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Author: Liz O.

  • The Tricky Thing About Vinyl DJ Gigs + Set List from Footsie’s 5/16/26

    Fontaines D.C. Romance on vinyl in DJ booth at Footsies in Los Angeles (Photo: Liz Ohanesian)
    The last song of the night at Footsies, “Favourite” by Fontaines D.C.

    It’s pretty rare that I play vinyl sets these days, but, last night, I packed up two record bags to play at Footsie’s for my pal Malvada’s party, Acid Rain. It was a good night. The rumor I heard while standing next to speakers was “blah blah blah punk show blah blah blah shut down” and so a bunch of people headed over to the bar instead. Footsie’s was packed, roughly, from 11 p.m. until the lights came on and the last note of the last song (Fontaines D.C. “Favourite”) played. 

    Vinyl is tricky to DJ for a lot of reasons, but the one reason people don’t really mention is that it’s a challenge to play a vinyl set that doesn’t sound retro. A lot of times, retro is the goal of the party, so it works. If you’re just playing a general alt/indie/whatever set on vinyl, that’s not the case. It happens, though, because used ‘80s records are still plentiful in L.A. shops and new vinyl releases, when you can find them, are pricy relative to what DJs actually make. (Also, there are people who get really rude when you don’t play KROQ’s greatest hits of 1986, but we’ll save that rant for another day.) 

    Point being, I usually only buy new releases on vinyl when they’ve become my personal favorites and when I feel like I can play them out at some DJ gigs. In the past few weeks, I picked up copies of the latest albums from ADULT., Dry Cleaning and Kneecap, so those all made it into last night’s set. 

    The upside of vinyl, at least for a DJ who has been around for a minute, is that you’ll inevitably come across some records that you haven’t played in a long time, or, maybe, ever. I pulled The Faint’s Danse Macabre for last night’s gig because, back when it came out, at least five songs off it were hits at the clubs where I DJed. It actually is an important album for the early 2000s, but one that’s been overlooked in the years since. The Bloc Party song in last night’s set, “Tulips,” is one I probably haven’t played since the ‘00s. IDK why. 

    Set list for last night is below. Songs from the past year or so link to other references here on Beatique. 

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  • Holy Sun Opera House Turned Recurrent Dreams Into a Gothic Tale

    The Holy Sun Opera House press photo by Andres Herrera
    The Holy Sun Opera House (Photo: Andres Herrera)

    For years, Krissy Barker has been dreaming about houses. Some of the dreams are frightening. Others are not. All feature very specific dwellings that only exist in her dreams. “I’ll visit the same ones over and over and over again, sometimes multiple times in the same night,” the L.A.-based singer and drummer says on a video call. After so many somnial visits, Barker started turning those mysterious spaces into songs and, after forming Holy Sun Opera House with composer dl Salo, they became the basis for the project’s self-titled debut album, out now via Hologram Opera. 

    Holy Sun Opera House is gothic music in a way you wouldn’t expect for 2026. Barker and Salo- both classically trained musicians who met playing pinball and share a wide variety of non-classical influences- have made the kind of music you want to hear while you’re reading Rebecca or marathoning episodes of Dark Shadows. The album The Holy Sun Opera House is gothic in the sense that it gives you the impression of wandering through an old mansion on a stormy night, guided only by candlelight and unsure of what lies behind the doors you find. 

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  • Museums Are the Antidote to Slop. Go Visit One This Weekend.

    Defenders of Mother Earth altar by Ofelia Esparza at Vincent Price Art Museum Photo: Liz Ohanesian
    Defenders of Mother Earth altar by Ofelia Esparza at Vincent Price Art Museum (Pic: Liz O.)

    I’ve been on a museum kick lately. Museums are the antidote to the slop that poisons our daily lives. These institutions present art and history with the information and context necessary to understand what we see and hear. They’re curated – the actual definition of the word, not the watered-down marketing department version of it – by people who have done real research to present the materials in the most accurate way possible. I can trust what I see in a museum and that’s comforting when I can’t get through a single scroll without asking truly absurd questions like, “Is that Golden Trump for real?”

    My favorite thing about museums, though, is that the exhibitions are designed to be seen in person. You can take as many photos as you want, but none of them are going to do justice to the art or exhibits. That’s why, instead of my regular recommendations this week, I wanted to encourage people to go out and see what is in your local museums. If you’re reading this in Los Angeles, which I am assuming you are, then I have two specific institutions to shout out. Both are in locations that are easy to visit whether you have a car or use public transit and admission for both is free. 

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  • Minoru “Hoodoo” Fushimi, XL Middleton and Milk Talk Appear on Tokyo Love Song’s First 7″ Release

    "In Praise of Mitochondria" "Funkin' Me Up" 7" on display at Salt Box Records
    Tokyo Love Song’s first 7″ release features Minoru”Hoodoo” Fushimi on the A-Side and a collab between XL Middleton and Milk Talk on the B-Side. Seen here at Salt Box Records. (Pic: Liz O.)

    Tokyo Love Song, the L.A.-based party that focuses on Japanese funk and city pop, dropped their first vinyl release earlier this month and it’s a good one. The 7” split single features “In Praise of Mitochondria,” the cult classic cut from Minoru “Hoodoo” Fushimi, on the A-side. For the B-side, modern funk musician and producer XL Middleton joins forces with Japan-based duo Milk Talk for their take on Fushimi’s song, which they’ve titled “Funkin’ Me Up.” I bought a copy of the single last time I stopped by Salt Box Records, Middleton’s shop in Little Tokyo, and was instantly smitten with it. 

