There’s some good news for L.A. crate diggers. Salt Box Records is back IRL. The record shop operated by modern funk musician and DJ XL Middleton recently reopened inside Little Tokyo venue Hello Stranger after focusing on Instagram drops and pop-up events for the past few years. The soft open was last week. I stopped by on Friday afternoon and left with some heat.
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It’s a been a minute, but the Giant Robot Biennale is back. Between 2007 and 2015, the group exhibition developed by Erik Nakamura and the Japanese American National Museum popped up roughly every other year, bringing together a cross-section of artists that you might recognize from shows at the GR2 Gallery in West L.A., or from the pages of the magazine Giant Robot, which ran from 1994 until 2010 and helped introduce audiences to artists like Takashi Murakami and Yoshitomo Nara.
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Tokyo Love Song, the L.A.-based party that focuses on Japanese funk and city pop, dropped their first vinyl release earlier this month and it’s a good one. The 7” split single features “In Praise of Mitochondria,” the cult classic cut from Minoru “Hoodoo” Fushimi, on the A-side. For the B-side, modern funk musician and producer XL Middleton joins forces with Japan-based duo Milk Talk for their take on Fushimi’s song, which they’ve titled “Funkin’ Me Up.” I bought a copy of the single last time I stopped by Salt Box Records, Middleton’s shop in Little Tokyo, and was instantly smitten with it.
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Friday night is Interpol Nite at Club Underground with both floors of Grand Star Jazz Club open, so you’ll get your Interpol singles and deep cuts plus your indiepostpunkdarkwaveelectronewwave Underground favorites. Larry G. and I are DJing all night and the 21+ party starts at 9:30 p.m. Advance tickets are available now, but, wait, there’s more.
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One of the first things I learned after moving to Chinatown was to avoid walking down Broadway on the weekends. This was well over a decade ago- before the high rent apartments and perennial line at Howlin’ Ray’s were a thing- and the sidewalk scene on the neighborhood’s main drag was poppin’ throughout the weekends. Back then, trying to get from Point A to Point B was like maneuvering your way through a house party where your goal is to squeeze through a tightly packed crowd of people and stuff without knocking over a vase or getting stabbed by a pointy plant. Then the pandemic happened and, perhaps like most of downtown save for Little Tokyo, the crowds didn’t come back in the same numbers.
On the Saturday after Lunar New Year, though, Chinatown felt like it did before lockdown. I walked along Broadway- after the past six years, I forgot my old rule- and quickly backed up against a wall, near a row of plants, to let large group of teenagers pass. I got caught in wave after wave of gridlock and teetered along the curb trying to bypass the nearly impenetrable crowd in front of Yang Chow and the oversized stroller parked between a store and a rack of tchotchkes. At Scoops, which was my destination, my first two ice cream choices were sold out and the third nearly so. It had been busy all day, I heard, and, even as dinner time approached, people were still hanging around.
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This weekend, you can catch Cold Cave at The Bellwether, Lead Into Gold over at 2220 Arts + Archives, Nuovo Testamento and SRSQ at The Roxy and Teenage Goo Goo Muck over at The Offbeat. Plus, Razorcake celebrates 10 years of parties at Footsie’s, Décadanse is back at the Grand Star with French pop on vinyl all night, Black Orpheus screens at Vidiots and more shows, clubs and movie screenings are happening this Valentine’s Day weekend in L.A. I’ve also included a few recommendations for early next week, like Mariachi El Bronx at Amoeba and The Black Watch at The Barklay, so keep reading.
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It’s time for another theme night at Club Underground and, on Friday, February 6, we’ll be bringing back one of my personal favorites— Gorillaz x Daft Punk Night! Both floors of the Grand Star Jazz Club will be open with DJ Larry G. and me, Liz O., playing all night. On the first floor, you’ll hear songs from Gorillaz and Daft Punk, plus indie, Britpop, post-punk, synth and electro dance. Second floor is Gorillaz, Daft Punk, post-punk, electro, new wave, darkwave, goth, synthpop and dance. You know this is going to be a good one too, since Gorillaz has a new album, The Mountain, coming out later this month, five songs from which are already out now. (You may have already heard “The Happy Dictator” at Underground.) Tickets are available now on Eventbrite and Dice, so get yours now.
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This Friday, I’m back at Klub Nocturno for another full-venue takeover of Catch One. I’ll be in the new wave vs. darkwave room with a mix of your favorite throwbacks and new school bangers. This is Nocturno’s annual free night and, well, I hope you already RSVPed because tickets are sold out on Dice. Follow Klub Nocturno on Instagram for more info (and to catch me talking about one of my favorite albums).
Keep reading if you want my recommendations for the rest of the weekend and early next week.
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“Viento,” the Caifanes song, plays as a mild, downtown wind blows the papel picado hanging above Dia de los Muertos altars at Gloria Molina Grand Park. There’s a sizable crowd milling about on Sunday afternoon, investigating the details of the large, often elaborately decorated altars, or ofrendas, that local artists and community groups have made for the exhibition, which runs through November 2.
There are a lot of Dia de los Muertos events happening in Los Angeles between now and next weekend (check L.A. Taco for a comprehensive list). I try to always check out the ones at Grand Park and Olvera Street, which are walking distance from each other.
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It was an ordinary Sunday in Los Angeles. I heard one driver blasting Zapp while walking from the Metro station to Salt Box Records, another blasting Debbie Deb as I walked back. Second Street was packed with teenagers dressed in goth garb and anime gear and indie sleaze vintage with Labubus hanging off their bags.
Salt Box Sessions was a blast. Did some digging through the vinyl bins. The Miracles 45 that I got made it into the set. I went more soul than disco in the set, but the song that got the biggest reaction was “Les Yeux de Laura” by Goût de Luxe. It really impressed a French guy, who took a photo of it. I don’t know anything about the band or the song and the only reason why I know the title means “The Eyes of Laura” is because I Googled it and the movie The Eyes of Laura Mars (which is amazing, see it, if you haven’t) was one of the results. It is, however, a 45 that I found in the bins at Salt Box not too long ago.
Anyhow, here’s the set list.
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