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  • ADULT. Captures Real World Dystopian Tension on Kissing Luck Goodbye

    ADULT. Kissing Luck Goodbye Album cover

    Maybe the best place to start talking about Kissing Luck Goodbye is at the end of the latest album from ADULT. Just when you think “Destroyers” is done, an electronic swoosh gives way to what sounds like traffic noise. Then, Nicola Kuperus’ voice reappears, singing, “We pay the price for those in power/Exploiting you, exploiting me/Consuming you, consuming me.” 

    I’ve had an advance copy of Kissing Luck Goodbye for a good minute and have now listened to it enough times to be somewhat haunted by the album’s finale. Listening to “Destroyers,” I think about how we’re literally paying the price for those in power every time we go to a store or restaurant and notice how things are ever-so-slightly more expensive than they were the week prior. We are being exploited, by politicians, by Big Tech, by virtually every corporate entity. We know this and, yet, it seems like there’s no way to stop it. 

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  • Some Monuments Need to Be Toppled

    Toppled, paintbombed Jefferson Davis statue inside MOCA Geffen Contemporary for Monuments (Photo: Liz Ohanesian)
    The toppled and paintbombed Jefferson Davis statue inside Monuments at Geffen Contemporary at MOCA (Pic: Liz O.)

    Jefferson Davis looks like he’s been clocked. The oversized, bronze statue of the  onetime president of the Confederacy is laid out on the floor of the Geffen Contemporary at MOCA. He’s splotched and tagged with paint, dried pink streams running down the length of the statue like blood. Walk up close and you’ll see that the top of his head has been pounded flat. An outstretched arm, partially severed from the shoulder, may have once given him the appearance of a savior. Now, it looks like he the one who needs saving. I study the hulking figure for a few moments, snap a couple photos and continue through the museum. Some monuments are better left down for the count. 

    Monuments, a collaboration between MOCA and The Brick that’s on view at the Geffen Contemporary through May 3, is an exhibition juxtaposing decommissioned monuments with contemporary art to explore U.S. post-Civil War history. The Jefferson Davis statue, which was dedicated in 1907, lived in Richmond, Virginia, where it was part of a whole complex of Confederate monuments. In 2018, a local commission in Richmond recommended its removal, but that didn’t happen until two years later, when the statue was paintbombed and toppled during protests following the murder of George Floyd. 

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  • Depeche Mode, Fontaines D.C. and War Child: The Wars Change, But the Protest Songs Remain the Same

    Photo of antiwar protestors in front of Los Angeles City Hall on March 7, 2026 (Photo: Liz Ohanesian)
    Protesting outside City Hall, March 7, 2026 (Pic: Liz O.)

    As the Santa Ana winds whipped through Los Angeles, downtown protestors clung to signs that read, “Invest in peace not the Pentagon” and “War crimes don’t hide sex crimes.” A string of activists spoke on the steps of City Hall. They led us in a run of chants all of which could be summarized in one point: end the wars. 

    Before walking to the Saturday afternoon protest, I listened toHelp (2), the War Child compilation album that came out on Friday, for the second or third time. On it, Depeche Mode covers “Universal Soldier,” written by Buffy Sainte-Marie in the early 1960s. It’s a striking condemnation of war made all the more ominous when performed as a dark, synthpop song. Listen closely and you might swear you hear jets in the background. Even if you’re only playing the song in the background, you can’t miss the resignation in Dave Gahan’s voice when he delivers the closing line, “this is not the way we put the end to war.” 

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  • Gorillaz Reach The Mountain + New Music from Heavenly, Voxtrot and Jupe Jupe

    Cover of Gorillaz The Mountain
    The Mountain, by Gorillaz is out now


    If your taste in music lives at the intersection of 1980s alternative, 1990s Britpop and 2000s indie- and if we know each other IRL, there’s a good chance it is- then this is your week for new music.  Heavenly just dropped their first full-length album in 30 years! Plus, Voxtrot has released their first new album since the MySpace era. And, of course, you know Gorillaz are back. Reviews for all three albums , plus the latest album from Jupe Jupe, a Seattle band who really gets why people still love the new wave bangers, are below.

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  • Peaches Proclaims “No Lube So Rude” + More New Music

    Apparat A Hum of Maybe album cover

    Not to date myself here, but I’ve been around long enough to remember the pre-Shazam days when “Fuck the Pain Away” was the new club jam that had people asking, “Who is this?” That said, in my timeline, a new Peaches album is cause for much celebration. No Lube So Rude, the first album from Peaches in over a decade, is out today. But, that’s not all. We also have new albums from Apparat, Mirah and Night Ritualz available now. Keep reading for my reviews.

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  • Mariachi El Bronx, Charli xcx and More New Music

    Mariachi el Bronx IV album cover

    It’s time for another album review round-up. This week, we have new releases from Mariachi el Bronx, Felsmann + Tiley and Charli xcx, plus albums from KMFDM and Lapêche that were released in the past few weeks.

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  • New Music from Sébastien Tellier, Kula Shaker and Sam Quealy

    Sebastien Tellier Kiss the Beast album cover

    Technically, this is last week’s batch of album reviews, but I put the list on hold until today. Sébastien Tellier, Kula Shaker and Sam Quealy all released new full-length albums on January 30. Musically, they are all very different, but, each one is quite worthy of your attention. Check out the reviews and then follow the links to find where you can stream or purchase them.

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  • Sextile, Pixel Grip + More of What You Heard at Synthwaves 1/23/26

    Synthwaves Grand Star Jazz Club January 23, 2026
    View from the DJ booth at Synthwaves, 1/23/26

    Last night was Club Underground x Synthwaves at the Grand Star. I played the second half of the night in the Synthwaves room, upstairs. Crowd was great, as always. I was happy to get to work in some Italo disco at the end of the night and to close with “Cherry” by Chromatics, which I don’t play out all that often. For those of you who were there, thanks for dancing! Set list is below. New-ish stuff, basically 2025 releases, link back to other mentions here on Beatique. 

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  • Robbie Williams on “Morrissey” and Britpop + More New Music

    Robbie Williams Britpop album cover

    I’m trying to catch up on new releases, so the following reviews are for music that came out in January, but not necessarily today and, not everything released on January 23, 2026 appears in this post. This week’s batch of reviews includes Robbie Williams Britpop, The Cribs Selling a Vibe, Maria Somerville Luster (Remixes) and Draag Miracle Drug. Keep reading for the details.

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  • Xiu Xiu’s Creepy Covers Album + More New Releases

    Xiu Xiu Xiu Mutha Fuckin’ Xiu: Vol. 1 album cover
    Xiu Xiu Xiu Mutha Fuckin’ Xiu: Vol. 1

    There aren’t enough hours in the day to listen to all of this week’s new releases, but I managed to sit down with a few of them, including Xiu Xiu’s new cover album, Xiu Mutha Fuckin’ Xiu: Vol. 1, Sleaford Mods The Demise of Planet X, Sylvia Black Shadowtime and Tigra and SPNCR Black Rice. Scroll down for the reviews. 

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