Search results for: “the mae shi”

  • Former Members of The Mae Shi Reconvene at HLLLYH For New Album URUBURU

    Photo of HLLLYH by Ezra Buchla
    HLLLYH (Photo by Ezra Buchla)

    Tim Byron wanted to get The Mae Shi back together. It had been about 20 years since the synthpunk band formed in Los Angeles and a decade since the original members reunited for a one-off show at Pehrspace. “It was the cliche of we’re getting the band back together,” he says on a recent video call. And, despite the fact that three of the members— Byron, as well as his brother Jeff Byron and Ezra Buchla— now live in the Bay Area while Brad Breeck and Corey Fogel are in L.A., he was able to do that. They recorded what was intended to be a new album from their old band. “But, at the end of the day,” Byron says, “it was different enough where we decided to give it a different name and have a separate identity from The Mae Shi.” The band morphed into HLLLYH and includes new members Dan Chao, James Baker and Burt Hashiguchi. Debut album  Uruburuis out on June 27. 

    HLLLYH played their first show, opening for Brainiac at Bottom of the Hill in San Francisco, last January. Throughout this past spring, they’ve released three singles, “Dead Clade,” “Uru Buru” and “Flex It, Tagger,” with a cover song B-side included with each release. Byron is right, the music is different enough from what they did in the ‘00s to warrant a different band name. But, the energy of The Mae Shi is still there. 

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  • The Smell Anniversary, L.A. Fights Back and More Happening in L.A. This Weekend

    HLLLYH live at The Smell on Saturday, August 9, 2025 (Photo: Liz Ohanesian)
    HLLLYH plays The Smell’s 28th Anniversary party on Friday, January 2, 2026. (Photo: Liz O.)

    If your New Year’s Resolution is to get out of the house more often, you might as well start now because there are some very cool events happening in Los Angeles for this first weekend of 2026, including The Smell’s weekend-long anniversary bash, the L.A. Fights Back benefit show with Sextile, Automatic and Choir Boy, a David Bowie-themed skate party, film tributes to Bowie, David Lynch, Rob Reiner and Udo Kier, plus lots more. Keep reading for the breakdown. 

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  • Kim Theory Releases Debut EP, Bitch Scene

    Kim Theory press photo
    Kim Theory (photo courtesy of the band)

    Three Kims inspired the name of L.A. up-and-comers Kim Theory: Deal, Gordon and Shattuck. On the band’s debut EP, Bitch Scene, you can hear the influence of all three indie icons. The punk spirit of The Muffs lives on “Child Star Teenybopper,” where the legacy classic Pixies albums, as well as the Breeders, echo on “GrowingUp” and a noise rock dirge reminiscent of Bad Moon Rising Sonic Youth opens “Wish You Were.” 

    Kim Theory’s own story begins when Audrey Cymone, Lula Seifert and Zoey Su were in middle school, which wasn’t all that long ago. Cymone and Seifert performed one cover from each of the famed Kims for Seifert’s Women’s History Month school assembly. Su, who was in the crowd that day, recalls one kid proclaim, “Oh my god, they’re playing Sonic Youth!” when the girls busted out a cover of “Kool Thing.” 

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  • Goths for Palestine Vol. II and More New Music

    Goths for Palestine Vol II album cover
    Goths for Palestine, Vol. II includes music from Nuovo Testamento, Leæther Strip, A Place to Bury Strangers and More curated by Suzi Sabotage

    Late last year, Finnish singer Suzi Sabotage curated the first Goths for Palestine compilation, a 30-track collection featuring contributions from an international group of artists, including Belgrado, Zanias, Dancing Plague and Taleen Kali, and with proceeds benefiting long-running relief group Anera. Earlier this month, Goths for Palestine, Volume II hit Bandcamp. 

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  • The Sound of Saturday Night in Downtown Los Angeles

    HLLLYH live at The Smell on Saturday, August 9, 2025 (Photo: Liz Ohanesian)
    HLLLYH live at The Smell on Saturday, August 9, 2025 (Pic: Liz O.)

    I’m trying to think of the last time I had been to The Smell. It was so long ago that I nearly forgot to enter through the alley in the back. Maybe I haven’t been here since before the pandemic? The last show I remember seeing at the venerable L.A. DIY space was that dog and Graham Coxon. It was a night hotter than this one, sometime during the summer before the timeline went awry. A lot has changed since 2019. That The Smell still exists says a lot about the venue. I probably should go to shows here more often, but the thing is that, once you hit a certain age, hanging out at an all-age punk venue with no specific purpose can be a little awkward. Like, do I really need people to assume that I’m a mom keeping an eye on her weird kid when I’m still, mentally, the weird kid?

    Tonight, though, I have a specific, age-appropriate purpose. I’m going to see HLLLYH, which is the new band spawned from The Mae Shi, who I saw at The Smell more than once back when I was young and downtown was still a ghost town after dark.

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  • Klub Nocturno Is Back at Catch One on August 8 + More Happening This Weekend in L.A.

