
Chaki reppin’ Zankou Chicken on stage at Whammy! Analog Media’s third anniversary party. (Photo: Liz O.)

Whammy! Analog Media, the VHS shop and microcinema in Echo Park, celebrated its third anniversary on Sunday, February 10, with a day of live music.  While bands were scheduled to play from noon until 8 p.m., I was only able to check out the 4 – 7 p.m. stretch, which included performances from Chaki, Major Entertainer and Pride Month Barbie

A theme running throughout the afternoon was how special Whammy! is and that’s true. It’s actually one of the few places in L.A. that legit lives up to the overused descriptive “hidden gem.” Although the shop’s address is on Sunset Blvd., you won’t notice it from the street, you have to walk down Rampart and enter through the alley. Once you step inside, you’ll feel like you’ve been transported to another past that’s cooler than the one that actually existed. Trust me, you would not be able to find many of the movies here at the corporate video stores that now stoke nostalgia in people. And you certainly wouldn’t be bobbing your head to “Mesopotamia,” the funkiest of the B-52s’ jams, while you browse. 

Continue reading Whammy! Analog Media Celebrates Third Anniversary with Day of Live Music

Taleen Kali Covers Smashing Pumpkins and My Bloody Valentine at EP Release Show in L.A.

(left to right) Genevieve, Taleen Kali and Josephine playing Covered EP release party at Love Song Bar DTLA on February 8, 2025
(left to right) Genevieve, Miles (back of pic on drums) Taleen Kali and Josephine playing Covered EP release party at Love Song Bar DTLA on February 8, 2025 (Pic: Liz O.)

Taleen Kali has a new EP out on Valentine’s Day. Covered features the band’s versions of songs by Smashing Pumpkins, My Bloody Valentine, The Supremes, Garbage and Depeche Mode. Last night, at the appropriately-named Love Song in downtown Los Angeles, was the listening party, which included a live performance. This isn’t a review, which would be unfair on account of the fact that I was the DJ for the event. It’s more of a recap. 

The Love Song is a tiny bar— like, really tiny— at the front of The Regent, a 110-year-old former movie theater-turned-concert venue. Bands typically play in a patch of open space right next to the bar’s entrance, in front a window that faces Main Street and that was the setup last night. All this makes for a very intimate performance. If you’re up at the front, which I was on account of the CDJs being set up right next to the band, you’re really face-to-face with the performers. 

Continue reading Taleen Kali Covers Smashing Pumpkins and My Bloody Valentine at EP Release Show in L.A.

CSS Live at The Regent January 19, 2025

Marquee for sold out CSS show at Regent Theater in Los Angeles on January 19, 2025
Pics: Liz O.

Near the end of CSS’ set at The Regent, singer Lovefoxx reminisced with the crowd about the band’s previous gigs in Los Angeles. There was their first show in the city, somewhere in the Fashion District. At least one person in the audience was there. There was some back and forth about a show where Lovefoxx lost her voice. As for this show, it was jam packed. But, Lovefoxx said to the crowd, the love for CSS in the room might not have been about the band itself. 

“We were playing in the background of your life,” she said. “And I think that you’re all here because you just love your history and your songs. We’re just lucky to have been in the background on your MySpace page.” 

Continue reading CSS Live at The Regent January 19, 2025

Mary Ocher Live at 2220 Arts + Archives January 16, 2025

Mary Ocher live at 2220 Arts + Archives in Los Angeles on Thursday, January 16, 2025 (Photo: Liz Ohanesian)
Mary Ocher live at 2220 Arts + Archives in Los Angeles on Thursday, January 16, 2025 (Pic: Liz O.)

“It feels like the apocalypse,” Mary Ocher said on stage at 2220 Arts + Archives. “But,” the Berlin-based artist added, “it feels like the apocalypse everywhere.” 

It’s Thursday night, one week and one day after the wildfires began, and we’re in a small, indie theater on Beverly Blvd., just outside of downtown Los Angeles. In all honesty, the city looks better than it did a week ago. Last week, the downtown sky was orange-gray, casting a haze over streets, still littered with the debris from the windstorms, that made everything look like a 1970s photograph. Even with a mask, it was hard to walk around those first few days without feeling ill. Headaches, sore throats, coughs— the sort of things you might expect when wildfires loom in the distance— came and went with open windows and errand runs. 

Continue reading Mary Ocher Live at 2220 Arts + Archives January 16, 2025

Ride at The Fonda, You Had to Be There

Ride live at The Fonda in Los Angeles on Thursday, December 19, 2024 (Photo: Liz Ohanesian)
Ride live at The Fonda on Thursday, December 19, 2024 (Pic: Liz O.)

Early on in Ride’s set at The Fonda on December 19, as the band played “Dreams Burn Down,” the spotlights danced furiously with every wave of guitar noise that crashed over the crowd. Small specks of light flickered across the dark walls of the theater, burning out as soon as the shoegaze interludes cut back to the song. Everything was tightly choreographed, the lights and sound so in sync with each other that it was as if I had been swallowed by the music. When you can imagine the music as this living, breathing entity and you are, if only for a moment, existing in the belly of it, it’s an amazing, and rare, feeling. 

This was my first Ride concert and, honestly, I think it’s an ideal time to see the band. While I love the now-classic albums, Nowhere and Going Blank Again, Ride released an album this year, Interplay, that’s a career best. It’s a fantastic collection of psychedelic guitar pop and one of my favorite albums of 2024. If you haven’t heard it yet, you should fix that asap. 

I’ve been listening to Interplay since it was released earlier this year and had wanted to finally catch Ride on this tour. In fact, I was about to check for tickets when my friend Melissa was all like, just won tickets to see Ride, want to go with me? Of course, I did. This was an even better opportunity. Melissa and I have been friends since sometime around Y2K, when we crossed paths nerding out over British bands first in a chat room and then IRL at places like Cafe Bleu, a club night in West Hollywood at the time where you could actually dance to “Twisterella” and sway to “Vapour Trail.” Yet, neither of us had seen Ride before, so this was bound to be a memorable night. 

Continue reading Ride at The Fonda, You Had to Be There