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  • Slayyyter “I’m Actually Kinda Famous” + Underground Set List 5/08/26

    Slayyyter Worst Girl in America album cover
    Cover for Wor$t Girl in America by Slayyyter

    I’ve been trying out songs from Wor$t Girl in America since the new album from Slayyyter came out a handful of weeks ago. So far, the songs have done pretty well, but last night, “I’m Actually Kinda Famous” kinda popped on the dance floor. TBH, it was a song that I had been thinking about playing since the album came out, but I wasn’t sure if I could make it work. But, hey, you gotta take some chances in life and your DJ sets.

    Anyhow, last night I was DJing at Club Underground. (I know I said I wasn’t DJing this weekend. Surprise!) It was somewhere after midnight. Sextile “S Is For” (also on this month’s mix) was playing and people were getting really into it, especially a group near the DJ booth. I mixed in Yeah Yeah Yeahs “Heads Will Roll,” the A-Trak remix, and that group by me screamed and danced even harder. I thought, okay, if they’re down with Sextile *and* Yeah Yeah Yeahs remixed by A-Trak, they’re my people and probably already into Slayyyter. So, I slowed down “Heads Will Roll” a pinch, sped up “I’m Actually Kinda Famous” a lot and mixed them thinking, this is either going to suck or it’s going to slayyy. I guess the latter happened because the group I had been eyeing was now all over the dance floor and other group at the back of the dance floor started jumping up and down and screaming for the song.

    Anyhow, kids, the moral of the day is to go with your gut and make it work. Here’s the set list from last night. Songs from the past year or so are in bold and link back to other other mentions on this here blog.

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  • How Making a Documentary on Scottish Girl Bands Influenced Carla J. Easton on Her New Album

    Press photo of Carla J. Easton by Craig McIntosh
    Carla J. Easton’s new album, I Think That I Might Love You, is out now. (Photo: Craig McIntosh)

    Throughout her career, Carla J. Easton wrote and played with piano and synthesizers. That changed, though, after spending eight years working on the documentary Since Yesterday: The Untold Story of Scotland’s Girl Bands. “I would just interview and spend time with these incredible, powerful, independent women,” says Glasgow-based Easton on a recent video call. “None of them ever waited for an invitation. A lot of them are just like, I’ll pick up a guitar, fuck it.”

    So Easton, too, picked up a guitar too. The result is her latest solo album, I Think That I Might Love You, out on May 8.

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  • Listen to the May 2026 Edition of Beatique

    Beatique May 2024 mix cover


    The May, 2026 edition of Beatique is up on Mixcloud right now and I hope you’ll give it a listen. This month’s set includes a few current club hits from the likes of Sextile, Fcukers and Alice Glass, an electroclash throwback and a big ol’ ‘90s club banger. There are also a couple 1960s/early ‘70s jams and new tunes from Tomora, Kneecap, Fontaines D.C. and more.

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  • The D Line Extension Opens This Weekend + More Happening in L.A.

    Inside David Geffen Galleries at LACMA (Photo: Liz Ohanesian)
    Psst! I heard the D Line extension opens this weekend! (Pic: Liz O.)

    This Friday, the first section of Metro’s D Line extension opens, which means we’ll finally have subway access to Miracle Mile. The Wilshire/La Brea is El Rey adjacent. Wilshire/Fairfax will take you to Museum Row and the timing couldn’t be better now that LACMA’s David Geffen Galleries are open. You can also ride the D to the Academy Museum for a super cool screening listed in this week’s Movies section. And, maybe that Wilshire/La Cienega stop will lead to a Beverly Center resurgence. Who knows?  

    Metro news aside, here are my recommendations for concerts, clubs, movie screenings and a few art events that are happening this weekend and early next week. 

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  • Mignon Looks Towards Utopias in Dystopian Times

    Mignon Fist in a Honeypot video selfie
    (Photo courtesy of Mignon)

    In her video for “Fist in a Honeypot,” Mignon cuts a regal figure, decked out like a Marie Antoinette for late stage capitalism. With Benjamins dripping from her cage skirt, and more bills doubling as a fan, she sips tea and spits out lines like, “money to cheat for/they rob you.” Both the costume, made by the singer herself, and the song are a commentary on today’s “let them eat cake” elite. 

    “It’s about people having too much money,” Mignon says with a laugh about what she describes as the most anti-capitalist of her new batch of songs. 

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  • Album Review: Kneecap Fenian

    Kneecap Fenian Album Cover

    The first time I heard Fenian, the new album from Kneecap, was at a listening party in January. It was a private thing- mainly press and industry, I think- in the back room of an LA pub where the album played once and I spent the bus ride home scribbling notes about the album’s clubby flow, its nods to ‘90s hip-hop- there’s definitely a Wu-Tang energy in there – and the killer drum ’n’ bass track in the middle of Fenian. This isn’t an overstatement or the result of a hype-buzz, but I was genuinely excited for the new album. 

    The second time I heard Fenian was roughly three months later, on the album’s May 1 release date. In between, I had amassed the digital singles- the album’s title track is now one of my current favorites to play when I DJ at Underground– and scrolled through enough posts that half my Instagram timeline would have me convinced that this is the most anticipated album of the year. TBH, I’m not sure if that’s the case for anyone but myself. But, whatever. Fenian is top-tier album.

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