    Klub Nocturno flyer Friday, August 8, 2025

    Nocturno is back at Catch One (4067 Pico Blvd. 90019) for five rooms of dancing on Friday, August 8. You’ll find me in the darkwave vs. indie sleaze room, which is also where Vilevo is playing live. On top of that, I’ll be playing an extra dose of She Past Away tunes for you throughout the night. Tickets are available now on Dice for this 18+ night.  Check out my set list from last month’s Nocturno and make plans to join us on Friday night. 

    Here’s what else is happening this weekend and early next week. 

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  • Monday Nights Opens This Saturday, Plus More Happening in L.A., 7/31-8/06/25

    A wee bit of Sean Carnage's photo collection from Monday Nights: L.A.'s Scene of the Century 2005-2016. Show opens at Leiminspace in Chinatown on Saturday, August 2, 2025 (Photo: Liz Ohanesian)
    A wee bit of Sean Carnage’s photo collection from Monday Nights: L.A.’s Scene of the Century 2005-2016. Show opens at Leiminspace in Chinatown on Saturday, August 2, 2025 (Photo of installation by Liz O.)

    I spent a decent chunk of Tuesday afternoon at Leiminspace with Sean Carnage and Miguel Rodriguez listening to Cold War Kids, CSS and Bloc Party while hanging Monday Nights: L.A.’s Scene of the Century, 2005 -2016. The top photo is actually a before pic from Tuesday. We added a lot more to the wall and there are more walls and more photos and I’m getting pretty excited for people to have the chance to see it. The show opens on Saturday, August 2, with the festivities happening between 4 p.m. and 8 p.m. Do join us in Chinatown’s Central Plaze at Leiminspace (443 Lei Min Way) for the opening. If you can’t make it, the show is running through August 23 and regular gallery hours are Saturdays from 1 p.m. until 6 p.m. We also made a 120-page mook/exhibition catalog that will be sold at the gallery. Stay tuned for more programming announcements too. 

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  • N8NOFACE and Chico Mann Update a Classic Alternative Sound on As of Right Now

    N8NOFACE promo photo by Sela Shiloni
    N8NOFACE (photo: Sela Shiloni)

    “Waiting to Wait For You” has been running on a loop through my brain. The lead single from As of Right Now, the latest EP from N8NOFACE and his debut with venerable L.A. label Stones Throw, is a sticky mix of indie jangle and new wave bounce with the Long Beach-based singer repeating, “I can’t wait, wait to wait for you” against a riff that sounds as if it could have come from Johnny Marr. 

    N8 credits producer Chico Mann, aka Marcos Garcia, the guitarist best known for his work with Antibalas and Here Lies Man, for the EP’s sound. “He was a huge Johnny Marr fan as a kid,” says N8 on a recent video call. The two connected a few years back to collaborate on producing another song. “We would talk about what direction I would want to go in and I always mention to him things that I just can’t do musically and he’s like, well this is a sound I always wanted to produce, let me write some music with your voice in mind,” N8 recalls. Garcia came back with about a dozen instrumentals. N8 tackled the lyrics in about a year and seven of the songs landed on As of Right Now. 

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  • Mark Your Calendars: ‘Monday Nights: L.A.’s Scene of the Century, 2005–2016″ is Coming to Leiminspace This August

    Sean Carnage Monday Nights photo exhibition at Leiminspace in Chinatown August 2, 2025

    Between 2005 and 2016, anything could happen on Monday Nights. The weekly series of DIY shows presented by Sean Carnage brought together synthpunk, metal, noise, hip-hop, unexpected cover bands and so much more. Locals like Health and Captain Ahab played Monday Nights, as did touring artists like Dan Deacon and Future Islands. The shows were influential on a wave of L.A. musicians coming up in the ’00s. They were influential for myself as well, as I covered the shows often early in my journalism career. So I’m excited to tell you now that I’m co-curating, “Monday Nights: L.A.’s Scene of the Century 2005=2016,” an exhibition set to open at Leiminspace in Chinatown on Saturday, August 2. Check out the press release below, mark your calendars , tell your friends and join us for the opening party.

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  • Decoder Is the Punk Sci-Fi Film, and Soundtrack, You Need in Your Life

    Christiane F. and F.M. Einheit in Decoder
    Christiane F. and F.M. Einheit in Decoder

    Sometime during lockdown, I stumbled upon a movie called Decoder via Tubi and streamed it not knowing what to expect. By the time I reached the end, I wondered, how did I not know this film existed? Released in 1984, Decoder is a German sci-fi film with serious counterculture cred. It stars F.M. Einheit, then a member of Einsturzende Neubauten, and Christiane F. and also features appearances from Genesis P-Orridge and William Burroughs. P-Orridge composed the film’s main theme with Dave Ball of Soft Cell, whose song “Seedy Films” is featured prominently in the movie, alongside music from Neubauten, Einheit and The The.

    The Decoder soundtrack, which was just re-released on CD via U.K. label Cold Spring, is killer, which one might expect with that caliber of contributors. The movie, though, is even better. In it, Einheit plays a young man who realizes that the muzak playing in the fast food restaurant is a form of mind control and that he can manipulate the sounds to elicit a completely different response from the public. 

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